Transition of Rituals in the Nagasaki City Atomic Bomb Memorial Ceremony
This article focuses on rituals in the wake of a disaster, particularly those rituals that concern the dead. Previous studies have paid little attention to such rituals, which have developed and evolved over a long period of time. A diachronic case study of the N agasaki atomic bomb memorial ceremon...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Fukuda, Yu [verfasserIn] |
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| Format: |
Artikel |
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| Sprache: |
Englisch |
| Erschienen: |
2015 |
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| Rechteinformationen: |
Nutzungsrecht: 2014 The Author. International Journal of Japanese Sociology © 2014 The Japan Sociological Society |
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| Schlagwörter: |
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| Übergeordnetes Werk: |
Enthalten in: International journal of Japanese sociology - Oxford : Blackwell, 1992, 24(2015), 1, Seite 78-91 |
|---|---|
| Übergeordnetes Werk: |
volume:24 ; year:2015 ; number:1 ; pages:78-91 |
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| DOI / URN: |
10.1111/ijjs.12028 |
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| 520 | |a This article focuses on rituals in the wake of a disaster, particularly those rituals that concern the dead. Previous studies have paid little attention to such rituals, which have developed and evolved over a long period of time. A diachronic case study of the N agasaki atomic bomb memorial ceremony shows that memorial rituals gradually shift their attention from the dead to the living. The characteristics observed in this ceremony that orient towards the living can be distinguished from folk rituals, whose central object is to appease or comfort the dead, and also from political rituals, whose aim is to honor the dead and acknowledge the tragic past within a political framework. In addition to economic as well as political factors, the broadcasting of the Nagasaki ceremony on television is instrumental in the changes in these rites and the inclusion of the third‐person plural subject: the “we”, appears to be vital in apprehending the experience of violent death. Relying on historical materials, photographs, and data collected by participatory observation and interviews, this article aims to show how people use symbolic practices to make meaning out of violent death. | ||
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This article focuses on rituals in the wake of a disaster, particularly those rituals that concern the dead. Previous studies have paid little attention to such rituals, which have developed and evolved over a long period of time. A diachronic case study of the N agasaki atomic bomb memorial ceremony shows that memorial rituals gradually shift their attention from the dead to the living. The characteristics observed in this ceremony that orient towards the living can be distinguished from folk rituals, whose central object is to appease or comfort the dead, and also from political rituals, whose aim is to honor the dead and acknowledge the tragic past within a political framework. In addition to economic as well as political factors, the broadcasting of the Nagasaki ceremony on television is instrumental in the changes in these rites and the inclusion of the third‐person plural subject: the “we”, appears to be vital in apprehending the experience of violent death. Relying on historical materials, photographs, and data collected by participatory observation and interviews, this article aims to show how people use symbolic practices to make meaning out of violent death. |
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This article focuses on rituals in the wake of a disaster, particularly those rituals that concern the dead. Previous studies have paid little attention to such rituals, which have developed and evolved over a long period of time. A diachronic case study of the N agasaki atomic bomb memorial ceremony shows that memorial rituals gradually shift their attention from the dead to the living. The characteristics observed in this ceremony that orient towards the living can be distinguished from folk rituals, whose central object is to appease or comfort the dead, and also from political rituals, whose aim is to honor the dead and acknowledge the tragic past within a political framework. In addition to economic as well as political factors, the broadcasting of the Nagasaki ceremony on television is instrumental in the changes in these rites and the inclusion of the third‐person plural subject: the “we”, appears to be vital in apprehending the experience of violent death. Relying on historical materials, photographs, and data collected by participatory observation and interviews, this article aims to show how people use symbolic practices to make meaning out of violent death. |
| abstract_unstemmed |
This article focuses on rituals in the wake of a disaster, particularly those rituals that concern the dead. Previous studies have paid little attention to such rituals, which have developed and evolved over a long period of time. A diachronic case study of the N agasaki atomic bomb memorial ceremony shows that memorial rituals gradually shift their attention from the dead to the living. The characteristics observed in this ceremony that orient towards the living can be distinguished from folk rituals, whose central object is to appease or comfort the dead, and also from political rituals, whose aim is to honor the dead and acknowledge the tragic past within a political framework. In addition to economic as well as political factors, the broadcasting of the Nagasaki ceremony on television is instrumental in the changes in these rites and the inclusion of the third‐person plural subject: the “we”, appears to be vital in apprehending the experience of violent death. Relying on historical materials, photographs, and data collected by participatory observation and interviews, this article aims to show how people use symbolic practices to make meaning out of violent death. |
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Transition of Rituals in the Nagasaki City Atomic Bomb Memorial Ceremony |
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http://dx.doi.org/10.1111/ijjs.12028 http://onlinelibrary.wiley.com/doi/10.1111/ijjs.12028/abstract |
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