A semiotics of creativity and a poetic metaphor: Towards a dialogical relation of expression and explanation
This paper aims to examine the status and ontology of expression level of sign to propose the concept of creativity in connection with Peirce’s theory of symbol and particularly symbolization. I argue that the process of symbolization has a certain directionality from the ontological to the substant...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Lee, Yunhee [verfasserIn] |
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| Format: |
E-Artikel |
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| Erschienen: |
De Gruyter ; 2015 |
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| Schlagwörter: |
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| Umfang: |
11 |
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| Reproduktion: |
Walter de Gruyter Online Zeitschriften |
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| Übergeordnetes Werk: |
Enthalten in: Semiotica - Berlin [u.a.] : Mouton de Gruyter, 1969, 2016(2015), 208 vom: 5. Nov., Seite 155-165 |
| Übergeordnetes Werk: |
volume:2016 ; year:2015 ; number:208 ; day:5 ; month:11 ; pages:155-165 ; extent:11 |
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| DOI / URN: |
10.1515/sem-2015-0122 |
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NLEJ248176706 |
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| 520 | |a This paper aims to examine the status and ontology of expression level of sign to propose the concept of creativity in connection with Peirce’s theory of symbol and particularly symbolization. I argue that the process of symbolization has a certain directionality from the ontological to the substantial domain of sign. Thus, the internal world of concept is connected to the external world of things. In other words, a symbol as a cultural code with connoted meaning requires another dimension of a new creative expression. As a result, denotation on the expression level becomes extended. Based on this, symbols grow through symbolization with creative thinking. This process of symbolization is commensurate with explaining how two domains are connected. Consequently, the concept of creativity on the expression plane needs an explanation from a semiotic viewpoint as to how the ontological domain of concepts or ideas is connected to the substantial domain of expression or things based not on a psychological aspect but on a logical inference through metaphorical and analogical reasoning. | ||
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10.1515/sem-2015-0122 doi articles2015-2020.pp (DE-627)NLEJ248176706 DE-627 ger DE-627 rakwb Lee, Yunhee verfasserin aut A semiotics of creativity and a poetic metaphor: Towards a dialogical relation of expression and explanation De Gruyter 2015 11 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This paper aims to examine the status and ontology of expression level of sign to propose the concept of creativity in connection with Peirce’s theory of symbol and particularly symbolization. I argue that the process of symbolization has a certain directionality from the ontological to the substantial domain of sign. Thus, the internal world of concept is connected to the external world of things. In other words, a symbol as a cultural code with connoted meaning requires another dimension of a new creative expression. As a result, denotation on the expression level becomes extended. Based on this, symbols grow through symbolization with creative thinking. This process of symbolization is commensurate with explaining how two domains are connected. Consequently, the concept of creativity on the expression plane needs an explanation from a semiotic viewpoint as to how the ontological domain of concepts or ideas is connected to the substantial domain of expression or things based not on a psychological aspect but on a logical inference through metaphorical and analogical reasoning. Walter de Gruyter Online Zeitschriften expression explanation symbolization metaphor creativity Peirce’s semiotics Enthalten in Semiotica Berlin [u.a.] : Mouton de Gruyter, 1969 2016(2015), 208 vom: 5. Nov., Seite 155-165 (DE-627)NLEJ248236822 (DE-600)2044265-8 1613-3692 nnns volume:2016 year:2015 number:208 day:5 month:11 pages:155-165 extent:11 https://doi.org/10.1515/sem-2015-0122 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 2016 2015 208 5 11 155-165 11 |
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10.1515/sem-2015-0122 doi articles2015-2020.pp (DE-627)NLEJ248176706 DE-627 ger DE-627 rakwb Lee, Yunhee verfasserin aut A semiotics of creativity and a poetic metaphor: Towards a dialogical relation of expression and explanation De Gruyter 2015 11 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This paper aims to examine the status and ontology of expression level of sign to propose the concept of creativity in connection with Peirce’s theory of symbol and particularly symbolization. I argue that the process of symbolization has a certain directionality from the ontological to the substantial domain of sign. Thus, the internal world of concept is connected to the external world of things. In other words, a symbol as a cultural code with connoted meaning requires another dimension of a new creative expression. As a result, denotation on the expression level becomes extended. Based on this, symbols grow through symbolization with creative thinking. This process of symbolization is commensurate with explaining how two domains are connected. Consequently, the concept of creativity on the expression plane needs an explanation from a semiotic viewpoint as to how the ontological domain of concepts or ideas is connected to the substantial domain of expression or things based not on a psychological aspect but on a logical inference through metaphorical and analogical reasoning. Walter de Gruyter Online Zeitschriften expression explanation symbolization metaphor creativity Peirce’s semiotics Enthalten in Semiotica Berlin [u.a.] : Mouton de Gruyter, 1969 2016(2015), 208 vom: 5. Nov., Seite 155-165 (DE-627)NLEJ248236822 (DE-600)2044265-8 1613-3692 nnns volume:2016 year:2015 number:208 day:5 month:11 pages:155-165 extent:11 https://doi.org/10.1515/sem-2015-0122 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 2016 2015 208 5 11 155-165 11 |
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10.1515/sem-2015-0122 doi articles2015-2020.pp (DE-627)NLEJ248176706 DE-627 ger DE-627 rakwb Lee, Yunhee verfasserin aut A semiotics of creativity and a poetic metaphor: Towards a dialogical relation of expression and explanation De Gruyter 2015 11 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This paper aims to examine the status and ontology of expression level of sign to propose the concept of creativity in connection with Peirce’s theory of symbol and particularly symbolization. I argue that the process of symbolization has a certain directionality from the ontological to the substantial domain of sign. Thus, the internal world of concept is connected to the external world of things. In other words, a symbol as a cultural code with connoted meaning requires another dimension of a new creative expression. As a result, denotation on the expression level becomes extended. Based on this, symbols grow through symbolization with creative thinking. This process of symbolization is commensurate with explaining how two domains are connected. Consequently, the concept of creativity on the expression plane needs an explanation from a semiotic viewpoint as to how the ontological domain of concepts or ideas is connected to the substantial domain of expression or things based not on a psychological aspect but on a logical inference through metaphorical and analogical reasoning. Walter de Gruyter Online Zeitschriften expression explanation symbolization metaphor creativity Peirce’s semiotics Enthalten in Semiotica Berlin [u.a.] : Mouton de Gruyter, 1969 2016(2015), 208 vom: 5. Nov., Seite 155-165 (DE-627)NLEJ248236822 (DE-600)2044265-8 1613-3692 nnns volume:2016 year:2015 number:208 day:5 month:11 pages:155-165 extent:11 https://doi.org/10.1515/sem-2015-0122 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 2016 2015 208 5 11 155-165 11 |
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This paper aims to examine the status and ontology of expression level of sign to propose the concept of creativity in connection with Peirce’s theory of symbol and particularly symbolization. I argue that the process of symbolization has a certain directionality from the ontological to the substantial domain of sign. Thus, the internal world of concept is connected to the external world of things. In other words, a symbol as a cultural code with connoted meaning requires another dimension of a new creative expression. As a result, denotation on the expression level becomes extended. Based on this, symbols grow through symbolization with creative thinking. This process of symbolization is commensurate with explaining how two domains are connected. Consequently, the concept of creativity on the expression plane needs an explanation from a semiotic viewpoint as to how the ontological domain of concepts or ideas is connected to the substantial domain of expression or things based not on a psychological aspect but on a logical inference through metaphorical and analogical reasoning. |
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This paper aims to examine the status and ontology of expression level of sign to propose the concept of creativity in connection with Peirce’s theory of symbol and particularly symbolization. I argue that the process of symbolization has a certain directionality from the ontological to the substantial domain of sign. Thus, the internal world of concept is connected to the external world of things. In other words, a symbol as a cultural code with connoted meaning requires another dimension of a new creative expression. As a result, denotation on the expression level becomes extended. Based on this, symbols grow through symbolization with creative thinking. This process of symbolization is commensurate with explaining how two domains are connected. Consequently, the concept of creativity on the expression plane needs an explanation from a semiotic viewpoint as to how the ontological domain of concepts or ideas is connected to the substantial domain of expression or things based not on a psychological aspect but on a logical inference through metaphorical and analogical reasoning. |
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This paper aims to examine the status and ontology of expression level of sign to propose the concept of creativity in connection with Peirce’s theory of symbol and particularly symbolization. I argue that the process of symbolization has a certain directionality from the ontological to the substantial domain of sign. Thus, the internal world of concept is connected to the external world of things. In other words, a symbol as a cultural code with connoted meaning requires another dimension of a new creative expression. As a result, denotation on the expression level becomes extended. Based on this, symbols grow through symbolization with creative thinking. This process of symbolization is commensurate with explaining how two domains are connected. Consequently, the concept of creativity on the expression plane needs an explanation from a semiotic viewpoint as to how the ontological domain of concepts or ideas is connected to the substantial domain of expression or things based not on a psychological aspect but on a logical inference through metaphorical and analogical reasoning. |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">NLEJ248176706</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20220820040443.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">220814s2015 xx |||||o 00| ||und c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/sem-2015-0122</subfield><subfield code="2">doi</subfield></datafield><datafield tag="028" ind1="5" ind2="2"><subfield code="a">articles2015-2020.pp</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)NLEJ248176706</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lee, Yunhee</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A semiotics of creativity and a poetic metaphor: Towards a dialogical relation of expression and explanation</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="b">De Gruyter</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">11</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This paper aims to examine the status and ontology of expression level of sign to propose the concept of creativity in connection with Peirce’s theory of symbol and particularly symbolization. I argue that the process of symbolization has a certain directionality from the ontological to the substantial domain of sign. Thus, the internal world of concept is connected to the external world of things. In other words, a symbol as a cultural code with connoted meaning requires another dimension of a new creative expression. As a result, denotation on the expression level becomes extended. Based on this, symbols grow through symbolization with creative thinking. This process of symbolization is commensurate with explaining how two domains are connected. Consequently, the concept of creativity on the expression plane needs an explanation from a semiotic viewpoint as to how the ontological domain of concepts or ideas is connected to the substantial domain of expression or things based not on a psychological aspect but on a logical inference through metaphorical and analogical reasoning.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="f">Walter de Gruyter Online Zeitschriften</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">expression</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">explanation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">symbolization</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">metaphor</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">creativity</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Peirce’s semiotics</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="t">Semiotica</subfield><subfield code="d">Berlin [u.a.] : Mouton de Gruyter, 1969</subfield><subfield code="g">2016(2015), 208 vom: 5. Nov., Seite 155-165</subfield><subfield code="w">(DE-627)NLEJ248236822</subfield><subfield code="w">(DE-600)2044265-8</subfield><subfield code="x">1613-3692</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:2016</subfield><subfield code="g">year:2015</subfield><subfield code="g">number:208</subfield><subfield code="g">day:5</subfield><subfield code="g">month:11</subfield><subfield code="g">pages:155-165</subfield><subfield code="g">extent:11</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/sem-2015-0122</subfield><subfield code="z">Deutschlandweit zugänglich</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_U</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-DGR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_NL_ARTICLE</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">2016</subfield><subfield code="j">2015</subfield><subfield code="e">208</subfield><subfield code="b">5</subfield><subfield code="c">11</subfield><subfield code="h">155-165</subfield><subfield code="g">11</subfield></datafield></record></collection>
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