Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan
The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Galli, Anna [verfasserIn] |
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| Format: |
E-Artikel |
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| Sprache: |
Englisch |
| Erschienen: |
2021transfer abstract |
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| Schlagwörter: |
Pigments in Renaissance paintings FT-MIR and FT-NIR reflection Spectroscopy |
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| Übergeordnetes Werk: |
Enthalten in: A multiscale analysis for free vibration of fuzzy fiber-reinforced nanocomposite conical shells - Haghgoo, M. ELSEVIER, 2020, Amsterdam [u.a.] |
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| Übergeordnetes Werk: |
volume:187 ; year:2021 ; pages:0 |
| Links: |
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| DOI / URN: |
10.1016/j.dyepig.2020.109112 |
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| 520 | |a The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. | ||
| 520 | |a The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. | ||
| 650 | 7 | |a Pigments in Renaissance paintings |2 Elsevier | |
| 650 | 7 | |a Portable X-ray fluorescence |2 Elsevier | |
| 650 | 7 | |a Imaging techniques |2 Elsevier | |
| 650 | 7 | |a Raman |2 Elsevier | |
| 650 | 7 | |a FT-MIR and FT-NIR reflection Spectroscopy |2 Elsevier | |
| 650 | 7 | |a Fiber optic reflectance spectroscopy |2 Elsevier | |
| 650 | 7 | |a Hyperspectral imaging |2 Elsevier | |
| 700 | 1 | |a Gargano, Marco |4 oth | |
| 700 | 1 | |a Bonizzoni, Letizia |4 oth | |
| 700 | 1 | |a Bruni, Silvia |4 oth | |
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| 700 | 1 | |a Caccia, Michele |4 oth | |
| 700 | 1 | |a Salvatore, Christian |4 oth | |
| 700 | 1 | |a Castiglioni, Isabella |4 oth | |
| 700 | 1 | |a Martini, Marco |4 oth | |
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10.1016/j.dyepig.2020.109112 doi /cbs_pica/cbs_olc/import_discovery/elsevier/einzuspielen/GBV00000000001284.pica (DE-627)ELV052918874 (ELSEVIER)S0143-7208(20)31809-X DE-627 ger DE-627 rakwb eng 690 VZ 50.31 bkl 56.11 bkl Galli, Anna verfasserin aut Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan 2021transfer abstract nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. Pigments in Renaissance paintings Elsevier Portable X-ray fluorescence Elsevier Imaging techniques Elsevier Raman Elsevier FT-MIR and FT-NIR reflection Spectroscopy Elsevier Fiber optic reflectance spectroscopy Elsevier Hyperspectral imaging Elsevier Gargano, Marco oth Bonizzoni, Letizia oth Bruni, Silvia oth Interlenghi, Matteo oth Longoni, Margherita oth Passaretti, Arianna oth Caccia, Michele oth Salvatore, Christian oth Castiglioni, Isabella oth Martini, Marco oth Enthalten in Elsevier Science Haghgoo, M. ELSEVIER A multiscale analysis for free vibration of fuzzy fiber-reinforced nanocomposite conical shells 2020 Amsterdam [u.a.] (DE-627)ELV004269640 volume:187 year:2021 pages:0 https://doi.org/10.1016/j.dyepig.2020.109112 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U 50.31 Technische Mechanik VZ 56.11 Baukonstruktion VZ AR 187 2021 0 |
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10.1016/j.dyepig.2020.109112 doi /cbs_pica/cbs_olc/import_discovery/elsevier/einzuspielen/GBV00000000001284.pica (DE-627)ELV052918874 (ELSEVIER)S0143-7208(20)31809-X DE-627 ger DE-627 rakwb eng 690 VZ 50.31 bkl 56.11 bkl Galli, Anna verfasserin aut Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan 2021transfer abstract nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. Pigments in Renaissance paintings Elsevier Portable X-ray fluorescence Elsevier Imaging techniques Elsevier Raman Elsevier FT-MIR and FT-NIR reflection Spectroscopy Elsevier Fiber optic reflectance spectroscopy Elsevier Hyperspectral imaging Elsevier Gargano, Marco oth Bonizzoni, Letizia oth Bruni, Silvia oth Interlenghi, Matteo oth Longoni, Margherita oth Passaretti, Arianna oth Caccia, Michele oth Salvatore, Christian oth Castiglioni, Isabella oth Martini, Marco oth Enthalten in Elsevier Science Haghgoo, M. ELSEVIER A multiscale analysis for free vibration of fuzzy fiber-reinforced nanocomposite conical shells 2020 Amsterdam [u.a.] (DE-627)ELV004269640 volume:187 year:2021 pages:0 https://doi.org/10.1016/j.dyepig.2020.109112 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U 50.31 Technische Mechanik VZ 56.11 Baukonstruktion VZ AR 187 2021 0 |
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10.1016/j.dyepig.2020.109112 doi /cbs_pica/cbs_olc/import_discovery/elsevier/einzuspielen/GBV00000000001284.pica (DE-627)ELV052918874 (ELSEVIER)S0143-7208(20)31809-X DE-627 ger DE-627 rakwb eng 690 VZ 50.31 bkl 56.11 bkl Galli, Anna verfasserin aut Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan 2021transfer abstract nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. Pigments in Renaissance paintings Elsevier Portable X-ray fluorescence Elsevier Imaging techniques Elsevier Raman Elsevier FT-MIR and FT-NIR reflection Spectroscopy Elsevier Fiber optic reflectance spectroscopy Elsevier Hyperspectral imaging Elsevier Gargano, Marco oth Bonizzoni, Letizia oth Bruni, Silvia oth Interlenghi, Matteo oth Longoni, Margherita oth Passaretti, Arianna oth Caccia, Michele oth Salvatore, Christian oth Castiglioni, Isabella oth Martini, Marco oth Enthalten in Elsevier Science Haghgoo, M. ELSEVIER A multiscale analysis for free vibration of fuzzy fiber-reinforced nanocomposite conical shells 2020 Amsterdam [u.a.] (DE-627)ELV004269640 volume:187 year:2021 pages:0 https://doi.org/10.1016/j.dyepig.2020.109112 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U 50.31 Technische Mechanik VZ 56.11 Baukonstruktion VZ AR 187 2021 0 |
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10.1016/j.dyepig.2020.109112 doi /cbs_pica/cbs_olc/import_discovery/elsevier/einzuspielen/GBV00000000001284.pica (DE-627)ELV052918874 (ELSEVIER)S0143-7208(20)31809-X DE-627 ger DE-627 rakwb eng 690 VZ 50.31 bkl 56.11 bkl Galli, Anna verfasserin aut Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan 2021transfer abstract nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. Pigments in Renaissance paintings Elsevier Portable X-ray fluorescence Elsevier Imaging techniques Elsevier Raman Elsevier FT-MIR and FT-NIR reflection Spectroscopy Elsevier Fiber optic reflectance spectroscopy Elsevier Hyperspectral imaging Elsevier Gargano, Marco oth Bonizzoni, Letizia oth Bruni, Silvia oth Interlenghi, Matteo oth Longoni, Margherita oth Passaretti, Arianna oth Caccia, Michele oth Salvatore, Christian oth Castiglioni, Isabella oth Martini, Marco oth Enthalten in Elsevier Science Haghgoo, M. ELSEVIER A multiscale analysis for free vibration of fuzzy fiber-reinforced nanocomposite conical shells 2020 Amsterdam [u.a.] (DE-627)ELV004269640 volume:187 year:2021 pages:0 https://doi.org/10.1016/j.dyepig.2020.109112 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U 50.31 Technische Mechanik VZ 56.11 Baukonstruktion VZ AR 187 2021 0 |
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10.1016/j.dyepig.2020.109112 doi /cbs_pica/cbs_olc/import_discovery/elsevier/einzuspielen/GBV00000000001284.pica (DE-627)ELV052918874 (ELSEVIER)S0143-7208(20)31809-X DE-627 ger DE-627 rakwb eng 690 VZ 50.31 bkl 56.11 bkl Galli, Anna verfasserin aut Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan 2021transfer abstract nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. Pigments in Renaissance paintings Elsevier Portable X-ray fluorescence Elsevier Imaging techniques Elsevier Raman Elsevier FT-MIR and FT-NIR reflection Spectroscopy Elsevier Fiber optic reflectance spectroscopy Elsevier Hyperspectral imaging Elsevier Gargano, Marco oth Bonizzoni, Letizia oth Bruni, Silvia oth Interlenghi, Matteo oth Longoni, Margherita oth Passaretti, Arianna oth Caccia, Michele oth Salvatore, Christian oth Castiglioni, Isabella oth Martini, Marco oth Enthalten in Elsevier Science Haghgoo, M. ELSEVIER A multiscale analysis for free vibration of fuzzy fiber-reinforced nanocomposite conical shells 2020 Amsterdam [u.a.] (DE-627)ELV004269640 volume:187 year:2021 pages:0 https://doi.org/10.1016/j.dyepig.2020.109112 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U 50.31 Technische Mechanik VZ 56.11 Baukonstruktion VZ AR 187 2021 0 |
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Enthalten in A multiscale analysis for free vibration of fuzzy fiber-reinforced nanocomposite conical shells Amsterdam [u.a.] volume:187 year:2021 pages:0 |
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ddc 690 bkl 50.31 bkl 56.11 Elsevier Pigments in Renaissance paintings Elsevier Portable X-ray fluorescence Elsevier Imaging techniques Elsevier Raman Elsevier FT-MIR and FT-NIR reflection Spectroscopy Elsevier Fiber optic reflectance spectroscopy Elsevier Hyperspectral imaging |
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A multiscale analysis for free vibration of fuzzy fiber-reinforced nanocomposite conical shells |
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imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century leonardo atelier in milan |
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Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan |
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The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. |
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The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. |
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The project “Leonardesque Artists beyond the Visible” was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters’ technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques. |
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