Witnessing absences: social media as archives and public spheres
The study inquires on the ways content-specific social media pages can function as alternative public spheres, by examining the photography-orientated Facebook and YouTube pages entitled 'old photographs of Thessaloniki'. The study focuses on the online encountering of absences, notably ev...
Ausführliche Beschreibung
Autor*in: |
Mylonas, Yiannis [verfasserIn] |
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Format: |
Artikel |
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Sprache: |
Englisch |
Erschienen: |
2017 |
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Rechteinformationen: |
Nutzungsrecht: © 2016 Informa UK Limited, trading as Taylor & Francis Group 2016 |
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Schlagwörter: |
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Übergeordnetes Werk: |
Enthalten in: Social identities - London : Taylor & Francis, 1995, 23(2017), 3, Seite 271-18 |
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Übergeordnetes Werk: |
volume:23 ; year:2017 ; number:3 ; pages:271-18 |
Links: |
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DOI / URN: |
10.1080/13504630.2016.1225495 |
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10.1080/13504630.2016.1225495 doi PQ20170721 (DE-627)OLC1995342149 (DE-599)GBVOLC1995342149 (PRQ)c1550-8c5f547e53d5418689c1b6203bd49e566b83e2688a701b6d61164c8a398e3da30 (KEY)0267088720170000023000300271witnessingabsencessocialmediaasarchivesandpublicsp DE-627 ger DE-627 rakwb eng 320 ZDB Mylonas, Yiannis verfasserin aut Witnessing absences: social media as archives and public spheres 2017 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier The study inquires on the ways content-specific social media pages can function as alternative public spheres, by examining the photography-orientated Facebook and YouTube pages entitled 'old photographs of Thessaloniki'. The study focuses on the online encountering of absences, notably events of socio-political importance with a traumatic impact, which were marginalized by historiography and erased from the city's material form. In particular, it looks at the ways these absences are witnessed, remembered and negotiated online, through their formal and informal traces. Departing from Benjamin's and Agamben's theorizations of memory, media and witnessing, and Derrida's work on specters, the study concludes that the pages form a highly informed digital archive in constant development that fosters narratives enhancing cultural toleration and understanding, while challenging official master frames. A class-orientated understanding of the city's 'ruinification' and oblivion is, however, undermined, although it remains in a 'spectral' form. Nutzungsrecht: © 2016 Informa UK Limited, trading as Taylor & Francis Group 2016 Greece Holocaust civic culture archive memory Thessaloniki gentrification Enthalten in Social identities London : Taylor & Francis, 1995 23(2017), 3, Seite 271-18 (DE-627)185271731 (DE-600)1233219-7 (DE-576)046709517 1350-4630 nnns volume:23 year:2017 number:3 pages:271-18 http://dx.doi.org/10.1080/13504630.2016.1225495 Volltext http://www.tandfonline.com/doi/abs/10.1080/13504630.2016.1225495 GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-SOW GBV_ILN_70 GBV_ILN_4012 AR 23 2017 3 271-18 |
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10.1080/13504630.2016.1225495 doi PQ20170721 (DE-627)OLC1995342149 (DE-599)GBVOLC1995342149 (PRQ)c1550-8c5f547e53d5418689c1b6203bd49e566b83e2688a701b6d61164c8a398e3da30 (KEY)0267088720170000023000300271witnessingabsencessocialmediaasarchivesandpublicsp DE-627 ger DE-627 rakwb eng 320 ZDB Mylonas, Yiannis verfasserin aut Witnessing absences: social media as archives and public spheres 2017 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier The study inquires on the ways content-specific social media pages can function as alternative public spheres, by examining the photography-orientated Facebook and YouTube pages entitled 'old photographs of Thessaloniki'. The study focuses on the online encountering of absences, notably events of socio-political importance with a traumatic impact, which were marginalized by historiography and erased from the city's material form. In particular, it looks at the ways these absences are witnessed, remembered and negotiated online, through their formal and informal traces. Departing from Benjamin's and Agamben's theorizations of memory, media and witnessing, and Derrida's work on specters, the study concludes that the pages form a highly informed digital archive in constant development that fosters narratives enhancing cultural toleration and understanding, while challenging official master frames. A class-orientated understanding of the city's 'ruinification' and oblivion is, however, undermined, although it remains in a 'spectral' form. Nutzungsrecht: © 2016 Informa UK Limited, trading as Taylor & Francis Group 2016 Greece Holocaust civic culture archive memory Thessaloniki gentrification Enthalten in Social identities London : Taylor & Francis, 1995 23(2017), 3, Seite 271-18 (DE-627)185271731 (DE-600)1233219-7 (DE-576)046709517 1350-4630 nnns volume:23 year:2017 number:3 pages:271-18 http://dx.doi.org/10.1080/13504630.2016.1225495 Volltext http://www.tandfonline.com/doi/abs/10.1080/13504630.2016.1225495 GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-SOW GBV_ILN_70 GBV_ILN_4012 AR 23 2017 3 271-18 |
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abstract |
The study inquires on the ways content-specific social media pages can function as alternative public spheres, by examining the photography-orientated Facebook and YouTube pages entitled 'old photographs of Thessaloniki'. The study focuses on the online encountering of absences, notably events of socio-political importance with a traumatic impact, which were marginalized by historiography and erased from the city's material form. In particular, it looks at the ways these absences are witnessed, remembered and negotiated online, through their formal and informal traces. Departing from Benjamin's and Agamben's theorizations of memory, media and witnessing, and Derrida's work on specters, the study concludes that the pages form a highly informed digital archive in constant development that fosters narratives enhancing cultural toleration and understanding, while challenging official master frames. A class-orientated understanding of the city's 'ruinification' and oblivion is, however, undermined, although it remains in a 'spectral' form. |
abstractGer |
The study inquires on the ways content-specific social media pages can function as alternative public spheres, by examining the photography-orientated Facebook and YouTube pages entitled 'old photographs of Thessaloniki'. The study focuses on the online encountering of absences, notably events of socio-political importance with a traumatic impact, which were marginalized by historiography and erased from the city's material form. In particular, it looks at the ways these absences are witnessed, remembered and negotiated online, through their formal and informal traces. Departing from Benjamin's and Agamben's theorizations of memory, media and witnessing, and Derrida's work on specters, the study concludes that the pages form a highly informed digital archive in constant development that fosters narratives enhancing cultural toleration and understanding, while challenging official master frames. A class-orientated understanding of the city's 'ruinification' and oblivion is, however, undermined, although it remains in a 'spectral' form. |
abstract_unstemmed |
The study inquires on the ways content-specific social media pages can function as alternative public spheres, by examining the photography-orientated Facebook and YouTube pages entitled 'old photographs of Thessaloniki'. The study focuses on the online encountering of absences, notably events of socio-political importance with a traumatic impact, which were marginalized by historiography and erased from the city's material form. In particular, it looks at the ways these absences are witnessed, remembered and negotiated online, through their formal and informal traces. Departing from Benjamin's and Agamben's theorizations of memory, media and witnessing, and Derrida's work on specters, the study concludes that the pages form a highly informed digital archive in constant development that fosters narratives enhancing cultural toleration and understanding, while challenging official master frames. A class-orientated understanding of the city's 'ruinification' and oblivion is, however, undermined, although it remains in a 'spectral' form. |
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title_short |
Witnessing absences: social media as archives and public spheres |
url |
http://dx.doi.org/10.1080/13504630.2016.1225495 http://www.tandfonline.com/doi/abs/10.1080/13504630.2016.1225495 |
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10.1080/13504630.2016.1225495 |
up_date |
2024-07-03T21:22:50.585Z |
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