The Authorship and Dating of the Syriac Corpus attributed to Ephrem of Nisibis: A Reassessment
A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ep...
Ausführliche Beschreibung
Autor*in: |
Hartung, Blake [verfasserIn] |
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E-Artikel |
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Erschienen: |
De Gruyter ; 2018 |
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26 |
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Walter de Gruyter Online Zeitschriften |
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Übergeordnetes Werk: |
Enthalten in: Zeitschrift für antikes Christentum - Berlin [u.a] : de Gruyter, 1997, 22(2018), 2 vom: 11. Sept., Seite 296-321 |
Übergeordnetes Werk: |
volume:22 ; year:2018 ; number:2 ; day:11 ; month:09 ; pages:296-321 ; extent:26 |
Links: |
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DOI / URN: |
10.1515/zac-2018-0033 |
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NLEJ248200070 |
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10.1515/zac-2018-0033 doi articles2015-2020.pp (DE-627)NLEJ248200070 DE-627 ger DE-627 rakwb Hartung, Blake verfasserin aut The Authorship and Dating of the Syriac Corpus attributed to Ephrem of Nisibis: A Reassessment De Gruyter 2018 26 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of most of the hymn cycles makes it impossible to date them to a particular time in Ephrem’s career. To hypothesize a date of composition is to assume that Ephrem composed the hymns in that cycle at a particular time and collected them as a unit. Likewise, this paper contends that scholars must be frank about the general lack of historical evidence, which severely challenges our ability to contextualize fourth-century Syriac poetry. The paper concludes by proposing a new approach to questions related to authorship and date of composition, one focused on smaller metrical sub-units (meter-melodies) that comprise the large hymn cycles. Walter de Gruyter Online Zeitschriften Ephrem of Nisibis Syriac Christianity Late Antique Poetry Textual Transmission Authorship Enthalten in Zeitschrift für antikes Christentum Berlin [u.a] : de Gruyter, 1997 22(2018), 2 vom: 11. Sept., Seite 296-321 (DE-627)NLEJ248236954 (DE-600)2049668-0 1612-961X nnns volume:22 year:2018 number:2 day:11 month:09 pages:296-321 extent:26 https://doi.org/10.1515/zac-2018-0033 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 22 2018 2 11 09 296-321 26 |
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10.1515/zac-2018-0033 doi articles2015-2020.pp (DE-627)NLEJ248200070 DE-627 ger DE-627 rakwb Hartung, Blake verfasserin aut The Authorship and Dating of the Syriac Corpus attributed to Ephrem of Nisibis: A Reassessment De Gruyter 2018 26 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of most of the hymn cycles makes it impossible to date them to a particular time in Ephrem’s career. To hypothesize a date of composition is to assume that Ephrem composed the hymns in that cycle at a particular time and collected them as a unit. Likewise, this paper contends that scholars must be frank about the general lack of historical evidence, which severely challenges our ability to contextualize fourth-century Syriac poetry. The paper concludes by proposing a new approach to questions related to authorship and date of composition, one focused on smaller metrical sub-units (meter-melodies) that comprise the large hymn cycles. Walter de Gruyter Online Zeitschriften Ephrem of Nisibis Syriac Christianity Late Antique Poetry Textual Transmission Authorship Enthalten in Zeitschrift für antikes Christentum Berlin [u.a] : de Gruyter, 1997 22(2018), 2 vom: 11. Sept., Seite 296-321 (DE-627)NLEJ248236954 (DE-600)2049668-0 1612-961X nnns volume:22 year:2018 number:2 day:11 month:09 pages:296-321 extent:26 https://doi.org/10.1515/zac-2018-0033 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 22 2018 2 11 09 296-321 26 |
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10.1515/zac-2018-0033 doi articles2015-2020.pp (DE-627)NLEJ248200070 DE-627 ger DE-627 rakwb Hartung, Blake verfasserin aut The Authorship and Dating of the Syriac Corpus attributed to Ephrem of Nisibis: A Reassessment De Gruyter 2018 26 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of most of the hymn cycles makes it impossible to date them to a particular time in Ephrem’s career. To hypothesize a date of composition is to assume that Ephrem composed the hymns in that cycle at a particular time and collected them as a unit. Likewise, this paper contends that scholars must be frank about the general lack of historical evidence, which severely challenges our ability to contextualize fourth-century Syriac poetry. The paper concludes by proposing a new approach to questions related to authorship and date of composition, one focused on smaller metrical sub-units (meter-melodies) that comprise the large hymn cycles. Walter de Gruyter Online Zeitschriften Ephrem of Nisibis Syriac Christianity Late Antique Poetry Textual Transmission Authorship Enthalten in Zeitschrift für antikes Christentum Berlin [u.a] : de Gruyter, 1997 22(2018), 2 vom: 11. Sept., Seite 296-321 (DE-627)NLEJ248236954 (DE-600)2049668-0 1612-961X nnns volume:22 year:2018 number:2 day:11 month:09 pages:296-321 extent:26 https://doi.org/10.1515/zac-2018-0033 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 22 2018 2 11 09 296-321 26 |
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10.1515/zac-2018-0033 doi articles2015-2020.pp (DE-627)NLEJ248200070 DE-627 ger DE-627 rakwb Hartung, Blake verfasserin aut The Authorship and Dating of the Syriac Corpus attributed to Ephrem of Nisibis: A Reassessment De Gruyter 2018 26 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of most of the hymn cycles makes it impossible to date them to a particular time in Ephrem’s career. To hypothesize a date of composition is to assume that Ephrem composed the hymns in that cycle at a particular time and collected them as a unit. Likewise, this paper contends that scholars must be frank about the general lack of historical evidence, which severely challenges our ability to contextualize fourth-century Syriac poetry. The paper concludes by proposing a new approach to questions related to authorship and date of composition, one focused on smaller metrical sub-units (meter-melodies) that comprise the large hymn cycles. Walter de Gruyter Online Zeitschriften Ephrem of Nisibis Syriac Christianity Late Antique Poetry Textual Transmission Authorship Enthalten in Zeitschrift für antikes Christentum Berlin [u.a] : de Gruyter, 1997 22(2018), 2 vom: 11. Sept., Seite 296-321 (DE-627)NLEJ248236954 (DE-600)2049668-0 1612-961X nnns volume:22 year:2018 number:2 day:11 month:09 pages:296-321 extent:26 https://doi.org/10.1515/zac-2018-0033 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 22 2018 2 11 09 296-321 26 |
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10.1515/zac-2018-0033 doi articles2015-2020.pp (DE-627)NLEJ248200070 DE-627 ger DE-627 rakwb Hartung, Blake verfasserin aut The Authorship and Dating of the Syriac Corpus attributed to Ephrem of Nisibis: A Reassessment De Gruyter 2018 26 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of most of the hymn cycles makes it impossible to date them to a particular time in Ephrem’s career. To hypothesize a date of composition is to assume that Ephrem composed the hymns in that cycle at a particular time and collected them as a unit. Likewise, this paper contends that scholars must be frank about the general lack of historical evidence, which severely challenges our ability to contextualize fourth-century Syriac poetry. The paper concludes by proposing a new approach to questions related to authorship and date of composition, one focused on smaller metrical sub-units (meter-melodies) that comprise the large hymn cycles. Walter de Gruyter Online Zeitschriften Ephrem of Nisibis Syriac Christianity Late Antique Poetry Textual Transmission Authorship Enthalten in Zeitschrift für antikes Christentum Berlin [u.a] : de Gruyter, 1997 22(2018), 2 vom: 11. Sept., Seite 296-321 (DE-627)NLEJ248236954 (DE-600)2049668-0 1612-961X nnns volume:22 year:2018 number:2 day:11 month:09 pages:296-321 extent:26 https://doi.org/10.1515/zac-2018-0033 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 22 2018 2 11 09 296-321 26 |
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A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of most of the hymn cycles makes it impossible to date them to a particular time in Ephrem’s career. To hypothesize a date of composition is to assume that Ephrem composed the hymns in that cycle at a particular time and collected them as a unit. Likewise, this paper contends that scholars must be frank about the general lack of historical evidence, which severely challenges our ability to contextualize fourth-century Syriac poetry. The paper concludes by proposing a new approach to questions related to authorship and date of composition, one focused on smaller metrical sub-units (meter-melodies) that comprise the large hymn cycles. |
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A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of most of the hymn cycles makes it impossible to date them to a particular time in Ephrem’s career. To hypothesize a date of composition is to assume that Ephrem composed the hymns in that cycle at a particular time and collected them as a unit. Likewise, this paper contends that scholars must be frank about the general lack of historical evidence, which severely challenges our ability to contextualize fourth-century Syriac poetry. The paper concludes by proposing a new approach to questions related to authorship and date of composition, one focused on smaller metrical sub-units (meter-melodies) that comprise the large hymn cycles. |
abstract_unstemmed |
A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of most of the hymn cycles makes it impossible to date them to a particular time in Ephrem’s career. To hypothesize a date of composition is to assume that Ephrem composed the hymns in that cycle at a particular time and collected them as a unit. Likewise, this paper contends that scholars must be frank about the general lack of historical evidence, which severely challenges our ability to contextualize fourth-century Syriac poetry. The paper concludes by proposing a new approach to questions related to authorship and date of composition, one focused on smaller metrical sub-units (meter-melodies) that comprise the large hymn cycles. |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">NLEJ248200070</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20220820040730.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">220814s2018 xx |||||o 00| ||und c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/zac-2018-0033</subfield><subfield code="2">doi</subfield></datafield><datafield tag="028" ind1="5" ind2="2"><subfield code="a">articles2015-2020.pp</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)NLEJ248200070</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hartung, Blake</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Authorship and Dating of the Syriac Corpus attributed to Ephrem of Nisibis: A Reassessment</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="b">De Gruyter</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">26</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of most of the hymn cycles makes it impossible to date them to a particular time in Ephrem’s career. To hypothesize a date of composition is to assume that Ephrem composed the hymns in that cycle at a particular time and collected them as a unit. Likewise, this paper contends that scholars must be frank about the general lack of historical evidence, which severely challenges our ability to contextualize fourth-century Syriac poetry. The paper concludes by proposing a new approach to questions related to authorship and date of composition, one focused on smaller metrical sub-units (meter-melodies) that comprise the large hymn cycles.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="f">Walter de Gruyter Online Zeitschriften</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ephrem of Nisibis</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Syriac Christianity</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Late Antique Poetry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Textual Transmission</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Authorship</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="t">Zeitschrift für antikes Christentum</subfield><subfield code="d">Berlin [u.a] : de Gruyter, 1997</subfield><subfield code="g">22(2018), 2 vom: 11. Sept., Seite 296-321</subfield><subfield code="w">(DE-627)NLEJ248236954</subfield><subfield code="w">(DE-600)2049668-0</subfield><subfield code="x">1612-961X</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:22</subfield><subfield code="g">year:2018</subfield><subfield code="g">number:2</subfield><subfield code="g">day:11</subfield><subfield code="g">month:09</subfield><subfield code="g">pages:296-321</subfield><subfield code="g">extent:26</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/zac-2018-0033</subfield><subfield code="z">Deutschlandweit zugänglich</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_U</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-DGR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_NL_ARTICLE</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">22</subfield><subfield code="j">2018</subfield><subfield code="e">2</subfield><subfield code="b">11</subfield><subfield code="c">09</subfield><subfield code="h">296-321</subfield><subfield code="g">26</subfield></datafield></record></collection>
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