Fractal analysis of Pollock's drip paintings
[Auszug] Scientific objectivity proves to be an essential tool for determining the fundamental content of the abstract paintings produced by Jackson Pollock in the late 1940s. Pollock dripped paint from a can onto vast canvases rolled out across the floor of his barn. Although this unorthodox techni...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Taylor, Richard P. [verfasserIn] Micolich, Adam P. [verfasserIn] Jonas, David [verfasserIn] |
|---|
| Format: |
E-Artikel |
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| Sprache: |
Englisch |
| Erschienen: |
s.l.: Macmillan Magazines Ltd. ; 1999 |
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| Umfang: |
1 |
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| Reproduktion: |
Nature Archives 1869 - 2009 |
|---|---|
| Übergeordnetes Werk: |
In: Nature |
| Übergeordnetes Werk: |
volume:399 ; year:1999 ; number:6735 ; month:00 ; pages:422-422 ; extent:1 |
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| DOI / URN: |
10.1038/20833 |
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10.1038/20833 doi (DE-627)NLEJ23492859X DE-627 ger DE-627 rakwb eng Taylor, Richard P. verfasserin aut Fractal analysis of Pollock's drip paintings [s.l.] Macmillan Magazines Ltd. 1999 1 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier [Auszug] Scientific objectivity proves to be an essential tool for determining the fundamental content of the abstract paintings produced by Jackson Pollock in the late 1940s. Pollock dripped paint from a can onto vast canvases rolled out across the floor of his barn. Although this unorthodox technique ... Nature Archives 1869 - 2009 Micolich, Adam P. verfasserin aut Jonas, David verfasserin aut In Nature <London> London [u.a.] : Nature Publising Group, 1869 399(1999), 6735, Seite 422-422 (DE-627)NLEJ227682335 (DE-600)1413423-8 1476-4687 nnns volume:399 year:1999 number:6735 month:00 pages:422-422 extent:1 http://dx.doi.org/10.1038/20833 application/pdf Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-NTA GBV_NL_ARTICLE AR 399 1999 6735 0 422-422 1 |
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10.1038/20833 doi (DE-627)NLEJ23492859X DE-627 ger DE-627 rakwb eng Taylor, Richard P. verfasserin aut Fractal analysis of Pollock's drip paintings [s.l.] Macmillan Magazines Ltd. 1999 1 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier [Auszug] Scientific objectivity proves to be an essential tool for determining the fundamental content of the abstract paintings produced by Jackson Pollock in the late 1940s. Pollock dripped paint from a can onto vast canvases rolled out across the floor of his barn. Although this unorthodox technique ... Nature Archives 1869 - 2009 Micolich, Adam P. verfasserin aut Jonas, David verfasserin aut In Nature <London> London [u.a.] : Nature Publising Group, 1869 399(1999), 6735, Seite 422-422 (DE-627)NLEJ227682335 (DE-600)1413423-8 1476-4687 nnns volume:399 year:1999 number:6735 month:00 pages:422-422 extent:1 http://dx.doi.org/10.1038/20833 application/pdf Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-NTA GBV_NL_ARTICLE AR 399 1999 6735 0 422-422 1 |
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10.1038/20833 doi (DE-627)NLEJ23492859X DE-627 ger DE-627 rakwb eng Taylor, Richard P. verfasserin aut Fractal analysis of Pollock's drip paintings [s.l.] Macmillan Magazines Ltd. 1999 1 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier [Auszug] Scientific objectivity proves to be an essential tool for determining the fundamental content of the abstract paintings produced by Jackson Pollock in the late 1940s. Pollock dripped paint from a can onto vast canvases rolled out across the floor of his barn. Although this unorthodox technique ... Nature Archives 1869 - 2009 Micolich, Adam P. verfasserin aut Jonas, David verfasserin aut In Nature <London> London [u.a.] : Nature Publising Group, 1869 399(1999), 6735, Seite 422-422 (DE-627)NLEJ227682335 (DE-600)1413423-8 1476-4687 nnns volume:399 year:1999 number:6735 month:00 pages:422-422 extent:1 http://dx.doi.org/10.1038/20833 application/pdf Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-NTA GBV_NL_ARTICLE AR 399 1999 6735 0 422-422 1 |
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10.1038/20833 doi (DE-627)NLEJ23492859X DE-627 ger DE-627 rakwb eng Taylor, Richard P. verfasserin aut Fractal analysis of Pollock's drip paintings [s.l.] Macmillan Magazines Ltd. 1999 1 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier [Auszug] Scientific objectivity proves to be an essential tool for determining the fundamental content of the abstract paintings produced by Jackson Pollock in the late 1940s. Pollock dripped paint from a can onto vast canvases rolled out across the floor of his barn. Although this unorthodox technique ... Nature Archives 1869 - 2009 Micolich, Adam P. verfasserin aut Jonas, David verfasserin aut In Nature <London> London [u.a.] : Nature Publising Group, 1869 399(1999), 6735, Seite 422-422 (DE-627)NLEJ227682335 (DE-600)1413423-8 1476-4687 nnns volume:399 year:1999 number:6735 month:00 pages:422-422 extent:1 http://dx.doi.org/10.1038/20833 application/pdf Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-NTA GBV_NL_ARTICLE AR 399 1999 6735 0 422-422 1 |
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[Auszug] Scientific objectivity proves to be an essential tool for determining the fundamental content of the abstract paintings produced by Jackson Pollock in the late 1940s. Pollock dripped paint from a can onto vast canvases rolled out across the floor of his barn. Although this unorthodox technique ... |
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