The Art of Representing the Other: Industry Personnel in the World Music Industry
In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to t...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Aleysia K Whitmore [verfasserIn] |
|---|
| Format: |
Artikel |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
2016 |
|---|
| Schlagwörter: |
|---|
| Übergeordnetes Werk: |
Enthalten in: Ethnomusicology - Champaign, Ill. : University of Illinois Press, 1953, 60(2016), 2, Seite 329 |
|---|---|
| Übergeordnetes Werk: |
volume:60 ; year:2016 ; number:2 ; pages:329 |
| Links: |
|---|
| Katalog-ID: |
OLC1974884368 |
|---|
| LEADER | 01000caa a2200265 4500 | ||
|---|---|---|---|
| 001 | OLC1974884368 | ||
| 003 | DE-627 | ||
| 005 | 20220216073101.0 | ||
| 007 | tu | ||
| 008 | 160609s2016 xx ||||| 00| ||eng c | ||
| 028 | 5 | 2 | |a PQ20160610 |
| 035 | |a (DE-627)OLC1974884368 | ||
| 035 | |a (DE-599)GBVOLC1974884368 | ||
| 035 | |a (PRQ)proquest_journals_17925343730 | ||
| 035 | |a (KEY)0041306220160000060000200329artofrepresentingtheotherindustrypersonnelinthewor | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rakwb | ||
| 041 | |a eng | ||
| 082 | 0 | 4 | |a 390 |a 780 |q DNB |
| 100 | 0 | |a Aleysia K Whitmore |e verfasserin |4 aut | |
| 245 | 1 | 4 | |a The Art of Representing the Other: Industry Personnel in the World Music Industry |
| 264 | 1 | |c 2016 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
| 338 | |a Band |b nc |2 rdacarrier | ||
| 520 | |a In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap. | ||
| 650 | 4 | |a World music | |
| 650 | 4 | |a Music industry | |
| 650 | 4 | |a Musicology | |
| 773 | 0 | 8 | |i Enthalten in |t Ethnomusicology |d Champaign, Ill. : University of Illinois Press, 1953 |g 60(2016), 2, Seite 329 |w (DE-627)129537527 |w (DE-600)216477-2 |w (DE-576)01496886X |x 0014-1836 |7 nnns |
| 773 | 1 | 8 | |g volume:60 |g year:2016 |g number:2 |g pages:329 |
| 856 | 4 | 2 | |u http://search.proquest.com/docview/1792534373 |
| 912 | |a GBV_USEFLAG_A | ||
| 912 | |a SYSFLAG_A | ||
| 912 | |a GBV_OLC | ||
| 912 | |a SSG-OLC-ETH | ||
| 912 | |a SSG-OPC-ANG | ||
| 912 | |a GBV_ILN_11 | ||
| 912 | |a GBV_ILN_22 | ||
| 912 | |a GBV_ILN_40 | ||
| 912 | |a GBV_ILN_65 | ||
| 912 | |a GBV_ILN_90 | ||
| 912 | |a GBV_ILN_98 | ||
| 912 | |a GBV_ILN_110 | ||
| 912 | |a GBV_ILN_130 | ||
| 912 | |a GBV_ILN_163 | ||
| 912 | |a GBV_ILN_181 | ||
| 912 | |a GBV_ILN_203 | ||
| 912 | |a GBV_ILN_2008 | ||
| 912 | |a GBV_ILN_2012 | ||
| 912 | |a GBV_ILN_2056 | ||
| 912 | |a GBV_ILN_4012 | ||
| 912 | |a GBV_ILN_4029 | ||
| 912 | |a GBV_ILN_4038 | ||
| 912 | |a GBV_ILN_4305 | ||
| 951 | |a AR | ||
| 952 | |d 60 |j 2016 |e 2 |h 329 | ||
| author_variant |
a k w akw |
|---|---|
| matchkey_str |
article:00141836:2016----::hatfersnighohrnutyesneite |
| hierarchy_sort_str |
2016 |
| publishDate |
2016 |
| allfields |
PQ20160610 (DE-627)OLC1974884368 (DE-599)GBVOLC1974884368 (PRQ)proquest_journals_17925343730 (KEY)0041306220160000060000200329artofrepresentingtheotherindustrypersonnelinthewor DE-627 ger DE-627 rakwb eng 390 780 DNB Aleysia K Whitmore verfasserin aut The Art of Representing the Other: Industry Personnel in the World Music Industry 2016 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap. World music Music industry Musicology Enthalten in Ethnomusicology Champaign, Ill. : University of Illinois Press, 1953 60(2016), 2, Seite 329 (DE-627)129537527 (DE-600)216477-2 (DE-576)01496886X 0014-1836 nnns volume:60 year:2016 number:2 pages:329 http://search.proquest.com/docview/1792534373 GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG GBV_ILN_11 GBV_ILN_22 GBV_ILN_40 GBV_ILN_65 GBV_ILN_90 GBV_ILN_98 GBV_ILN_110 GBV_ILN_130 GBV_ILN_163 GBV_ILN_181 GBV_ILN_203 GBV_ILN_2008 GBV_ILN_2012 GBV_ILN_2056 GBV_ILN_4012 GBV_ILN_4029 GBV_ILN_4038 GBV_ILN_4305 AR 60 2016 2 329 |
| spelling |
PQ20160610 (DE-627)OLC1974884368 (DE-599)GBVOLC1974884368 (PRQ)proquest_journals_17925343730 (KEY)0041306220160000060000200329artofrepresentingtheotherindustrypersonnelinthewor DE-627 ger DE-627 rakwb eng 390 780 DNB Aleysia K Whitmore verfasserin aut The Art of Representing the Other: Industry Personnel in the World Music Industry 2016 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap. World music Music industry Musicology Enthalten in Ethnomusicology Champaign, Ill. : University of Illinois Press, 1953 60(2016), 2, Seite 329 (DE-627)129537527 (DE-600)216477-2 (DE-576)01496886X 0014-1836 nnns volume:60 year:2016 number:2 pages:329 http://search.proquest.com/docview/1792534373 GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG GBV_ILN_11 GBV_ILN_22 GBV_ILN_40 GBV_ILN_65 GBV_ILN_90 GBV_ILN_98 GBV_ILN_110 GBV_ILN_130 GBV_ILN_163 GBV_ILN_181 GBV_ILN_203 GBV_ILN_2008 GBV_ILN_2012 GBV_ILN_2056 GBV_ILN_4012 GBV_ILN_4029 GBV_ILN_4038 GBV_ILN_4305 AR 60 2016 2 329 |
| allfields_unstemmed |
PQ20160610 (DE-627)OLC1974884368 (DE-599)GBVOLC1974884368 (PRQ)proquest_journals_17925343730 (KEY)0041306220160000060000200329artofrepresentingtheotherindustrypersonnelinthewor DE-627 ger DE-627 rakwb eng 390 780 DNB Aleysia K Whitmore verfasserin aut The Art of Representing the Other: Industry Personnel in the World Music Industry 2016 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap. World music Music industry Musicology Enthalten in Ethnomusicology Champaign, Ill. : University of Illinois Press, 1953 60(2016), 2, Seite 329 (DE-627)129537527 (DE-600)216477-2 (DE-576)01496886X 0014-1836 nnns volume:60 year:2016 number:2 pages:329 http://search.proquest.com/docview/1792534373 GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG GBV_ILN_11 GBV_ILN_22 GBV_ILN_40 GBV_ILN_65 GBV_ILN_90 GBV_ILN_98 GBV_ILN_110 GBV_ILN_130 GBV_ILN_163 GBV_ILN_181 GBV_ILN_203 GBV_ILN_2008 GBV_ILN_2012 GBV_ILN_2056 GBV_ILN_4012 GBV_ILN_4029 GBV_ILN_4038 GBV_ILN_4305 AR 60 2016 2 329 |
| allfieldsGer |
PQ20160610 (DE-627)OLC1974884368 (DE-599)GBVOLC1974884368 (PRQ)proquest_journals_17925343730 (KEY)0041306220160000060000200329artofrepresentingtheotherindustrypersonnelinthewor DE-627 ger DE-627 rakwb eng 390 780 DNB Aleysia K Whitmore verfasserin aut The Art of Representing the Other: Industry Personnel in the World Music Industry 2016 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap. World music Music industry Musicology Enthalten in Ethnomusicology Champaign, Ill. : University of Illinois Press, 1953 60(2016), 2, Seite 329 (DE-627)129537527 (DE-600)216477-2 (DE-576)01496886X 0014-1836 nnns volume:60 year:2016 number:2 pages:329 http://search.proquest.com/docview/1792534373 GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG GBV_ILN_11 GBV_ILN_22 GBV_ILN_40 GBV_ILN_65 GBV_ILN_90 GBV_ILN_98 GBV_ILN_110 GBV_ILN_130 GBV_ILN_163 GBV_ILN_181 GBV_ILN_203 GBV_ILN_2008 GBV_ILN_2012 GBV_ILN_2056 GBV_ILN_4012 GBV_ILN_4029 GBV_ILN_4038 GBV_ILN_4305 AR 60 2016 2 329 |
| allfieldsSound |
PQ20160610 (DE-627)OLC1974884368 (DE-599)GBVOLC1974884368 (PRQ)proquest_journals_17925343730 (KEY)0041306220160000060000200329artofrepresentingtheotherindustrypersonnelinthewor DE-627 ger DE-627 rakwb eng 390 780 DNB Aleysia K Whitmore verfasserin aut The Art of Representing the Other: Industry Personnel in the World Music Industry 2016 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap. World music Music industry Musicology Enthalten in Ethnomusicology Champaign, Ill. : University of Illinois Press, 1953 60(2016), 2, Seite 329 (DE-627)129537527 (DE-600)216477-2 (DE-576)01496886X 0014-1836 nnns volume:60 year:2016 number:2 pages:329 http://search.proquest.com/docview/1792534373 GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG GBV_ILN_11 GBV_ILN_22 GBV_ILN_40 GBV_ILN_65 GBV_ILN_90 GBV_ILN_98 GBV_ILN_110 GBV_ILN_130 GBV_ILN_163 GBV_ILN_181 GBV_ILN_203 GBV_ILN_2008 GBV_ILN_2012 GBV_ILN_2056 GBV_ILN_4012 GBV_ILN_4029 GBV_ILN_4038 GBV_ILN_4305 AR 60 2016 2 329 |
| language |
English |
| source |
Enthalten in Ethnomusicology 60(2016), 2, Seite 329 volume:60 year:2016 number:2 pages:329 |
| sourceStr |
Enthalten in Ethnomusicology 60(2016), 2, Seite 329 volume:60 year:2016 number:2 pages:329 |
| format_phy_str_mv |
Article |
| institution |
findex.gbv.de |
| topic_facet |
World music Music industry Musicology |
| dewey-raw |
390 |
| isfreeaccess_bool |
false |
| container_title |
Ethnomusicology |
| authorswithroles_txt_mv |
Aleysia K Whitmore @@aut@@ |
| publishDateDaySort_date |
2016-01-01T00:00:00Z |
| hierarchy_top_id |
129537527 |
| dewey-sort |
3390 |
| id |
OLC1974884368 |
| language_de |
englisch |
| fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a2200265 4500</leader><controlfield tag="001">OLC1974884368</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20220216073101.0</controlfield><controlfield tag="007">tu</controlfield><controlfield tag="008">160609s2016 xx ||||| 00| ||eng c</controlfield><datafield tag="028" ind1="5" ind2="2"><subfield code="a">PQ20160610</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)OLC1974884368</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBVOLC1974884368</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PRQ)proquest_journals_17925343730</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(KEY)0041306220160000060000200329artofrepresentingtheotherindustrypersonnelinthewor</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">390</subfield><subfield code="a">780</subfield><subfield code="q">DNB</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">Aleysia K Whitmore</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Art of Representing the Other: Industry Personnel in the World Music Industry</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2016</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">ohne Hilfsmittel zu benutzen</subfield><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Band</subfield><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">World music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music industry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicology</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="t">Ethnomusicology</subfield><subfield code="d">Champaign, Ill. : University of Illinois Press, 1953</subfield><subfield code="g">60(2016), 2, Seite 329</subfield><subfield code="w">(DE-627)129537527</subfield><subfield code="w">(DE-600)216477-2</subfield><subfield code="w">(DE-576)01496886X</subfield><subfield code="x">0014-1836</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:60</subfield><subfield code="g">year:2016</subfield><subfield code="g">number:2</subfield><subfield code="g">pages:329</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">http://search.proquest.com/docview/1792534373</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_OLC</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OLC-ETH</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OPC-ANG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_40</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_90</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_98</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_130</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_163</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_181</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_203</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2008</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2056</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4029</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4038</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4305</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">60</subfield><subfield code="j">2016</subfield><subfield code="e">2</subfield><subfield code="h">329</subfield></datafield></record></collection>
|
| author |
Aleysia K Whitmore |
| spellingShingle |
Aleysia K Whitmore ddc 390 misc World music misc Music industry misc Musicology The Art of Representing the Other: Industry Personnel in the World Music Industry |
| authorStr |
Aleysia K Whitmore |
| ppnlink_with_tag_str_mv |
@@773@@(DE-627)129537527 |
| format |
Article |
| dewey-ones |
390 - Customs, etiquette & folklore 780 - Music |
| delete_txt_mv |
keep |
| author_role |
aut |
| collection |
OLC |
| remote_str |
false |
| illustrated |
Not Illustrated |
| issn |
0014-1836 |
| topic_title |
390 780 DNB The Art of Representing the Other: Industry Personnel in the World Music Industry World music Music industry Musicology |
| topic |
ddc 390 misc World music misc Music industry misc Musicology |
| topic_unstemmed |
ddc 390 misc World music misc Music industry misc Musicology |
| topic_browse |
ddc 390 misc World music misc Music industry misc Musicology |
| format_facet |
Aufsätze Gedruckte Aufsätze |
| format_main_str_mv |
Text Zeitschrift/Artikel |
| carriertype_str_mv |
nc |
| hierarchy_parent_title |
Ethnomusicology |
| hierarchy_parent_id |
129537527 |
| dewey-tens |
390 - Customs, etiquette & folklore 780 - Music |
| hierarchy_top_title |
Ethnomusicology |
| isfreeaccess_txt |
false |
| familylinks_str_mv |
(DE-627)129537527 (DE-600)216477-2 (DE-576)01496886X |
| title |
The Art of Representing the Other: Industry Personnel in the World Music Industry |
| ctrlnum |
(DE-627)OLC1974884368 (DE-599)GBVOLC1974884368 (PRQ)proquest_journals_17925343730 (KEY)0041306220160000060000200329artofrepresentingtheotherindustrypersonnelinthewor |
| title_full |
The Art of Representing the Other: Industry Personnel in the World Music Industry |
| author_sort |
Aleysia K Whitmore |
| journal |
Ethnomusicology |
| journalStr |
Ethnomusicology |
| lang_code |
eng |
| isOA_bool |
false |
| dewey-hundreds |
300 - Social sciences 700 - Arts & recreation |
| recordtype |
marc |
| publishDateSort |
2016 |
| contenttype_str_mv |
txt |
| container_start_page |
329 |
| author_browse |
Aleysia K Whitmore |
| container_volume |
60 |
| class |
390 780 DNB |
| format_se |
Aufsätze |
| author-letter |
Aleysia K Whitmore |
| dewey-full |
390 780 |
| title_sort |
art of representing the other: industry personnel in the world music industry |
| title_auth |
The Art of Representing the Other: Industry Personnel in the World Music Industry |
| abstract |
In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap. |
| abstractGer |
In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap. |
| abstract_unstemmed |
In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap. |
| collection_details |
GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG GBV_ILN_11 GBV_ILN_22 GBV_ILN_40 GBV_ILN_65 GBV_ILN_90 GBV_ILN_98 GBV_ILN_110 GBV_ILN_130 GBV_ILN_163 GBV_ILN_181 GBV_ILN_203 GBV_ILN_2008 GBV_ILN_2012 GBV_ILN_2056 GBV_ILN_4012 GBV_ILN_4029 GBV_ILN_4038 GBV_ILN_4305 |
| container_issue |
2 |
| title_short |
The Art of Representing the Other: Industry Personnel in the World Music Industry |
| url |
http://search.proquest.com/docview/1792534373 |
| remote_bool |
false |
| ppnlink |
129537527 |
| mediatype_str_mv |
n |
| isOA_txt |
false |
| hochschulschrift_bool |
false |
| up_date |
2024-07-04T05:17:57.312Z |
| _version_ |
1803624411091173376 |
| fullrecord_marcxml |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a2200265 4500</leader><controlfield tag="001">OLC1974884368</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20220216073101.0</controlfield><controlfield tag="007">tu</controlfield><controlfield tag="008">160609s2016 xx ||||| 00| ||eng c</controlfield><datafield tag="028" ind1="5" ind2="2"><subfield code="a">PQ20160610</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)OLC1974884368</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBVOLC1974884368</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PRQ)proquest_journals_17925343730</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(KEY)0041306220160000060000200329artofrepresentingtheotherindustrypersonnelinthewor</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">390</subfield><subfield code="a">780</subfield><subfield code="q">DNB</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">Aleysia K Whitmore</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Art of Representing the Other: Industry Personnel in the World Music Industry</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2016</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">ohne Hilfsmittel zu benutzen</subfield><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Band</subfield><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In this article I examine how contemporary world music industry personnel think about developing sounds, images, and stories for European and North American audiences. As they work to represent "the other" in ways that appeal to audiences, are respectful of artists, and are fulfilling to themselves, industry personnel negotiate different ideas concerning what world music is and what makes it valuable, authentic, and real. I analyze how industry personnel manage these varied perspectives on world music as they negotiate the dynamics of representational and interpretive distortion across the schizophonic gap.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">World music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music industry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicology</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="t">Ethnomusicology</subfield><subfield code="d">Champaign, Ill. : University of Illinois Press, 1953</subfield><subfield code="g">60(2016), 2, Seite 329</subfield><subfield code="w">(DE-627)129537527</subfield><subfield code="w">(DE-600)216477-2</subfield><subfield code="w">(DE-576)01496886X</subfield><subfield code="x">0014-1836</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:60</subfield><subfield code="g">year:2016</subfield><subfield code="g">number:2</subfield><subfield code="g">pages:329</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">http://search.proquest.com/docview/1792534373</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_OLC</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OLC-ETH</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OPC-ANG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_40</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_90</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_98</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_130</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_163</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_181</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_203</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2008</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2056</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4029</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4038</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4305</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">60</subfield><subfield code="j">2016</subfield><subfield code="e">2</subfield><subfield code="h">329</subfield></datafield></record></collection>
|
| score |
7.399809 |