History is Divine Art: Schelling’s Spätphilosophie as Orthodox Romantic Theology
Schelling’s Spätphilosophie is largely neglected in the non-German academy, and where it is addressed, it is usually minimized or misrepresented. It is the contention of this paper that, rather than a final unremarkable departure from his prior philosophical work, Schelling’s Spätphilosophie, and no...
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| Autor*in: |
Medley, George H. [verfasserIn] |
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E-Artikel |
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De Gruyter ; 2015 |
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18 |
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| Reproduktion: |
Walter de Gruyter Online Zeitschriften |
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| Übergeordnetes Werk: |
Enthalten in: Zeitschrift für neuere Theologiegeschichte - Berlin [u.a.] : de Gruyter, 1994, 22(2015), 1 vom: 3. Dez., Seite 59-76 |
| Übergeordnetes Werk: |
volume:22 ; year:2015 ; number:1 ; day:3 ; month:12 ; pages:59-76 ; extent:18 |
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10.1515/znth-2015-0004 |
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10.1515/znth-2015-0004 doi articles2015-2020.pp (DE-627)NLEJ248216139 DE-627 ger DE-627 rakwb Medley, George H. verfasserin aut History is Divine Art: Schelling’s Spätphilosophie as Orthodox Romantic Theology De Gruyter 2015 18 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Schelling’s Spätphilosophie is largely neglected in the non-German academy, and where it is addressed, it is usually minimized or misrepresented. It is the contention of this paper that, rather than a final unremarkable departure from his prior philosophical work, Schelling’s Spätphilosophie, and not Hegel’s work, represents the culmination of German idealism. Further, this culmination puts Schelling more directly in dialogue with Romanticism than his previous work had done, while simultaneously guiding him in what might be termed a broadly orthodox direction. By understanding God as entering into a dynamic relationship with humanity to reveal ultimate truth through the medium of history, Schelling’s Spätphilosophie represents a reworking of his earlier Identity Philosophy in a more intentionally Romantic position to yield a definitive Romantic Theology. Walter de Gruyter Online Zeitschriften Schelling Idealism Romanticism Spatphilosophie German Idealism German Romanticism philosophy of history Enthalten in Zeitschrift für neuere Theologiegeschichte Berlin [u.a.] : de Gruyter, 1994 22(2015), 1 vom: 3. Dez., Seite 59-76 (DE-627)NLEJ248237098 (DE-600)2050028-2 1612-9776 nnns volume:22 year:2015 number:1 day:3 month:12 pages:59-76 extent:18 https://doi.org/10.1515/znth-2015-0004 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 22 2015 1 3 12 59-76 18 |
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10.1515/znth-2015-0004 doi articles2015-2020.pp (DE-627)NLEJ248216139 DE-627 ger DE-627 rakwb Medley, George H. verfasserin aut History is Divine Art: Schelling’s Spätphilosophie as Orthodox Romantic Theology De Gruyter 2015 18 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Schelling’s Spätphilosophie is largely neglected in the non-German academy, and where it is addressed, it is usually minimized or misrepresented. It is the contention of this paper that, rather than a final unremarkable departure from his prior philosophical work, Schelling’s Spätphilosophie, and not Hegel’s work, represents the culmination of German idealism. Further, this culmination puts Schelling more directly in dialogue with Romanticism than his previous work had done, while simultaneously guiding him in what might be termed a broadly orthodox direction. By understanding God as entering into a dynamic relationship with humanity to reveal ultimate truth through the medium of history, Schelling’s Spätphilosophie represents a reworking of his earlier Identity Philosophy in a more intentionally Romantic position to yield a definitive Romantic Theology. Walter de Gruyter Online Zeitschriften Schelling Idealism Romanticism Spatphilosophie German Idealism German Romanticism philosophy of history Enthalten in Zeitschrift für neuere Theologiegeschichte Berlin [u.a.] : de Gruyter, 1994 22(2015), 1 vom: 3. Dez., Seite 59-76 (DE-627)NLEJ248237098 (DE-600)2050028-2 1612-9776 nnns volume:22 year:2015 number:1 day:3 month:12 pages:59-76 extent:18 https://doi.org/10.1515/znth-2015-0004 Deutschlandweit zugänglich GBV_USEFLAG_U ZDB-1-DGR GBV_NL_ARTICLE AR 22 2015 1 3 12 59-76 18 |
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Schelling’s Spätphilosophie is largely neglected in the non-German academy, and where it is addressed, it is usually minimized or misrepresented. It is the contention of this paper that, rather than a final unremarkable departure from his prior philosophical work, Schelling’s Spätphilosophie, and not Hegel’s work, represents the culmination of German idealism. Further, this culmination puts Schelling more directly in dialogue with Romanticism than his previous work had done, while simultaneously guiding him in what might be termed a broadly orthodox direction. By understanding God as entering into a dynamic relationship with humanity to reveal ultimate truth through the medium of history, Schelling’s Spätphilosophie represents a reworking of his earlier Identity Philosophy in a more intentionally Romantic position to yield a definitive Romantic Theology. |
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Schelling’s Spätphilosophie is largely neglected in the non-German academy, and where it is addressed, it is usually minimized or misrepresented. It is the contention of this paper that, rather than a final unremarkable departure from his prior philosophical work, Schelling’s Spätphilosophie, and not Hegel’s work, represents the culmination of German idealism. Further, this culmination puts Schelling more directly in dialogue with Romanticism than his previous work had done, while simultaneously guiding him in what might be termed a broadly orthodox direction. By understanding God as entering into a dynamic relationship with humanity to reveal ultimate truth through the medium of history, Schelling’s Spätphilosophie represents a reworking of his earlier Identity Philosophy in a more intentionally Romantic position to yield a definitive Romantic Theology. |
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Schelling’s Spätphilosophie is largely neglected in the non-German academy, and where it is addressed, it is usually minimized or misrepresented. It is the contention of this paper that, rather than a final unremarkable departure from his prior philosophical work, Schelling’s Spätphilosophie, and not Hegel’s work, represents the culmination of German idealism. Further, this culmination puts Schelling more directly in dialogue with Romanticism than his previous work had done, while simultaneously guiding him in what might be termed a broadly orthodox direction. By understanding God as entering into a dynamic relationship with humanity to reveal ultimate truth through the medium of history, Schelling’s Spätphilosophie represents a reworking of his earlier Identity Philosophy in a more intentionally Romantic position to yield a definitive Romantic Theology. |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">NLEJ248216139</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20220820040859.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">220814s2015 xx |||||o 00| ||und c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/znth-2015-0004</subfield><subfield code="2">doi</subfield></datafield><datafield tag="028" ind1="5" ind2="2"><subfield code="a">articles2015-2020.pp</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)NLEJ248216139</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Medley, George H.</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">History is Divine Art: Schelling’s Spätphilosophie as Orthodox Romantic Theology</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="b">De Gruyter</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">18</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Schelling’s Spätphilosophie is largely neglected in the non-German academy, and where it is addressed, it is usually minimized or misrepresented. It is the contention of this paper that, rather than a final unremarkable departure from his prior philosophical work, Schelling’s Spätphilosophie, and not Hegel’s work, represents the culmination of German idealism. Further, this culmination puts Schelling more directly in dialogue with Romanticism than his previous work had done, while simultaneously guiding him in what might be termed a broadly orthodox direction. By understanding God as entering into a dynamic relationship with humanity to reveal ultimate truth through the medium of history, Schelling’s Spätphilosophie represents a reworking of his earlier Identity Philosophy in a more intentionally Romantic position to yield a definitive Romantic Theology.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="f">Walter de Gruyter Online Zeitschriften</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Schelling</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Idealism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Romanticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Spatphilosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">German Idealism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">German Romanticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">philosophy of history</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="t">Zeitschrift für neuere Theologiegeschichte</subfield><subfield code="d">Berlin [u.a.] : de Gruyter, 1994</subfield><subfield code="g">22(2015), 1 vom: 3. Dez., Seite 59-76</subfield><subfield code="w">(DE-627)NLEJ248237098</subfield><subfield code="w">(DE-600)2050028-2</subfield><subfield code="x">1612-9776</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:22</subfield><subfield code="g">year:2015</subfield><subfield code="g">number:1</subfield><subfield code="g">day:3</subfield><subfield code="g">month:12</subfield><subfield code="g">pages:59-76</subfield><subfield code="g">extent:18</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/znth-2015-0004</subfield><subfield code="z">Deutschlandweit zugänglich</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_U</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-DGR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_NL_ARTICLE</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">22</subfield><subfield code="j">2015</subfield><subfield code="e">1</subfield><subfield code="b">3</subfield><subfield code="c">12</subfield><subfield code="h">59-76</subfield><subfield code="g">18</subfield></datafield></record></collection>
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