Practices of place-making through locative media artworks
In recent years, the vast increase in information flows has made it possible to instantly connect location-dependent information with physical spaces. These technologies have provided new forms of the representation of space as much as new forms of perception through tools and techniques used in lan...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Cornelio, Gemma San [verfasserIn] Ardévol, Elisenda [verfasserIn] |
|---|
| Format: |
E-Artikel |
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| Erschienen: |
Walter de Gruyter GmbH & Co. KG ; 2011 |
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| Schlagwörter: |
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| Anmerkung: |
© 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston |
|---|---|
| Umfang: |
21 |
| Reproduktion: |
Walter de Gruyter Online Zeitschriften |
|---|---|
| Übergeordnetes Werk: |
Enthalten in: Communications - Berlin [u.a.] : de Gruyter, 1976, 36(2011), 3 vom: 22. Aug., Seite 313-333 |
| Übergeordnetes Werk: |
volume:36 ; year:2011 ; number:3 ; day:22 ; month:08 ; pages:313-333 ; extent:21 |
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| DOI / URN: |
10.1515/comm.2011.016 |
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NLEJ246761431 |
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| 520 | |a In recent years, the vast increase in information flows has made it possible to instantly connect location-dependent information with physical spaces. These technologies have provided new forms of the representation of space as much as new forms of perception through tools and techniques used in land surveying, remote sensing, etc. From a critical point of view, pervasive computing, location-based applications, or, in other words, “locative media” provide an interesting framework to understand how these technologies relate to our understanding of space and place. Concretely, we want to examine how the uses of locative media in social-oriented artworks interact with people's sense of place. This article therefore discusses contemporary theories on space related to media and technology with a specific focus on the conceptualization of the notion of place. It also relates these theories to the study of different locative media artworks: Canal Accessible (2006), Bio Mapping (2004), Disappearing Places (2007), and Coffee Deposits (2010). We contend that locative media artworks act upon distinctive ways to understand the mediation of technology in current place-making practices. | ||
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10.1515/comm.2011.016 doi artikel_Grundlieferung.pp (DE-627)NLEJ246761431 DE-627 ger DE-627 rakwb Cornelio, Gemma San verfasserin aut Practices of place-making through locative media artworks Walter de Gruyter GmbH & Co. KG 2011 21 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston In recent years, the vast increase in information flows has made it possible to instantly connect location-dependent information with physical spaces. These technologies have provided new forms of the representation of space as much as new forms of perception through tools and techniques used in land surveying, remote sensing, etc. From a critical point of view, pervasive computing, location-based applications, or, in other words, “locative media” provide an interesting framework to understand how these technologies relate to our understanding of space and place. Concretely, we want to examine how the uses of locative media in social-oriented artworks interact with people's sense of place. This article therefore discusses contemporary theories on space related to media and technology with a specific focus on the conceptualization of the notion of place. It also relates these theories to the study of different locative media artworks: Canal Accessible (2006), Bio Mapping (2004), Disappearing Places (2007), and Coffee Deposits (2010). We contend that locative media artworks act upon distinctive ways to understand the mediation of technology in current place-making practices. Walter de Gruyter Online Zeitschriften locative media digital art place space cartography place-making new media visual ethnography Ardévol, Elisenda verfasserin aut Enthalten in Communications Berlin [u.a.] : de Gruyter, 1976 36(2011), 3 vom: 22. Aug., Seite 313-333 (DE-627)NLEJ24823529X (DE-600)2084562-5 1613-4087 nnns volume:36 year:2011 number:3 day:22 month:08 pages:313-333 extent:21 https://doi.org/10.1515/comm.2011.016 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 36 2011 3 22 08 313-333 21 |
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10.1515/comm.2011.016 doi artikel_Grundlieferung.pp (DE-627)NLEJ246761431 DE-627 ger DE-627 rakwb Cornelio, Gemma San verfasserin aut Practices of place-making through locative media artworks Walter de Gruyter GmbH & Co. KG 2011 21 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston In recent years, the vast increase in information flows has made it possible to instantly connect location-dependent information with physical spaces. These technologies have provided new forms of the representation of space as much as new forms of perception through tools and techniques used in land surveying, remote sensing, etc. From a critical point of view, pervasive computing, location-based applications, or, in other words, “locative media” provide an interesting framework to understand how these technologies relate to our understanding of space and place. Concretely, we want to examine how the uses of locative media in social-oriented artworks interact with people's sense of place. This article therefore discusses contemporary theories on space related to media and technology with a specific focus on the conceptualization of the notion of place. It also relates these theories to the study of different locative media artworks: Canal Accessible (2006), Bio Mapping (2004), Disappearing Places (2007), and Coffee Deposits (2010). We contend that locative media artworks act upon distinctive ways to understand the mediation of technology in current place-making practices. Walter de Gruyter Online Zeitschriften locative media digital art place space cartography place-making new media visual ethnography Ardévol, Elisenda verfasserin aut Enthalten in Communications Berlin [u.a.] : de Gruyter, 1976 36(2011), 3 vom: 22. Aug., Seite 313-333 (DE-627)NLEJ24823529X (DE-600)2084562-5 1613-4087 nnns volume:36 year:2011 number:3 day:22 month:08 pages:313-333 extent:21 https://doi.org/10.1515/comm.2011.016 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 36 2011 3 22 08 313-333 21 |
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10.1515/comm.2011.016 doi artikel_Grundlieferung.pp (DE-627)NLEJ246761431 DE-627 ger DE-627 rakwb Cornelio, Gemma San verfasserin aut Practices of place-making through locative media artworks Walter de Gruyter GmbH & Co. KG 2011 21 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston In recent years, the vast increase in information flows has made it possible to instantly connect location-dependent information with physical spaces. These technologies have provided new forms of the representation of space as much as new forms of perception through tools and techniques used in land surveying, remote sensing, etc. From a critical point of view, pervasive computing, location-based applications, or, in other words, “locative media” provide an interesting framework to understand how these technologies relate to our understanding of space and place. Concretely, we want to examine how the uses of locative media in social-oriented artworks interact with people's sense of place. This article therefore discusses contemporary theories on space related to media and technology with a specific focus on the conceptualization of the notion of place. It also relates these theories to the study of different locative media artworks: Canal Accessible (2006), Bio Mapping (2004), Disappearing Places (2007), and Coffee Deposits (2010). We contend that locative media artworks act upon distinctive ways to understand the mediation of technology in current place-making practices. Walter de Gruyter Online Zeitschriften locative media digital art place space cartography place-making new media visual ethnography Ardévol, Elisenda verfasserin aut Enthalten in Communications Berlin [u.a.] : de Gruyter, 1976 36(2011), 3 vom: 22. Aug., Seite 313-333 (DE-627)NLEJ24823529X (DE-600)2084562-5 1613-4087 nnns volume:36 year:2011 number:3 day:22 month:08 pages:313-333 extent:21 https://doi.org/10.1515/comm.2011.016 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 36 2011 3 22 08 313-333 21 |
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In recent years, the vast increase in information flows has made it possible to instantly connect location-dependent information with physical spaces. These technologies have provided new forms of the representation of space as much as new forms of perception through tools and techniques used in land surveying, remote sensing, etc. From a critical point of view, pervasive computing, location-based applications, or, in other words, “locative media” provide an interesting framework to understand how these technologies relate to our understanding of space and place. Concretely, we want to examine how the uses of locative media in social-oriented artworks interact with people's sense of place. This article therefore discusses contemporary theories on space related to media and technology with a specific focus on the conceptualization of the notion of place. It also relates these theories to the study of different locative media artworks: Canal Accessible (2006), Bio Mapping (2004), Disappearing Places (2007), and Coffee Deposits (2010). We contend that locative media artworks act upon distinctive ways to understand the mediation of technology in current place-making practices. © 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston |
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In recent years, the vast increase in information flows has made it possible to instantly connect location-dependent information with physical spaces. These technologies have provided new forms of the representation of space as much as new forms of perception through tools and techniques used in land surveying, remote sensing, etc. From a critical point of view, pervasive computing, location-based applications, or, in other words, “locative media” provide an interesting framework to understand how these technologies relate to our understanding of space and place. Concretely, we want to examine how the uses of locative media in social-oriented artworks interact with people's sense of place. This article therefore discusses contemporary theories on space related to media and technology with a specific focus on the conceptualization of the notion of place. It also relates these theories to the study of different locative media artworks: Canal Accessible (2006), Bio Mapping (2004), Disappearing Places (2007), and Coffee Deposits (2010). We contend that locative media artworks act upon distinctive ways to understand the mediation of technology in current place-making practices. © 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston |
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In recent years, the vast increase in information flows has made it possible to instantly connect location-dependent information with physical spaces. These technologies have provided new forms of the representation of space as much as new forms of perception through tools and techniques used in land surveying, remote sensing, etc. From a critical point of view, pervasive computing, location-based applications, or, in other words, “locative media” provide an interesting framework to understand how these technologies relate to our understanding of space and place. Concretely, we want to examine how the uses of locative media in social-oriented artworks interact with people's sense of place. This article therefore discusses contemporary theories on space related to media and technology with a specific focus on the conceptualization of the notion of place. It also relates these theories to the study of different locative media artworks: Canal Accessible (2006), Bio Mapping (2004), Disappearing Places (2007), and Coffee Deposits (2010). We contend that locative media artworks act upon distinctive ways to understand the mediation of technology in current place-making practices. © 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston |
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Practices of place-making through locative media artworks |
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https://doi.org/10.1515/comm.2011.016 |
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Ardévol, Elisenda |
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Ardévol, Elisenda |
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10.1515/comm.2011.016 |
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2024-07-06T09:17:02.904Z |
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1803820647480033280 |
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KG</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">21</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">© 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In recent years, the vast increase in information flows has made it possible to instantly connect location-dependent information with physical spaces. These technologies have provided new forms of the representation of space as much as new forms of perception through tools and techniques used in land surveying, remote sensing, etc. From a critical point of view, pervasive computing, location-based applications, or, in other words, “locative media” provide an interesting framework to understand how these technologies relate to our understanding of space and place. Concretely, we want to examine how the uses of locative media in social-oriented artworks interact with people's sense of place. This article therefore discusses contemporary theories on space related to media and technology with a specific focus on the conceptualization of the notion of place. It also relates these theories to the study of different locative media artworks: Canal Accessible (2006), Bio Mapping (2004), Disappearing Places (2007), and Coffee Deposits (2010). 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