What makes a film Greek: inward investment, outward aspirations, and the case of Jules Dassin's Pote tin Kyriaki (Never on Sunday, 1960)
Although widely considered as the quintessential Greek release, "Never on Sunday" is frequently marginalised within Greek histories of national cinema due to its foreign director, Hollywood financing and its stereotypical depiction of national life and culture. Reprints the 10 requirements...
Ausführliche Beschreibung
Gespeichert in:
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Englisch |
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2017 |
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NATIONAL CULTURE IN FILMS/GREECE |
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| Übergeordnetes Werk: |
Enthalten in: Film history - Bloomington, Ind. : Indiana Univ. Press, 1987, XXIX(2017), 2, Seite 1 |
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Although widely considered as the quintessential Greek release, "Never on Sunday" is frequently marginalised within Greek histories of national cinema due to its foreign director, Hollywood financing and its stereotypical depiction of national life and culture. Reprints the 10 requirements found in a subsequent piece of legislation to ensure the essentially Greek nature of a film. |
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Although widely considered as the quintessential Greek release, "Never on Sunday" is frequently marginalised within Greek histories of national cinema due to its foreign director, Hollywood financing and its stereotypical depiction of national life and culture. Reprints the 10 requirements found in a subsequent piece of legislation to ensure the essentially Greek nature of a film. |
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Although widely considered as the quintessential Greek release, "Never on Sunday" is frequently marginalised within Greek histories of national cinema due to its foreign director, Hollywood financing and its stereotypical depiction of national life and culture. Reprints the 10 requirements found in a subsequent piece of legislation to ensure the essentially Greek nature of a film. |
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What makes a film Greek: inward investment, outward aspirations, and the case of Jules Dassin's Pote tin Kyriaki (Never on Sunday, 1960) |
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2024-07-04T04:08:59.478Z |
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