Pavilions, Pop‐Ups and Parasols: Are They Platforms for Change?
Gespeichert in:
| Autor*in: |
van Schaik, Leon [verfasserIn] |
|---|
| Format: |
Artikel |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
2015 |
|---|
| Rechteinformationen: |
Nutzungsrecht: Copyright © 2015 John Wiley & Sons, Ltd. |
|---|
| Systematik: |
|
|---|
| Übergeordnetes Werk: |
Enthalten in: Architectural design - London : Wiley-Academy, 1946, 85(2015), 3, Seite 8-15 |
|---|---|
| Übergeordnetes Werk: |
volume:85 ; year:2015 ; number:3 ; pages:8-15 |
| Links: |
|---|
| DOI / URN: |
10.1002/ad.1895 |
|---|
| Katalog-ID: |
OLC1968800840 |
|---|
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| 650 | 4 | |a Not to be Taken Seriously | |
| 650 | 4 | |a Arthur Mamou‐Mani | |
| 650 | 4 | |a Pin‐up Architecture and Design Project Space | |
| 650 | 4 | |a Newcastle on Tyne | |
| 650 | 4 | |a Whitsun | |
| 650 | 4 | |a Matthias Hollwich | |
| 650 | 4 | |a Indeterminacy + Contingency: the Seroussi Pavilion and Bloom | |
| 650 | 4 | |a Bethel | |
| 650 | 4 | |a Alisa Andrasek | |
| 650 | 4 | |a Europe | |
| 650 | 4 | |a Archigram | |
| 650 | 4 | |a Walton Street | |
| 650 | 4 | |a Soho | |
| 650 | 4 | |a Osaka Follies | |
| 650 | 4 | |a Melbourne | |
| 650 | 4 | |a Modernism | |
| 650 | 4 | |a Matthew Bird/Studiobird and Phillip Adams | |
| 650 | 4 | |a The Affirmative Qualities of a Temporal Architecture | |
| 650 | 4 | |a The Future is Here | |
| 650 | 4 | |a Leon van Schaik | |
| 650 | 4 | |a Cambridge | |
| 650 | 4 | |a Akira Suzuki | |
| 650 | 4 | |a Strawberry Fields | |
| 650 | 4 | |a Minsuk Cho | |
| 650 | 4 | |a Naomi Milgrom | |
| 650 | 4 | |a Embassy | |
| 650 | 4 | |a Pia Ednie‐Brown | |
| 650 | 4 | |a Drone Opera | |
| 650 | 4 | |a 100Year City (Maribor): The Virtual Concourse Reframed | |
| 650 | 4 | |a Tom Kovac | |
| 650 | 4 | |a In Pursuit of Pleasure: The Not So Fleeting Life of the Pavilion and its Ilk | |
| 650 | 4 | |a Venice Architecture Biennale | |
| 650 | 4 | |a Kingston upon Hull | |
| 650 | 4 | |a Global Village Media | |
| 650 | 4 | |a Barcelona Reset | |
| 650 | 4 | |a Architecture of the Occasion | |
| 650 | 4 | |a Taipei | |
| 650 | 4 | |a 10 Folly Variations: the Time‐Specific Architecture of Mass Studies | |
| 650 | 4 | |a Martyn Hook | |
| 650 | 4 | |a New York | |
| 650 | 4 | |a Peter Cook | |
| 650 | 4 | |a Composite Wing | |
| 650 | 4 | |a Hoppings | |
| 650 | 4 | |a Woodstock Music and Art Fair | |
| 650 | 4 | |a CJ Lim | |
| 650 | 4 | |a London Design Festival | |
| 650 | 4 | |a Agents for Urban Food Education and Security | |
| 650 | 4 | |a Serpentine Gallery | |
| 650 | 4 | |a Folly 7 Expo 90 | |
| 650 | 4 | |a Lasting Impressions: Pop‐Up Culture by HWKN | |
| 650 | 4 | |a Dan Hill | |
| 650 | 4 | |a Castles and Pavilions: Creating New Hybrid Places of Exchange | |
| 650 | 4 | |a Pavilions, Pop‐Ups and Parasols | |
| 650 | 4 | |a Sean Godsell Architects | |
| 650 | 4 | |a Robin Evans | |
| 650 | 4 | |a Queen Victoria Gardens | |
| 650 | 4 | |a Benedetta Tagliabue | |
| 650 | 4 | |a Martínez Lapeña – Torres Arquitectos | |
| 650 | 4 | |a England | |
| 650 | 4 | |a Matthew Sleeth | |
| 650 | 4 | |a Felicity D Scott | |
| 650 | 4 | |a John Lennon | |
| 650 | 4 | |a When a Tree House No Longer Says “House”, Are We Virtually There? | |
| 650 | 4 | |a Norwich | |
| 650 | 4 | |a Design Hub | |
| 650 | 4 | |a A Sketchbook for the City to Come: The Pop‐up as R&D | |
| 650 | 4 | |a MPavilion | |
| 650 | 4 | |a Australia | |
| 650 | 4 | |a Osaka | |
| 650 | 4 | |a Roland Snooks | |
| 650 | 4 | |a King's Lynn Fair | |
| 650 | 4 | |a AL_A | |
| 650 | 4 | |a Easter | |
| 650 | 4 | |a Australian Virtual Pavilion | |
| 650 | 4 | |a Christmas | |
| 650 | 4 | |a Urban Phenomenon: Guerilla Architecture in Taipei | |
| 650 | 4 | |a Shanghai Biennale | |
| 650 | 4 | |a Andrea Kahn | |
| 650 | 4 | |a tincan | |
| 650 | 4 | |a Building Community | |
| 650 | 4 | |a Roan Ching‐Yueh | |
| 650 | 4 | |a Fleur Watson | |
| 650 | 4 | |a RMIT University | |
| 650 | 4 | |a Toby Burgess | |
| 650 | 4 | |a Entrepreneur Makers: Digitally Crafted, Crowdfunded Pavilions | |
| 650 | 4 | |a Tom Holbrook | |
| 650 | 4 | |a Hull Fair | |
| 650 | 4 | |a Japan | |
| 650 | 4 | |a Robert Bevan | |
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Enthalten in Architectural design 85(2015), 3, Seite 8-15 volume:85 year:2015 number:3 pages:8-15 |
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Enthalten in Architectural design 85(2015), 3, Seite 8-15 volume:85 year:2015 number:3 pages:8-15 |
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Instant City Not to be Taken Seriously Arthur Mamou‐Mani Pin‐up Architecture and Design Project Space Newcastle on Tyne Whitsun Matthias Hollwich Indeterminacy + Contingency: the Seroussi Pavilion and Bloom Bethel Alisa Andrasek Europe Archigram Walton Street Soho Osaka Follies Melbourne Modernism Matthew Bird/Studiobird and Phillip Adams The Affirmative Qualities of a Temporal Architecture The Future is Here Leon van Schaik Cambridge Akira Suzuki Strawberry Fields Minsuk Cho Naomi Milgrom Embassy Pia Ednie‐Brown Drone Opera 100Year City (Maribor): The Virtual Concourse Reframed Tom Kovac In Pursuit of Pleasure: The Not So Fleeting Life of the Pavilion and its Ilk Venice Architecture Biennale Kingston upon Hull Global Village Media Barcelona Reset Architecture of the Occasion Taipei 10 Folly Variations: the Time‐Specific Architecture of Mass Studies Martyn Hook New York Peter Cook Composite Wing Hoppings Woodstock Music and Art Fair CJ Lim London Design Festival Agents for Urban Food Education and Security Serpentine Gallery Folly 7 Expo 90 Lasting Impressions: Pop‐Up Culture by HWKN Dan Hill Castles and Pavilions: Creating New Hybrid Places of Exchange Pavilions, Pop‐Ups and Parasols Sean Godsell Architects Robin Evans Queen Victoria Gardens Benedetta Tagliabue Martínez Lapeña – Torres Arquitectos England Matthew Sleeth Felicity D Scott John Lennon When a Tree House No Longer Says “House”, Are We Virtually There? Norwich Design Hub A Sketchbook for the City to Come: The Pop‐up as R&D MPavilion Australia Osaka Roland Snooks King's Lynn Fair AL_A Easter Australian Virtual Pavilion Christmas Urban Phenomenon: Guerilla Architecture in Taipei Shanghai Biennale Andrea Kahn tincan Building Community Roan Ching‐Yueh Fleur Watson RMIT University Toby Burgess Entrepreneur Makers: Digitally Crafted, Crowdfunded Pavilions Tom Holbrook Hull Fair Japan Robert Bevan |
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690 700 DNB ZH 3150: AVZ rvk 56.62 bkl Pavilions, Pop‐Ups and Parasols: Are They Platforms for Change? Instant City Not to be Taken Seriously Arthur Mamou‐Mani Pin‐up Architecture and Design Project Space Newcastle on Tyne Whitsun Matthias Hollwich Indeterminacy + Contingency: the Seroussi Pavilion and Bloom Bethel Alisa Andrasek Europe Archigram Walton Street Soho Osaka Follies Melbourne Modernism Matthew Bird/Studiobird and Phillip Adams The Affirmative Qualities of a Temporal Architecture The Future is Here Leon van Schaik Cambridge Akira Suzuki Strawberry Fields Minsuk Cho Naomi Milgrom Embassy Pia Ednie‐Brown Drone Opera 100Year City (Maribor): The Virtual Concourse Reframed Tom Kovac In Pursuit of Pleasure: The Not So Fleeting Life of the Pavilion and its Ilk Venice Architecture Biennale Kingston upon Hull Global Village Media Barcelona Reset Architecture of the Occasion Taipei 10 Folly Variations: the Time‐Specific Architecture of Mass Studies Martyn Hook New York Peter Cook Composite Wing Hoppings Woodstock Music and Art Fair CJ Lim London Design Festival Agents for Urban Food Education and Security Serpentine Gallery Folly 7 Expo 90 Lasting Impressions: Pop‐Up Culture by HWKN Dan Hill Castles and Pavilions: Creating New Hybrid Places of Exchange Pavilions, Pop‐Ups and Parasols Sean Godsell Architects Robin Evans Queen Victoria Gardens Benedetta Tagliabue Martínez Lapeña – Torres Arquitectos England Matthew Sleeth Felicity D Scott John Lennon When a Tree House No Longer Says “House”, Are We Virtually There? Norwich Design Hub A Sketchbook for the City to Come: The Pop‐up as R&D MPavilion Australia Osaka Roland Snooks King's Lynn Fair AL_A Easter Australian Virtual Pavilion Christmas Urban Phenomenon: Guerilla Architecture in Taipei Shanghai Biennale Andrea Kahn tincan Building Community Roan Ching‐Yueh Fleur Watson RMIT University Toby Burgess Entrepreneur Makers: Digitally Crafted, Crowdfunded Pavilions Tom Holbrook Hull Fair Japan Robert Bevan |
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