Slaves to Sculpture: A Response to Patricia Penn Hilden - Challenging some of Hilden's assertions in "Race for Sale," Thompson -- Who worked at the Museum for African Art -- Tells a different story of "post-colonial politics" in the Museum, its collectors, and its exhibits
Gespeichert in:
| Autor*in: |
Thompson, Carol [verfasserIn] |
|---|
| Format: |
Artikel |
|---|
| Erschienen: |
2000 |
|---|
| Umfang: |
14 |
|---|
| Übergeordnetes Werk: |
Enthalten in: TDR - New York, NY : Cambridge University Press, 1967, 44(2000), 3, Seite 37-50 |
|---|---|
| Übergeordnetes Werk: |
volume:44 ; year:2000 ; number:3 ; pages:37-50 ; extent:14 |
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Slaves to Sculpture: A Response to Patricia Penn Hilden - Challenging some of Hilden's assertions in "Race for Sale," Thompson -- Who worked at the Museum for African Art -- Tells a different story of "post-colonial politics" in the Museum, its collectors, and its exhibits |
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marc |
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Thompson, Carol |
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Thompson, Carol |
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792 |
| title_sort |
slaves to sculpture: a response to patricia penn hilden - challenging some of hilden's assertions in "race for sale," thompson -- who worked at the museum for african art -- tells a different story of "post-colonial politics" in the museum, its collectors, and its exhibits |
| title_auth |
Slaves to Sculpture: A Response to Patricia Penn Hilden - Challenging some of Hilden's assertions in "Race for Sale," Thompson -- Who worked at the Museum for African Art -- Tells a different story of "post-colonial politics" in the Museum, its collectors, and its exhibits |
| collection_details |
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| title_short |
Slaves to Sculpture: A Response to Patricia Penn Hilden - Challenging some of Hilden's assertions in "Race for Sale," Thompson -- Who worked at the Museum for African Art -- Tells a different story of "post-colonial politics" in the Museum, its collectors, and its exhibits |
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| up_date |
2024-07-04T00:44:19.321Z |
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