Registers of action: melodrama and film genre in 1930s India
Discusses female roles and the genres they inhabit in 1930s Indian cinema. Contrasts female action films with 'social' films emphasising female suffering, and interrogates the opposition between active/passive and action/melodrama. Includes discussion of two films directed by V. Shantaram...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Vasudevan, Ravi S [verfasserIn] |
|---|
| Format: |
Artikel |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
2017 |
|---|
| Schlagwörter: |
|---|
| Übergeordnetes Werk: |
Enthalten in: Screen - Oxford : Oxford Univ. Press, 1969, LVIII(2017), 1, Seite 64 |
|---|---|
| Übergeordnetes Werk: |
volume:LVIII ; year:2017 ; number:1 ; pages:64 |
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Discusses female roles and the genres they inhabit in 1930s Indian cinema. Contrasts female action films with 'social' films emphasising female suffering, and interrogates the opposition between active/passive and action/melodrama. Includes discussion of two films directed by V. Shantaram for Prabhat Studios, "Kunku" (1937) and "Manoos" (1939). |
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Discusses female roles and the genres they inhabit in 1930s Indian cinema. Contrasts female action films with 'social' films emphasising female suffering, and interrogates the opposition between active/passive and action/melodrama. Includes discussion of two films directed by V. Shantaram for Prabhat Studios, "Kunku" (1937) and "Manoos" (1939). |
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