Works of Glass; Contemporary classical music
Words Without Music, by Philip Glass, is reviewed. Philip Glass is probably the world's most famous living composer. He is known to many as a minimalist, since much of his music is highly repetitive, and he is a prolific film-score creator whose music was used in "Leviathan", a contro...
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2015 |
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Nutzungsrecht: © COPYRIGHT 2015 Economist Intelligence Unit N.A. Incorporated |
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Übergeordnetes Werk: |
Enthalten in: The economist - London : Economist, 1843, 414(2015), 8931, Seite 88 |
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Übergeordnetes Werk: |
volume:414 ; year:2015 ; number:8931 ; pages:88 |
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Words Without Music, by Philip Glass, is reviewed. Philip Glass is probably the world's most famous living composer. He is known to many as a minimalist, since much of his music is highly repetitive, and he is a prolific film-score creator whose music was used in "Leviathan", a controversial Russian movie from 2014. His new autobiography shows him to be a decent writer, too. In his book, Glass discusses the broad influences--academic, cultural and personal--on his approach to music. |
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Words Without Music, by Philip Glass, is reviewed. Philip Glass is probably the world's most famous living composer. He is known to many as a minimalist, since much of his music is highly repetitive, and he is a prolific film-score creator whose music was used in "Leviathan", a controversial Russian movie from 2014. His new autobiography shows him to be a decent writer, too. In his book, Glass discusses the broad influences--academic, cultural and personal--on his approach to music. |
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Words Without Music, by Philip Glass, is reviewed. Philip Glass is probably the world's most famous living composer. He is known to many as a minimalist, since much of his music is highly repetitive, and he is a prolific film-score creator whose music was used in "Leviathan", a controversial Russian movie from 2014. His new autobiography shows him to be a decent writer, too. In his book, Glass discusses the broad influences--academic, cultural and personal--on his approach to music. |
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|
score |
7.399947 |