Guerrilla warfare, flagship project: The spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city
Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectiva...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Wang, June [verfasserIn] |
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| Format: |
E-Artikel |
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| Sprache: |
Englisch |
| Erschienen: |
2019transfer abstract |
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| Schlagwörter: |
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| Umfang: |
9 |
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| Übergeordnetes Werk: |
Enthalten in: Optimisation of generation unit commitment and network topology with the dynamic thermal rating system considering N-1 reliability - Lai, Ching-Ming ELSEVIER, 2023, Amsterdam [u.a.] |
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| Übergeordnetes Werk: |
volume:106 ; year:2019 ; pages:349-357 ; extent:9 |
| Links: |
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| DOI / URN: |
10.1016/j.geoforum.2017.04.014 |
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ELV048274623 |
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| 520 | |a Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. | ||
| 520 | |a Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. | ||
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10.1016/j.geoforum.2017.04.014 doi /cbs_pica/cbs_olc/import_discovery/elsevier/einzuspielen/GBV00000000000788.pica (DE-627)ELV048274623 (ELSEVIER)S0016-7185(17)30100-8 DE-627 ger DE-627 rakwb eng 620 VZ 52.52 bkl 53.31 bkl 53.39 bkl Wang, June verfasserin aut Guerrilla warfare, flagship project: The spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city 2019transfer abstract 9 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. Politicization and policing Elsevier Politics of aesthetics Elsevier China Elsevier Cultural city Elsevier Subculture Elsevier Chen, Li oth Enthalten in Elsevier Science Lai, Ching-Ming ELSEVIER Optimisation of generation unit commitment and network topology with the dynamic thermal rating system considering N-1 reliability 2023 Amsterdam [u.a.] (DE-627)ELV01010769X volume:106 year:2019 pages:349-357 extent:9 https://doi.org/10.1016/j.geoforum.2017.04.014 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U GBV_ILN_20 GBV_ILN_22 GBV_ILN_40 GBV_ILN_70 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2006 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 52.52 Thermische Energieerzeugung Wärmetechnik VZ 53.31 Elektrische Energieübertragung VZ 53.39 Elektrische Energietechnik: Sonstiges VZ AR 106 2019 349-357 9 |
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10.1016/j.geoforum.2017.04.014 doi /cbs_pica/cbs_olc/import_discovery/elsevier/einzuspielen/GBV00000000000788.pica (DE-627)ELV048274623 (ELSEVIER)S0016-7185(17)30100-8 DE-627 ger DE-627 rakwb eng 620 VZ 52.52 bkl 53.31 bkl 53.39 bkl Wang, June verfasserin aut Guerrilla warfare, flagship project: The spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city 2019transfer abstract 9 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. Politicization and policing Elsevier Politics of aesthetics Elsevier China Elsevier Cultural city Elsevier Subculture Elsevier Chen, Li oth Enthalten in Elsevier Science Lai, Ching-Ming ELSEVIER Optimisation of generation unit commitment and network topology with the dynamic thermal rating system considering N-1 reliability 2023 Amsterdam [u.a.] (DE-627)ELV01010769X volume:106 year:2019 pages:349-357 extent:9 https://doi.org/10.1016/j.geoforum.2017.04.014 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U GBV_ILN_20 GBV_ILN_22 GBV_ILN_40 GBV_ILN_70 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2006 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 52.52 Thermische Energieerzeugung Wärmetechnik VZ 53.31 Elektrische Energieübertragung VZ 53.39 Elektrische Energietechnik: Sonstiges VZ AR 106 2019 349-357 9 |
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10.1016/j.geoforum.2017.04.014 doi /cbs_pica/cbs_olc/import_discovery/elsevier/einzuspielen/GBV00000000000788.pica (DE-627)ELV048274623 (ELSEVIER)S0016-7185(17)30100-8 DE-627 ger DE-627 rakwb eng 620 VZ 52.52 bkl 53.31 bkl 53.39 bkl Wang, June verfasserin aut Guerrilla warfare, flagship project: The spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city 2019transfer abstract 9 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. Politicization and policing Elsevier Politics of aesthetics Elsevier China Elsevier Cultural city Elsevier Subculture Elsevier Chen, Li oth Enthalten in Elsevier Science Lai, Ching-Ming ELSEVIER Optimisation of generation unit commitment and network topology with the dynamic thermal rating system considering N-1 reliability 2023 Amsterdam [u.a.] (DE-627)ELV01010769X volume:106 year:2019 pages:349-357 extent:9 https://doi.org/10.1016/j.geoforum.2017.04.014 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U GBV_ILN_20 GBV_ILN_22 GBV_ILN_40 GBV_ILN_70 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2006 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 52.52 Thermische Energieerzeugung Wärmetechnik VZ 53.31 Elektrische Energieübertragung VZ 53.39 Elektrische Energietechnik: Sonstiges VZ AR 106 2019 349-357 9 |
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10.1016/j.geoforum.2017.04.014 doi /cbs_pica/cbs_olc/import_discovery/elsevier/einzuspielen/GBV00000000000788.pica (DE-627)ELV048274623 (ELSEVIER)S0016-7185(17)30100-8 DE-627 ger DE-627 rakwb eng 620 VZ 52.52 bkl 53.31 bkl 53.39 bkl Wang, June verfasserin aut Guerrilla warfare, flagship project: The spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city 2019transfer abstract 9 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. Politicization and policing Elsevier Politics of aesthetics Elsevier China Elsevier Cultural city Elsevier Subculture Elsevier Chen, Li oth Enthalten in Elsevier Science Lai, Ching-Ming ELSEVIER Optimisation of generation unit commitment and network topology with the dynamic thermal rating system considering N-1 reliability 2023 Amsterdam [u.a.] (DE-627)ELV01010769X volume:106 year:2019 pages:349-357 extent:9 https://doi.org/10.1016/j.geoforum.2017.04.014 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U GBV_ILN_20 GBV_ILN_22 GBV_ILN_40 GBV_ILN_70 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2006 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 52.52 Thermische Energieerzeugung Wärmetechnik VZ 53.31 Elektrische Energieübertragung VZ 53.39 Elektrische Energietechnik: Sonstiges VZ AR 106 2019 349-357 9 |
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10.1016/j.geoforum.2017.04.014 doi /cbs_pica/cbs_olc/import_discovery/elsevier/einzuspielen/GBV00000000000788.pica (DE-627)ELV048274623 (ELSEVIER)S0016-7185(17)30100-8 DE-627 ger DE-627 rakwb eng 620 VZ 52.52 bkl 53.31 bkl 53.39 bkl Wang, June verfasserin aut Guerrilla warfare, flagship project: The spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city 2019transfer abstract 9 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. Politicization and policing Elsevier Politics of aesthetics Elsevier China Elsevier Cultural city Elsevier Subculture Elsevier Chen, Li oth Enthalten in Elsevier Science Lai, Ching-Ming ELSEVIER Optimisation of generation unit commitment and network topology with the dynamic thermal rating system considering N-1 reliability 2023 Amsterdam [u.a.] (DE-627)ELV01010769X volume:106 year:2019 pages:349-357 extent:9 https://doi.org/10.1016/j.geoforum.2017.04.014 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U GBV_ILN_20 GBV_ILN_22 GBV_ILN_40 GBV_ILN_70 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2006 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 52.52 Thermische Energieerzeugung Wärmetechnik VZ 53.31 Elektrische Energieübertragung VZ 53.39 Elektrische Energietechnik: Sonstiges VZ AR 106 2019 349-357 9 |
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Enthalten in Optimisation of generation unit commitment and network topology with the dynamic thermal rating system considering N-1 reliability Amsterdam [u.a.] volume:106 year:2019 pages:349-357 extent:9 |
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Guerrilla warfare, flagship project: The spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city |
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Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. |
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Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. |
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Chinese rock, premised on an identity of dissenters, has always been underground symbolically and literally, in a pattern of spatial fluidity in the city. The introduction of live house might offer a solid material base for political subjectivation of the community. This spatial action of subjectivation in forms of “guerrilla warfare”, encounters the growing passion for cultural city making by Municipal Governments. Through the study on transformation of rock space in Shenzhen, we aim to reflect on scholarship on post-political forms of urban governance in China. By probing into the antagonistic actions of the police and the political, we call for attention to territorial strategies used by both sides to consolidate the existing order and to assert a new order respectively. The double side of partition revealed by Rancirian conception of politics of aesthetics allows the governing side to pick and co-opt particular producers and live houses while collapse and/or policing others to re-consolidate spatial orders. Guided by expert-formed consensus, citizen entitlement and citizen participation programmes convert cities to be propaganda sites where state-sanctioned aesthetics is delivered to and experienced by subject-citizens. |
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Guerrilla warfare, flagship project: The spatial politics of Chinese rock in Shenzhen’s post-political making of a musical city |
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