Theorising the role of cultural products in cultural diplomacy from a Cultural Studies perspective

Cultural diplomacy continues to attract significant interest as a potential means for states to exercise 'soft power'. However, policy-makers and academics who assert the efficacy of cultural diplomacy in terms of influencing foreign publics and states rarely consider how cultural products...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Clarke, David [verfasserIn]

Format:	Artikel
Sprache:	Englisch

Erschienen:	2016

Rechteinformationen:	Nutzungsrecht: © 2014 Taylor & Francis 2014

Schlagwörter:	cultural products Cultural Studies cultural diplomacy soft power Cultural policy Cultural relations

Übergeordnetes Werk:	Enthalten in: The international journal of cultural policy - London [u.a.] : Routledge, 1997, 22(2016), 2, Seite 147-17
Übergeordnetes Werk:	volume:22 ; year:2016 ; number:2 ; pages:147-17

Links:	Volltext Link aufrufen Link aufrufen

DOI / URN:	10.1080/10286632.2014.958481

Katalog-ID:	OLC1973309181

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abstract	Cultural diplomacy continues to attract significant interest as a potential means for states to exercise 'soft power'. However, policy-makers and academics who assert the efficacy of cultural diplomacy in terms of influencing foreign publics and states rarely consider how cultural products are actually received abroad. This article proposes that this process of reception can be better understood with reference to the theoretical approaches of Cultural Studies, which encourage us to recognise the extent to which audiences are implicated in processes of meaning-making, processes which are closely associated with the articulation of identity. By applying these approaches to cultural diplomacy, policy-makers and researchers could shift their focus to an exploration of realities of the reception cultural products abroad, which would better inform their assumptions about how to achieve successful cultural diplomacy.
abstractGer	Cultural diplomacy continues to attract significant interest as a potential means for states to exercise 'soft power'. However, policy-makers and academics who assert the efficacy of cultural diplomacy in terms of influencing foreign publics and states rarely consider how cultural products are actually received abroad. This article proposes that this process of reception can be better understood with reference to the theoretical approaches of Cultural Studies, which encourage us to recognise the extent to which audiences are implicated in processes of meaning-making, processes which are closely associated with the articulation of identity. By applying these approaches to cultural diplomacy, policy-makers and researchers could shift their focus to an exploration of realities of the reception cultural products abroad, which would better inform their assumptions about how to achieve successful cultural diplomacy.
abstract_unstemmed	Cultural diplomacy continues to attract significant interest as a potential means for states to exercise 'soft power'. However, policy-makers and academics who assert the efficacy of cultural diplomacy in terms of influencing foreign publics and states rarely consider how cultural products are actually received abroad. This article proposes that this process of reception can be better understood with reference to the theoretical approaches of Cultural Studies, which encourage us to recognise the extent to which audiences are implicated in processes of meaning-making, processes which are closely associated with the articulation of identity. By applying these approaches to cultural diplomacy, policy-makers and researchers could shift their focus to an exploration of realities of the reception cultural products abroad, which would better inform their assumptions about how to achieve successful cultural diplomacy.
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However, policy-makers and academics who assert the efficacy of cultural diplomacy in terms of influencing foreign publics and states rarely consider how cultural products are actually received abroad. This article proposes that this process of reception can be better understood with reference to the theoretical approaches of Cultural Studies, which encourage us to recognise the extent to which audiences are implicated in processes of meaning-making, processes which are closely associated with the articulation of identity. By applying these approaches to cultural diplomacy, policy-makers and researchers could shift their focus to an exploration of realities of the reception cultural products abroad, which would better inform their assumptions about how to achieve successful cultural diplomacy.</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">Nutzungsrecht: © 2014 Taylor & Francis 2014</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">cultural products</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">cultural diplomacy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">soft power</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cultural policy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cultural relations</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="t">The international journal of cultural policy</subfield><subfield code="d">London [u.a.] : Routledge, 1997</subfield><subfield code="g">22(2016), 2, Seite 147-17</subfield><subfield code="w">(DE-627)240860667</subfield><subfield code="w">(DE-600)1418947-1</subfield><subfield code="w">(DE-576)104247878</subfield><subfield code="x">1028-6632</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:22</subfield><subfield code="g">year:2016</subfield><subfield code="g">number:2</subfield><subfield code="g">pages:147-17</subfield></datafield><datafield tag="856" ind1="4" ind2="1"><subfield code="u">http://dx.doi.org/10.1080/10286632.2014.958481</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">http://www.tandfonline.com/doi/abs/10.1080/10286632.2014.958481</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">http://search.proquest.com/docview/1772880753</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_OLC</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OLC-IBL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2040</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">22</subfield><subfield code="j">2016</subfield><subfield code="e">2</subfield><subfield code="h">147-17</subfield></datafield></record></collection>
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