Caste in Black and White: Dalit Identity and the Translation of African American Literature

In 1965, the critic Manohar Namdeo Wankhade completed a Ph.D. in American literature in the U.S. and returned to Maharashtra, where he published several influential essays for the nascent Marathi Dalit literary movement. This essay examines the role that American literature played in Wankhade's...
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Autor*in:	Manan Desai [verfasserIn]

Format:	Artikel
Sprache:	Englisch

Erschienen:	2015

Schlagwörter:	Works Criticism and interpretation African American authors American literature Critics Whites Blacks Literature Narratives Trauma African literature

Übergeordnetes Werk:	Enthalten in: Comparative literature - Durham, NC : Duke Univ. Press, 1949, 67(2015), 1, Seite 94-113
Übergeordnetes Werk:	volume:67 ; year:2015 ; number:1 ; pages:94-113

Links:	Volltext Link aufrufen Link aufrufen

DOI / URN:	10.1215/00104124-2862043

Katalog-ID:	OLC1967420890

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title	Caste in Black and White: Dalit Identity and the Translation of African American Literature
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title_sort	caste in black and white: dalit identity and the translation of african american literature
title_auth	Caste in Black and White: Dalit Identity and the Translation of African American Literature
abstract	In 1965, the critic Manohar Namdeo Wankhade completed a Ph.D. in American literature in the U.S. and returned to Maharashtra, where he published several influential essays for the nascent Marathi Dalit literary movement. This essay examines the role that American literature played in Wankhade's criticism, from early writings on Whitman's "spiritual democracy" to essays on the Black Arts Movement and Ralph Ellison, which were repurposed by a generation of Marathi Dalit writers. These writings imagined new terms of Dalit identity outside of the discourse of the Indian nation and the restrictive language of the caste system. By constructing a racialized, "culturally dualistic" America, Wankhade's Marathi essays sought in African American narratives a way of describing the historical trauma, alienated labor, and "double consciousness" of Black life that could resonate with Dalit subjectivity and the ongoing injustices of caste prejudice and violence.
abstractGer	In 1965, the critic Manohar Namdeo Wankhade completed a Ph.D. in American literature in the U.S. and returned to Maharashtra, where he published several influential essays for the nascent Marathi Dalit literary movement. This essay examines the role that American literature played in Wankhade's criticism, from early writings on Whitman's "spiritual democracy" to essays on the Black Arts Movement and Ralph Ellison, which were repurposed by a generation of Marathi Dalit writers. These writings imagined new terms of Dalit identity outside of the discourse of the Indian nation and the restrictive language of the caste system. By constructing a racialized, "culturally dualistic" America, Wankhade's Marathi essays sought in African American narratives a way of describing the historical trauma, alienated labor, and "double consciousness" of Black life that could resonate with Dalit subjectivity and the ongoing injustices of caste prejudice and violence.
abstract_unstemmed	In 1965, the critic Manohar Namdeo Wankhade completed a Ph.D. in American literature in the U.S. and returned to Maharashtra, where he published several influential essays for the nascent Marathi Dalit literary movement. This essay examines the role that American literature played in Wankhade's criticism, from early writings on Whitman's "spiritual democracy" to essays on the Black Arts Movement and Ralph Ellison, which were repurposed by a generation of Marathi Dalit writers. These writings imagined new terms of Dalit identity outside of the discourse of the Indian nation and the restrictive language of the caste system. By constructing a racialized, "culturally dualistic" America, Wankhade's Marathi essays sought in African American narratives a way of describing the historical trauma, alienated labor, and "double consciousness" of Black life that could resonate with Dalit subjectivity and the ongoing injustices of caste prejudice and violence.
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title_short	Caste in Black and White: Dalit Identity and the Translation of African American Literature
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Caste in Black and White: Dalit Identity and the Translation of African American Literature

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