“Soll ein Weib wohl Bücher schreiben; Oder soll sie’s lassen bleiben?”: The Immediate Reception of Rahel Levin Varnhagen as a Public Figure
Abstract This article, based primarily on materials from the Varnhagen Archive at the Jageiellonian Library in Krakow, Poland, examines the immediate reception of Rahel Levin Varnhagen’s work and persona—weighing both contemporaneous and subsequent claims concerning her public image. In discussing V...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Fuchs, Renata [verfasserIn] |
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| Format: |
Artikel |
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| Sprache: |
Englisch |
| Erschienen: |
2014 |
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| Schlagwörter: |
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| Systematik: |
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| Anmerkung: |
© Springer Science+Business Media Dordrecht 2014 |
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| Übergeordnetes Werk: |
Enthalten in: Neophilologus - Springer Netherlands, 1916, 98(2014), 2 vom: 11. Feb., Seite 303-324 |
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| Übergeordnetes Werk: |
volume:98 ; year:2014 ; number:2 ; day:11 ; month:02 ; pages:303-324 |
| Links: |
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| DOI / URN: |
10.1007/s11061-014-9379-3 |
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| Katalog-ID: |
OLC2073819044 |
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| 520 | |a Abstract This article, based primarily on materials from the Varnhagen Archive at the Jageiellonian Library in Krakow, Poland, examines the immediate reception of Rahel Levin Varnhagen’s work and persona—weighing both contemporaneous and subsequent claims concerning her public image. In discussing Varnhagen as a public figure, scholarship has emphasized that she did not publish under her own name, but rather anonymously or under a pseudonym. This article claims that not only her persona, but also her writings were very much known and discussed. This is essentially the reason why the first publication of her letters gained immediate popularity. Levin Varnhagen’s engagement in social life—be it her salon, the literary scene including her literary criticism, or politics—and her ideas influenced not only those in direct contact with her but had a profound bearing on the general public opinion in Prussia, other German states, and abroad. In particular, Levin Varnhagen’s foreign reception is well-documented in the Varnhagen archives. Rahel Levin Varnhagen’s public influence as a cult figure was widely known even before her death. She enjoyed a status similar to that of a contemporary superstar or celebrity. The timeless unfading relevance of her free thinking approach renders her to be also an active model for emancipated women as well as independent and assimilated Jewish women—a status which caused endless polemical exchange, and thus extended the ongoing discussion about her private or public role in the society. | ||
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10.1007/s11061-014-9379-3 doi (DE-627)OLC2073819044 (DE-He213)s11061-014-9379-3-p DE-627 ger DE-627 rakwb eng 800 400 VZ 7,12 ssgn LING DE-30 fid AVL DE-30 fid EA 4440 VZ rvk Fuchs, Renata verfasserin aut “Soll ein Weib wohl Bücher schreiben; Oder soll sie’s lassen bleiben?”: The Immediate Reception of Rahel Levin Varnhagen as a Public Figure 2014 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier © Springer Science+Business Media Dordrecht 2014 Abstract This article, based primarily on materials from the Varnhagen Archive at the Jageiellonian Library in Krakow, Poland, examines the immediate reception of Rahel Levin Varnhagen’s work and persona—weighing both contemporaneous and subsequent claims concerning her public image. In discussing Varnhagen as a public figure, scholarship has emphasized that she did not publish under her own name, but rather anonymously or under a pseudonym. This article claims that not only her persona, but also her writings were very much known and discussed. This is essentially the reason why the first publication of her letters gained immediate popularity. Levin Varnhagen’s engagement in social life—be it her salon, the literary scene including her literary criticism, or politics—and her ideas influenced not only those in direct contact with her but had a profound bearing on the general public opinion in Prussia, other German states, and abroad. In particular, Levin Varnhagen’s foreign reception is well-documented in the Varnhagen archives. Rahel Levin Varnhagen’s public influence as a cult figure was widely known even before her death. She enjoyed a status similar to that of a contemporary superstar or celebrity. The timeless unfading relevance of her free thinking approach renders her to be also an active model for emancipated women as well as independent and assimilated Jewish women—a status which caused endless polemical exchange, and thus extended the ongoing discussion about her private or public role in the society. Eighteenth- and early nineteenth-century German literature German romanticism German-Jewish literature German women writers Salon culture Letter writing Enthalten in Neophilologus Springer Netherlands, 1916 98(2014), 2 vom: 11. Feb., Seite 303-324 (DE-627)129494992 (DE-600)207120-4 (DE-576)014892855 0028-2677 nnns volume:98 year:2014 number:2 day:11 month:02 pages:303-324 https://doi.org/10.1007/s11061-014-9379-3 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_OLC FID-LING FID-AVL SSG-OLC-FRK SSG-OLC-ITF SSG-OLC-ROK SSG-OLC-GER SSG-OPC-ANG GBV_ILN_11 GBV_ILN_22 GBV_ILN_39 GBV_ILN_50 GBV_ILN_61 GBV_ILN_130 GBV_ILN_2002 GBV_ILN_2005 GBV_ILN_2007 GBV_ILN_4012 GBV_ILN_4028 GBV_ILN_4036 GBV_ILN_4082 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4318 EA 4440 AR 98 2014 2 11 02 303-324 |
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“Soll ein Weib wohl Bücher schreiben; Oder soll sie’s lassen bleiben?”: The Immediate Reception of Rahel Levin Varnhagen as a Public Figure |
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Abstract This article, based primarily on materials from the Varnhagen Archive at the Jageiellonian Library in Krakow, Poland, examines the immediate reception of Rahel Levin Varnhagen’s work and persona—weighing both contemporaneous and subsequent claims concerning her public image. In discussing Varnhagen as a public figure, scholarship has emphasized that she did not publish under her own name, but rather anonymously or under a pseudonym. This article claims that not only her persona, but also her writings were very much known and discussed. This is essentially the reason why the first publication of her letters gained immediate popularity. Levin Varnhagen’s engagement in social life—be it her salon, the literary scene including her literary criticism, or politics—and her ideas influenced not only those in direct contact with her but had a profound bearing on the general public opinion in Prussia, other German states, and abroad. In particular, Levin Varnhagen’s foreign reception is well-documented in the Varnhagen archives. Rahel Levin Varnhagen’s public influence as a cult figure was widely known even before her death. She enjoyed a status similar to that of a contemporary superstar or celebrity. The timeless unfading relevance of her free thinking approach renders her to be also an active model for emancipated women as well as independent and assimilated Jewish women—a status which caused endless polemical exchange, and thus extended the ongoing discussion about her private or public role in the society. © Springer Science+Business Media Dordrecht 2014 |
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Abstract This article, based primarily on materials from the Varnhagen Archive at the Jageiellonian Library in Krakow, Poland, examines the immediate reception of Rahel Levin Varnhagen’s work and persona—weighing both contemporaneous and subsequent claims concerning her public image. In discussing Varnhagen as a public figure, scholarship has emphasized that she did not publish under her own name, but rather anonymously or under a pseudonym. This article claims that not only her persona, but also her writings were very much known and discussed. This is essentially the reason why the first publication of her letters gained immediate popularity. Levin Varnhagen’s engagement in social life—be it her salon, the literary scene including her literary criticism, or politics—and her ideas influenced not only those in direct contact with her but had a profound bearing on the general public opinion in Prussia, other German states, and abroad. In particular, Levin Varnhagen’s foreign reception is well-documented in the Varnhagen archives. Rahel Levin Varnhagen’s public influence as a cult figure was widely known even before her death. She enjoyed a status similar to that of a contemporary superstar or celebrity. The timeless unfading relevance of her free thinking approach renders her to be also an active model for emancipated women as well as independent and assimilated Jewish women—a status which caused endless polemical exchange, and thus extended the ongoing discussion about her private or public role in the society. © Springer Science+Business Media Dordrecht 2014 |
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Abstract This article, based primarily on materials from the Varnhagen Archive at the Jageiellonian Library in Krakow, Poland, examines the immediate reception of Rahel Levin Varnhagen’s work and persona—weighing both contemporaneous and subsequent claims concerning her public image. In discussing Varnhagen as a public figure, scholarship has emphasized that she did not publish under her own name, but rather anonymously or under a pseudonym. This article claims that not only her persona, but also her writings were very much known and discussed. This is essentially the reason why the first publication of her letters gained immediate popularity. Levin Varnhagen’s engagement in social life—be it her salon, the literary scene including her literary criticism, or politics—and her ideas influenced not only those in direct contact with her but had a profound bearing on the general public opinion in Prussia, other German states, and abroad. In particular, Levin Varnhagen’s foreign reception is well-documented in the Varnhagen archives. Rahel Levin Varnhagen’s public influence as a cult figure was widely known even before her death. She enjoyed a status similar to that of a contemporary superstar or celebrity. The timeless unfading relevance of her free thinking approach renders her to be also an active model for emancipated women as well as independent and assimilated Jewish women—a status which caused endless polemical exchange, and thus extended the ongoing discussion about her private or public role in the society. © Springer Science+Business Media Dordrecht 2014 |
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In discussing Varnhagen as a public figure, scholarship has emphasized that she did not publish under her own name, but rather anonymously or under a pseudonym. This article claims that not only her persona, but also her writings were very much known and discussed. This is essentially the reason why the first publication of her letters gained immediate popularity. Levin Varnhagen’s engagement in social life—be it her salon, the literary scene including her literary criticism, or politics—and her ideas influenced not only those in direct contact with her but had a profound bearing on the general public opinion in Prussia, other German states, and abroad. In particular, Levin Varnhagen’s foreign reception is well-documented in the Varnhagen archives. Rahel Levin Varnhagen’s public influence as a cult figure was widely known even before her death. She enjoyed a status similar to that of a contemporary superstar or celebrity. 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