The cinema of Robert Rodriguez by Frederick Luis Aldama
From pioneering a new comic book esthetic in the film-noir style Sin City, to experimenting with 3-D animation and scented scratch cards during his Spy Kids franchise, Rodriguez has reimagined and reshaped the art of filmmaking throughout his 23-year career. Aldama's versatility as a scholar is...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Grace Lower [verfasserIn] |
|---|
| Format: |
Artikel |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
2015 |
|---|
| Schlagwörter: |
|---|
| Übergeordnetes Werk: |
Enthalten in: Latino studies - Basingstoke : Palgrave Macmillan, 2003, 13(2015), 3, Seite 444-446 |
|---|---|
| Übergeordnetes Werk: |
volume:13 ; year:2015 ; number:3 ; pages:444-446 |
| Links: |
|---|
| DOI / URN: |
10.1057/lst.2015.22 |
|---|
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OLC1961373726 |
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From pioneering a new comic book esthetic in the film-noir style Sin City, to experimenting with 3-D animation and scented scratch cards during his Spy Kids franchise, Rodriguez has reimagined and reshaped the art of filmmaking throughout his 23-year career. Aldama's versatility as a scholar is especially evident within these segments: whether interweaving elements of child psychology into his analysis of Spy Kids, or noting the role of neurotransmitters in The Faculty's reception, his incorporation of psychological terms is both accessible and largely unobtrusive. |
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From pioneering a new comic book esthetic in the film-noir style Sin City, to experimenting with 3-D animation and scented scratch cards during his Spy Kids franchise, Rodriguez has reimagined and reshaped the art of filmmaking throughout his 23-year career. Aldama's versatility as a scholar is especially evident within these segments: whether interweaving elements of child psychology into his analysis of Spy Kids, or noting the role of neurotransmitters in The Faculty's reception, his incorporation of psychological terms is both accessible and largely unobtrusive. |
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