A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy
The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Bernabei, Mauro [verfasserIn] |
|---|
| Format: |
E-Artikel |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
2018transfer abstract |
|---|
| Schlagwörter: |
|---|
| Umfang: |
5 |
|---|
| Übergeordnetes Werk: |
Enthalten in: A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease - Scullin, Michael K. ELSEVIER, 2014transfer abstract, Amsterdam [u.a.] |
|---|---|
| Übergeordnetes Werk: |
volume:34 ; year:2018 ; pages:69-73 ; extent:5 |
| Links: |
|---|
| DOI / URN: |
10.1016/j.culher.2018.04.005 |
|---|
| Katalog-ID: |
ELV044655533 |
|---|
| LEADER | 01000caa a22002652 4500 | ||
|---|---|---|---|
| 001 | ELV044655533 | ||
| 003 | DE-627 | ||
| 005 | 20230626005534.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 181113s2018 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.1016/j.culher.2018.04.005 |2 doi | |
| 028 | 5 | 2 | |a GBV00000000000417.pica |
| 035 | |a (DE-627)ELV044655533 | ||
| 035 | |a (ELSEVIER)S1296-2074(17)30794-X | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rakwb | ||
| 041 | |a eng | ||
| 082 | 0 | 4 | |a 610 |q VZ |
| 082 | 0 | 4 | |a 540 |q VZ |
| 084 | |a 35.10 |2 bkl | ||
| 100 | 1 | |a Bernabei, Mauro |e verfasserin |4 aut | |
| 245 | 1 | 0 | |a A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy |
| 264 | 1 | |c 2018transfer abstract | |
| 300 | |a 5 | ||
| 336 | |a nicht spezifiziert |b zzz |2 rdacontent | ||
| 337 | |a nicht spezifiziert |b z |2 rdamedia | ||
| 338 | |a nicht spezifiziert |b zu |2 rdacarrier | ||
| 520 | |a The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. | ||
| 520 | |a The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. | ||
| 650 | 7 | |a Musical instruments |2 Elsevier | |
| 650 | 7 | |a Tree species |2 Elsevier | |
| 650 | 7 | |a Baroque guitar |2 Elsevier | |
| 650 | 7 | |a Dendrochronology |2 Elsevier | |
| 650 | 7 | |a Neapolitan school |2 Elsevier | |
| 700 | 1 | |a Macchioni, Nicola |4 oth | |
| 700 | 1 | |a Valentina, Maria Ricetti |4 oth | |
| 700 | 1 | |a Sisto, Luigi |4 oth | |
| 773 | 0 | 8 | |i Enthalten in |n Elsevier Science |a Scullin, Michael K. ELSEVIER |t A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease |d 2014transfer abstract |g Amsterdam [u.a.] |w (DE-627)ELV017982979 |
| 773 | 1 | 8 | |g volume:34 |g year:2018 |g pages:69-73 |g extent:5 |
| 856 | 4 | 0 | |u https://doi.org/10.1016/j.culher.2018.04.005 |3 Volltext |
| 912 | |a GBV_USEFLAG_U | ||
| 912 | |a GBV_ELV | ||
| 912 | |a SYSFLAG_U | ||
| 912 | |a SSG-OLC-PHA | ||
| 912 | |a GBV_ILN_65 | ||
| 912 | |a GBV_ILN_70 | ||
| 912 | |a GBV_ILN_2015 | ||
| 936 | b | k | |a 35.10 |j Physikalische Chemie: Allgemeines |q VZ |
| 951 | |a AR | ||
| 952 | |d 34 |j 2018 |h 69-73 |g 5 | ||
| author_variant |
m b mb |
|---|---|
| matchkey_str |
bernabeimauromacchioninicolavalentinamar:2018----:mlinltcltdoteaglnoutrbrqeatricfote |
| hierarchy_sort_str |
2018transfer abstract |
| bklnumber |
35.10 |
| publishDate |
2018 |
| allfields |
10.1016/j.culher.2018.04.005 doi GBV00000000000417.pica (DE-627)ELV044655533 (ELSEVIER)S1296-2074(17)30794-X DE-627 ger DE-627 rakwb eng 610 VZ 540 VZ 35.10 bkl Bernabei, Mauro verfasserin aut A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy 2018transfer abstract 5 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. Musical instruments Elsevier Tree species Elsevier Baroque guitar Elsevier Dendrochronology Elsevier Neapolitan school Elsevier Macchioni, Nicola oth Valentina, Maria Ricetti oth Sisto, Luigi oth Enthalten in Elsevier Science Scullin, Michael K. ELSEVIER A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease 2014transfer abstract Amsterdam [u.a.] (DE-627)ELV017982979 volume:34 year:2018 pages:69-73 extent:5 https://doi.org/10.1016/j.culher.2018.04.005 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U SSG-OLC-PHA GBV_ILN_65 GBV_ILN_70 GBV_ILN_2015 35.10 Physikalische Chemie: Allgemeines VZ AR 34 2018 69-73 5 |
| spelling |
10.1016/j.culher.2018.04.005 doi GBV00000000000417.pica (DE-627)ELV044655533 (ELSEVIER)S1296-2074(17)30794-X DE-627 ger DE-627 rakwb eng 610 VZ 540 VZ 35.10 bkl Bernabei, Mauro verfasserin aut A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy 2018transfer abstract 5 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. Musical instruments Elsevier Tree species Elsevier Baroque guitar Elsevier Dendrochronology Elsevier Neapolitan school Elsevier Macchioni, Nicola oth Valentina, Maria Ricetti oth Sisto, Luigi oth Enthalten in Elsevier Science Scullin, Michael K. ELSEVIER A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease 2014transfer abstract Amsterdam [u.a.] (DE-627)ELV017982979 volume:34 year:2018 pages:69-73 extent:5 https://doi.org/10.1016/j.culher.2018.04.005 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U SSG-OLC-PHA GBV_ILN_65 GBV_ILN_70 GBV_ILN_2015 35.10 Physikalische Chemie: Allgemeines VZ AR 34 2018 69-73 5 |
| allfields_unstemmed |
10.1016/j.culher.2018.04.005 doi GBV00000000000417.pica (DE-627)ELV044655533 (ELSEVIER)S1296-2074(17)30794-X DE-627 ger DE-627 rakwb eng 610 VZ 540 VZ 35.10 bkl Bernabei, Mauro verfasserin aut A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy 2018transfer abstract 5 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. Musical instruments Elsevier Tree species Elsevier Baroque guitar Elsevier Dendrochronology Elsevier Neapolitan school Elsevier Macchioni, Nicola oth Valentina, Maria Ricetti oth Sisto, Luigi oth Enthalten in Elsevier Science Scullin, Michael K. ELSEVIER A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease 2014transfer abstract Amsterdam [u.a.] (DE-627)ELV017982979 volume:34 year:2018 pages:69-73 extent:5 https://doi.org/10.1016/j.culher.2018.04.005 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U SSG-OLC-PHA GBV_ILN_65 GBV_ILN_70 GBV_ILN_2015 35.10 Physikalische Chemie: Allgemeines VZ AR 34 2018 69-73 5 |
| allfieldsGer |
10.1016/j.culher.2018.04.005 doi GBV00000000000417.pica (DE-627)ELV044655533 (ELSEVIER)S1296-2074(17)30794-X DE-627 ger DE-627 rakwb eng 610 VZ 540 VZ 35.10 bkl Bernabei, Mauro verfasserin aut A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy 2018transfer abstract 5 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. Musical instruments Elsevier Tree species Elsevier Baroque guitar Elsevier Dendrochronology Elsevier Neapolitan school Elsevier Macchioni, Nicola oth Valentina, Maria Ricetti oth Sisto, Luigi oth Enthalten in Elsevier Science Scullin, Michael K. ELSEVIER A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease 2014transfer abstract Amsterdam [u.a.] (DE-627)ELV017982979 volume:34 year:2018 pages:69-73 extent:5 https://doi.org/10.1016/j.culher.2018.04.005 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U SSG-OLC-PHA GBV_ILN_65 GBV_ILN_70 GBV_ILN_2015 35.10 Physikalische Chemie: Allgemeines VZ AR 34 2018 69-73 5 |
| allfieldsSound |
10.1016/j.culher.2018.04.005 doi GBV00000000000417.pica (DE-627)ELV044655533 (ELSEVIER)S1296-2074(17)30794-X DE-627 ger DE-627 rakwb eng 610 VZ 540 VZ 35.10 bkl Bernabei, Mauro verfasserin aut A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy 2018transfer abstract 5 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. Musical instruments Elsevier Tree species Elsevier Baroque guitar Elsevier Dendrochronology Elsevier Neapolitan school Elsevier Macchioni, Nicola oth Valentina, Maria Ricetti oth Sisto, Luigi oth Enthalten in Elsevier Science Scullin, Michael K. ELSEVIER A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease 2014transfer abstract Amsterdam [u.a.] (DE-627)ELV017982979 volume:34 year:2018 pages:69-73 extent:5 https://doi.org/10.1016/j.culher.2018.04.005 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U SSG-OLC-PHA GBV_ILN_65 GBV_ILN_70 GBV_ILN_2015 35.10 Physikalische Chemie: Allgemeines VZ AR 34 2018 69-73 5 |
| language |
English |
| source |
Enthalten in A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease Amsterdam [u.a.] volume:34 year:2018 pages:69-73 extent:5 |
| sourceStr |
Enthalten in A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease Amsterdam [u.a.] volume:34 year:2018 pages:69-73 extent:5 |
| format_phy_str_mv |
Article |
| bklname |
Physikalische Chemie: Allgemeines |
| institution |
findex.gbv.de |
| topic_facet |
Musical instruments Tree species Baroque guitar Dendrochronology Neapolitan school |
| dewey-raw |
610 |
| isfreeaccess_bool |
false |
| container_title |
A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease |
| authorswithroles_txt_mv |
Bernabei, Mauro @@aut@@ Macchioni, Nicola @@oth@@ Valentina, Maria Ricetti @@oth@@ Sisto, Luigi @@oth@@ |
| publishDateDaySort_date |
2018-01-01T00:00:00Z |
| hierarchy_top_id |
ELV017982979 |
| dewey-sort |
3610 |
| id |
ELV044655533 |
| language_de |
englisch |
| fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">ELV044655533</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20230626005534.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">181113s2018 xx |||||o 00| ||eng c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1016/j.culher.2018.04.005</subfield><subfield code="2">doi</subfield></datafield><datafield tag="028" ind1="5" ind2="2"><subfield code="a">GBV00000000000417.pica</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)ELV044655533</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ELSEVIER)S1296-2074(17)30794-X</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">610</subfield><subfield code="q">VZ</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">540</subfield><subfield code="q">VZ</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">35.10</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bernabei, Mauro</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2018transfer abstract</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">5</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">nicht spezifiziert</subfield><subfield code="b">zzz</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">nicht spezifiziert</subfield><subfield code="b">z</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">nicht spezifiziert</subfield><subfield code="b">zu</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musical instruments</subfield><subfield code="2">Elsevier</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Tree species</subfield><subfield code="2">Elsevier</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Baroque guitar</subfield><subfield code="2">Elsevier</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Dendrochronology</subfield><subfield code="2">Elsevier</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Neapolitan school</subfield><subfield code="2">Elsevier</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Macchioni, Nicola</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Valentina, Maria Ricetti</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sisto, Luigi</subfield><subfield code="4">oth</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="n">Elsevier Science</subfield><subfield code="a">Scullin, Michael K. ELSEVIER</subfield><subfield code="t">A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease</subfield><subfield code="d">2014transfer abstract</subfield><subfield code="g">Amsterdam [u.a.]</subfield><subfield code="w">(DE-627)ELV017982979</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:34</subfield><subfield code="g">year:2018</subfield><subfield code="g">pages:69-73</subfield><subfield code="g">extent:5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1016/j.culher.2018.04.005</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_U</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ELV</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_U</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OLC-PHA</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_70</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2015</subfield></datafield><datafield tag="936" ind1="b" ind2="k"><subfield code="a">35.10</subfield><subfield code="j">Physikalische Chemie: Allgemeines</subfield><subfield code="q">VZ</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">34</subfield><subfield code="j">2018</subfield><subfield code="h">69-73</subfield><subfield code="g">5</subfield></datafield></record></collection>
|
| author |
Bernabei, Mauro |
| spellingShingle |
Bernabei, Mauro ddc 610 ddc 540 bkl 35.10 Elsevier Musical instruments Elsevier Tree species Elsevier Baroque guitar Elsevier Dendrochronology Elsevier Neapolitan school A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy |
| authorStr |
Bernabei, Mauro |
| ppnlink_with_tag_str_mv |
@@773@@(DE-627)ELV017982979 |
| format |
electronic Article |
| dewey-ones |
610 - Medicine & health 540 - Chemistry & allied sciences |
| delete_txt_mv |
keep |
| author_role |
aut |
| collection |
elsevier |
| remote_str |
true |
| illustrated |
Not Illustrated |
| topic_title |
610 VZ 540 VZ 35.10 bkl A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy Musical instruments Elsevier Tree species Elsevier Baroque guitar Elsevier Dendrochronology Elsevier Neapolitan school Elsevier |
| topic |
ddc 610 ddc 540 bkl 35.10 Elsevier Musical instruments Elsevier Tree species Elsevier Baroque guitar Elsevier Dendrochronology Elsevier Neapolitan school |
| topic_unstemmed |
ddc 610 ddc 540 bkl 35.10 Elsevier Musical instruments Elsevier Tree species Elsevier Baroque guitar Elsevier Dendrochronology Elsevier Neapolitan school |
| topic_browse |
ddc 610 ddc 540 bkl 35.10 Elsevier Musical instruments Elsevier Tree species Elsevier Baroque guitar Elsevier Dendrochronology Elsevier Neapolitan school |
| format_facet |
Elektronische Aufsätze Aufsätze Elektronische Ressource |
| format_main_str_mv |
Text Zeitschrift/Artikel |
| carriertype_str_mv |
zu |
| author2_variant |
n m nm m r v mr mrv l s ls |
| hierarchy_parent_title |
A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease |
| hierarchy_parent_id |
ELV017982979 |
| dewey-tens |
610 - Medicine & health 540 - Chemistry |
| hierarchy_top_title |
A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease |
| isfreeaccess_txt |
false |
| familylinks_str_mv |
(DE-627)ELV017982979 |
| title |
A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy |
| ctrlnum |
(DE-627)ELV044655533 (ELSEVIER)S1296-2074(17)30794-X |
| title_full |
A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy |
| author_sort |
Bernabei, Mauro |
| journal |
A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease |
| journalStr |
A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease |
| lang_code |
eng |
| isOA_bool |
false |
| dewey-hundreds |
600 - Technology 500 - Science |
| recordtype |
marc |
| publishDateSort |
2018 |
| contenttype_str_mv |
zzz |
| container_start_page |
69 |
| author_browse |
Bernabei, Mauro |
| container_volume |
34 |
| physical |
5 |
| class |
610 VZ 540 VZ 35.10 bkl |
| format_se |
Elektronische Aufsätze |
| author-letter |
Bernabei, Mauro |
| doi_str_mv |
10.1016/j.culher.2018.04.005 |
| dewey-full |
610 540 |
| title_sort |
a multi-analytical study on the mango longo guitar, a baroque masterpiece from the castello sforzesco, milan, italy |
| title_auth |
A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy |
| abstract |
The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. |
| abstractGer |
The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. |
| abstract_unstemmed |
The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time. |
| collection_details |
GBV_USEFLAG_U GBV_ELV SYSFLAG_U SSG-OLC-PHA GBV_ILN_65 GBV_ILN_70 GBV_ILN_2015 |
| title_short |
A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy |
| url |
https://doi.org/10.1016/j.culher.2018.04.005 |
| remote_bool |
true |
| author2 |
Macchioni, Nicola Valentina, Maria Ricetti Sisto, Luigi |
| author2Str |
Macchioni, Nicola Valentina, Maria Ricetti Sisto, Luigi |
| ppnlink |
ELV017982979 |
| mediatype_str_mv |
z |
| isOA_txt |
false |
| hochschulschrift_bool |
false |
| author2_role |
oth oth oth |
| doi_str |
10.1016/j.culher.2018.04.005 |
| up_date |
2024-07-06T22:04:28.144Z |
| _version_ |
1803868929413611520 |
| fullrecord_marcxml |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">ELV044655533</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20230626005534.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">181113s2018 xx |||||o 00| ||eng c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1016/j.culher.2018.04.005</subfield><subfield code="2">doi</subfield></datafield><datafield tag="028" ind1="5" ind2="2"><subfield code="a">GBV00000000000417.pica</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)ELV044655533</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ELSEVIER)S1296-2074(17)30794-X</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">610</subfield><subfield code="q">VZ</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">540</subfield><subfield code="q">VZ</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">35.10</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bernabei, Mauro</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A multi-analytical study on the Mango Longo Guitar, a Baroque masterpiece from the Castello Sforzesco, Milan, Italy</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2018transfer abstract</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">5</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">nicht spezifiziert</subfield><subfield code="b">zzz</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">nicht spezifiziert</subfield><subfield code="b">z</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">nicht spezifiziert</subfield><subfield code="b">zu</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The study of an ancient musical instrument should take into account various approaches, which include historical sources, study of materials and dendrochronological analysis. Very often, an ancient musical instrument has been subject to repairs, substitutions and restorations that have modified its original setting. This study takes into account the “Mango Longo guitar”, a masterpiece of 17th century Neapolitan art. It has been analysed from a historical, organological and xylo-chronological perspective to investigate and describe the cultural context of its creation, the wood species used for its construction and various restoration works to which it has been subjected. The Mango Longo guitar belongs to the typology of the Baroque guitars of the seventeenth century, attributed to the lute-maker of German origin Magnus Lang, from which the name derives. The most recent tree-ring identified on the instrument belly is dated dendrochronologically to 1737, terminus post quem. This means that the actual soundboard may be considered a replacement, due to a restoration in the first half of 18th century. The analysis of dendroprovenance of the actual soundboard shows strong analogies with Italian production of the period and identifies the probable sources for wood as being in the Alps. Our results confirm the intensive and well-organized trade of valuable timber used for musical instruments at that time.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musical instruments</subfield><subfield code="2">Elsevier</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Tree species</subfield><subfield code="2">Elsevier</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Baroque guitar</subfield><subfield code="2">Elsevier</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Dendrochronology</subfield><subfield code="2">Elsevier</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Neapolitan school</subfield><subfield code="2">Elsevier</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Macchioni, Nicola</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Valentina, Maria Ricetti</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sisto, Luigi</subfield><subfield code="4">oth</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="n">Elsevier Science</subfield><subfield code="a">Scullin, Michael K. ELSEVIER</subfield><subfield code="t">A Neurodegenerative Disease Sleep Questionnaire: Principal component analysis in Parkinson's disease</subfield><subfield code="d">2014transfer abstract</subfield><subfield code="g">Amsterdam [u.a.]</subfield><subfield code="w">(DE-627)ELV017982979</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:34</subfield><subfield code="g">year:2018</subfield><subfield code="g">pages:69-73</subfield><subfield code="g">extent:5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1016/j.culher.2018.04.005</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_U</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ELV</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_U</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OLC-PHA</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_70</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2015</subfield></datafield><datafield tag="936" ind1="b" ind2="k"><subfield code="a">35.10</subfield><subfield code="j">Physikalische Chemie: Allgemeines</subfield><subfield code="q">VZ</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">34</subfield><subfield code="j">2018</subfield><subfield code="h">69-73</subfield><subfield code="g">5</subfield></datafield></record></collection>
|
| score |
7.4010506 |