The social function of Attic tragedy
The time is long gone when literary men were happy to treat literature, and tragic poetry in particular, as something which exists serenely outside time, high up in the empyrean of unchanging validity and absolute values. Nowadays it is conventional, and seems natural, to insist that literature is p...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Griffin, Jasper [verfasserIn] |
|---|
| Format: |
E-Artikel |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
Cambridge: Cambridge University Press ; 1998 |
|---|
| Umfang: |
23 |
|---|
| Reproduktion: |
Cambridge Journals Digital Archives |
|---|---|
| Übergeordnetes Werk: |
In: The classical quarterly - Cambridge : Cambridge University Press, 1907, 48(1998), 1 vom: Mai, Seite 39-61 |
| Übergeordnetes Werk: |
volume:48 ; year:1998 ; number:1 ; month:05 ; pages:39-61 ; extent:23 |
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| DOI / URN: |
10.1093/cq/48.1.39 |
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10.1093/cq/48.1.39 doi (DE-627)NLEJ225104202 DE-627 ger DE-627 rakwb eng XA-GB Griffin, Jasper verfasserin aut The social function of Attic tragedy Cambridge Cambridge University Press 1998 23 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The time is long gone when literary men were happy to treat literature, and tragic poetry in particular, as something which exists serenely outside time, high up in the empyrean of unchanging validity and absolute values. Nowadays it is conventional, and seems natural, to insist that literature is produced within a particular society and a particular social setting: even its most gorgeous blooms have their roots in the soil of history. Its understanding requires us to understand the society which appreciated it, and for which it came into existence. In the particular case of the tragic poetry of Athens, the most influential body of recent criticism focuses on the relation of the drama to the realities of political and social life. Cambridge Journals Digital Archives In The classical quarterly Cambridge : Cambridge University Press, 1907 48(1998), 1 vom: Mai, Seite 39-61 (DE-627)NLEJ224554247 (DE-600)2060299-6 1471-6844 nnns volume:48 year:1998 number:1 month:05 pages:39-61 extent:23 http://dx.doi.org/10.1093/cq/48.1.39 GBV_USEFLAG_U ZDB-1-CUP GBV_NL_ARTICLE AR 48 1998 1 05 39-61 23 |
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10.1093/cq/48.1.39 doi (DE-627)NLEJ225104202 DE-627 ger DE-627 rakwb eng XA-GB Griffin, Jasper verfasserin aut The social function of Attic tragedy Cambridge Cambridge University Press 1998 23 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The time is long gone when literary men were happy to treat literature, and tragic poetry in particular, as something which exists serenely outside time, high up in the empyrean of unchanging validity and absolute values. Nowadays it is conventional, and seems natural, to insist that literature is produced within a particular society and a particular social setting: even its most gorgeous blooms have their roots in the soil of history. Its understanding requires us to understand the society which appreciated it, and for which it came into existence. In the particular case of the tragic poetry of Athens, the most influential body of recent criticism focuses on the relation of the drama to the realities of political and social life. Cambridge Journals Digital Archives In The classical quarterly Cambridge : Cambridge University Press, 1907 48(1998), 1 vom: Mai, Seite 39-61 (DE-627)NLEJ224554247 (DE-600)2060299-6 1471-6844 nnns volume:48 year:1998 number:1 month:05 pages:39-61 extent:23 http://dx.doi.org/10.1093/cq/48.1.39 GBV_USEFLAG_U ZDB-1-CUP GBV_NL_ARTICLE AR 48 1998 1 05 39-61 23 |
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10.1093/cq/48.1.39 doi (DE-627)NLEJ225104202 DE-627 ger DE-627 rakwb eng XA-GB Griffin, Jasper verfasserin aut The social function of Attic tragedy Cambridge Cambridge University Press 1998 23 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The time is long gone when literary men were happy to treat literature, and tragic poetry in particular, as something which exists serenely outside time, high up in the empyrean of unchanging validity and absolute values. Nowadays it is conventional, and seems natural, to insist that literature is produced within a particular society and a particular social setting: even its most gorgeous blooms have their roots in the soil of history. Its understanding requires us to understand the society which appreciated it, and for which it came into existence. In the particular case of the tragic poetry of Athens, the most influential body of recent criticism focuses on the relation of the drama to the realities of political and social life. Cambridge Journals Digital Archives In The classical quarterly Cambridge : Cambridge University Press, 1907 48(1998), 1 vom: Mai, Seite 39-61 (DE-627)NLEJ224554247 (DE-600)2060299-6 1471-6844 nnns volume:48 year:1998 number:1 month:05 pages:39-61 extent:23 http://dx.doi.org/10.1093/cq/48.1.39 GBV_USEFLAG_U ZDB-1-CUP GBV_NL_ARTICLE AR 48 1998 1 05 39-61 23 |
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10.1093/cq/48.1.39 doi (DE-627)NLEJ225104202 DE-627 ger DE-627 rakwb eng XA-GB Griffin, Jasper verfasserin aut The social function of Attic tragedy Cambridge Cambridge University Press 1998 23 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The time is long gone when literary men were happy to treat literature, and tragic poetry in particular, as something which exists serenely outside time, high up in the empyrean of unchanging validity and absolute values. Nowadays it is conventional, and seems natural, to insist that literature is produced within a particular society and a particular social setting: even its most gorgeous blooms have their roots in the soil of history. Its understanding requires us to understand the society which appreciated it, and for which it came into existence. In the particular case of the tragic poetry of Athens, the most influential body of recent criticism focuses on the relation of the drama to the realities of political and social life. Cambridge Journals Digital Archives In The classical quarterly Cambridge : Cambridge University Press, 1907 48(1998), 1 vom: Mai, Seite 39-61 (DE-627)NLEJ224554247 (DE-600)2060299-6 1471-6844 nnns volume:48 year:1998 number:1 month:05 pages:39-61 extent:23 http://dx.doi.org/10.1093/cq/48.1.39 GBV_USEFLAG_U ZDB-1-CUP GBV_NL_ARTICLE AR 48 1998 1 05 39-61 23 |
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The time is long gone when literary men were happy to treat literature, and tragic poetry in particular, as something which exists serenely outside time, high up in the empyrean of unchanging validity and absolute values. Nowadays it is conventional, and seems natural, to insist that literature is produced within a particular society and a particular social setting: even its most gorgeous blooms have their roots in the soil of history. Its understanding requires us to understand the society which appreciated it, and for which it came into existence. In the particular case of the tragic poetry of Athens, the most influential body of recent criticism focuses on the relation of the drama to the realities of political and social life. |
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The time is long gone when literary men were happy to treat literature, and tragic poetry in particular, as something which exists serenely outside time, high up in the empyrean of unchanging validity and absolute values. Nowadays it is conventional, and seems natural, to insist that literature is produced within a particular society and a particular social setting: even its most gorgeous blooms have their roots in the soil of history. Its understanding requires us to understand the society which appreciated it, and for which it came into existence. In the particular case of the tragic poetry of Athens, the most influential body of recent criticism focuses on the relation of the drama to the realities of political and social life. |
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The time is long gone when literary men were happy to treat literature, and tragic poetry in particular, as something which exists serenely outside time, high up in the empyrean of unchanging validity and absolute values. Nowadays it is conventional, and seems natural, to insist that literature is produced within a particular society and a particular social setting: even its most gorgeous blooms have their roots in the soil of history. Its understanding requires us to understand the society which appreciated it, and for which it came into existence. In the particular case of the tragic poetry of Athens, the most influential body of recent criticism focuses on the relation of the drama to the realities of political and social life. |
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