Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan
Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. Thi...
Ausführliche Beschreibung
Autor*in: |
Hood, Kathleen [verfasserIn] Al-Oun, Mohammad [verfasserIn] |
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Format: |
Artikel |
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Unbestimmt |
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2014 |
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Übergeordnetes Werk: |
Enthalten in: Nomadic peoples - Isle of Harris : White Horse Press, 1980, 18(2014), 2, Seite 78-99 |
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Übergeordnetes Werk: |
volume:18 ; year:2014 ; number:2 ; pages:78-99 |
Links: |
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DOI / URN: |
10.3197/np.2014.180206 |
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Katalog-ID: |
OLC2076986448 |
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10.3197/np.2014.180206 doi (DE-627)OLC2076986448 (OLC)KH98900012v18j2014a2p78-99 DE-627 ger DE-627 rakwb und 390 AVZ Hood, Kathleen verfasserin aut Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan 2014 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. This study examines how the traditions that remain, particularly poetry that is spoken or sung to the accompaniment of the rababa, are traditions from the male and public spheres, while the traditions that have been abandoned are those from the female and private spheres. Because of the separation of male/public and female/private realms, the male genres are the only ones that can be seen by outsiders, and thus are selected to be the public face of Bedouin identity. [Bedouin, Jordan, change, identity, performance traditions] Jordanien (DE-588)4028750-6 Beduine (DE-588)4216372-9 Stamm <Ethnologie> (DE-588)4138634-6 Ethnische Identität (DE-588)4153096-2 Gruppenidentität (DE-588)4140349-6 Soziokultureller Wandel (DE-588)4227561-1 Tradition (DE-588)4060560-7 Privatleben (DE-588)4128729-0 Öffentlichkeit (DE-588)4043183-6 Geschlechterrolle (DE-588)4071776-8 Al-Oun, Mohammad verfasserin aut Enthalten in Nomadic peoples Isle of Harris : White Horse Press, 1980 18(2014), 2, Seite 78-99 (DE-627)166930660 (DE-600)349451-2 (DE-576)015375595 0822-7942 nnns volume:18 year:2014 number:2 pages:78-99 https://doi.org/10.3197/np.2014.180206 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG SSG-OPC-VOR GBV_ILN_40 GBV_ILN_181 GBV_ILN_283 GBV_ILN_4012 GBV_ILN_4193 GBV_ILN_4229 GBV_ILN_4305 GBV_ILN_4323 AR 18 2014 2 78-99 |
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10.3197/np.2014.180206 doi (DE-627)OLC2076986448 (OLC)KH98900012v18j2014a2p78-99 DE-627 ger DE-627 rakwb und 390 AVZ Hood, Kathleen verfasserin aut Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan 2014 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. This study examines how the traditions that remain, particularly poetry that is spoken or sung to the accompaniment of the rababa, are traditions from the male and public spheres, while the traditions that have been abandoned are those from the female and private spheres. Because of the separation of male/public and female/private realms, the male genres are the only ones that can be seen by outsiders, and thus are selected to be the public face of Bedouin identity. [Bedouin, Jordan, change, identity, performance traditions] Jordanien (DE-588)4028750-6 Beduine (DE-588)4216372-9 Stamm <Ethnologie> (DE-588)4138634-6 Ethnische Identität (DE-588)4153096-2 Gruppenidentität (DE-588)4140349-6 Soziokultureller Wandel (DE-588)4227561-1 Tradition (DE-588)4060560-7 Privatleben (DE-588)4128729-0 Öffentlichkeit (DE-588)4043183-6 Geschlechterrolle (DE-588)4071776-8 Al-Oun, Mohammad verfasserin aut Enthalten in Nomadic peoples Isle of Harris : White Horse Press, 1980 18(2014), 2, Seite 78-99 (DE-627)166930660 (DE-600)349451-2 (DE-576)015375595 0822-7942 nnns volume:18 year:2014 number:2 pages:78-99 https://doi.org/10.3197/np.2014.180206 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG SSG-OPC-VOR GBV_ILN_40 GBV_ILN_181 GBV_ILN_283 GBV_ILN_4012 GBV_ILN_4193 GBV_ILN_4229 GBV_ILN_4305 GBV_ILN_4323 AR 18 2014 2 78-99 |
allfields_unstemmed |
10.3197/np.2014.180206 doi (DE-627)OLC2076986448 (OLC)KH98900012v18j2014a2p78-99 DE-627 ger DE-627 rakwb und 390 AVZ Hood, Kathleen verfasserin aut Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan 2014 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. This study examines how the traditions that remain, particularly poetry that is spoken or sung to the accompaniment of the rababa, are traditions from the male and public spheres, while the traditions that have been abandoned are those from the female and private spheres. Because of the separation of male/public and female/private realms, the male genres are the only ones that can be seen by outsiders, and thus are selected to be the public face of Bedouin identity. [Bedouin, Jordan, change, identity, performance traditions] Jordanien (DE-588)4028750-6 Beduine (DE-588)4216372-9 Stamm <Ethnologie> (DE-588)4138634-6 Ethnische Identität (DE-588)4153096-2 Gruppenidentität (DE-588)4140349-6 Soziokultureller Wandel (DE-588)4227561-1 Tradition (DE-588)4060560-7 Privatleben (DE-588)4128729-0 Öffentlichkeit (DE-588)4043183-6 Geschlechterrolle (DE-588)4071776-8 Al-Oun, Mohammad verfasserin aut Enthalten in Nomadic peoples Isle of Harris : White Horse Press, 1980 18(2014), 2, Seite 78-99 (DE-627)166930660 (DE-600)349451-2 (DE-576)015375595 0822-7942 nnns volume:18 year:2014 number:2 pages:78-99 https://doi.org/10.3197/np.2014.180206 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG SSG-OPC-VOR GBV_ILN_40 GBV_ILN_181 GBV_ILN_283 GBV_ILN_4012 GBV_ILN_4193 GBV_ILN_4229 GBV_ILN_4305 GBV_ILN_4323 AR 18 2014 2 78-99 |
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10.3197/np.2014.180206 doi (DE-627)OLC2076986448 (OLC)KH98900012v18j2014a2p78-99 DE-627 ger DE-627 rakwb und 390 AVZ Hood, Kathleen verfasserin aut Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan 2014 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. This study examines how the traditions that remain, particularly poetry that is spoken or sung to the accompaniment of the rababa, are traditions from the male and public spheres, while the traditions that have been abandoned are those from the female and private spheres. Because of the separation of male/public and female/private realms, the male genres are the only ones that can be seen by outsiders, and thus are selected to be the public face of Bedouin identity. [Bedouin, Jordan, change, identity, performance traditions] Jordanien (DE-588)4028750-6 Beduine (DE-588)4216372-9 Stamm <Ethnologie> (DE-588)4138634-6 Ethnische Identität (DE-588)4153096-2 Gruppenidentität (DE-588)4140349-6 Soziokultureller Wandel (DE-588)4227561-1 Tradition (DE-588)4060560-7 Privatleben (DE-588)4128729-0 Öffentlichkeit (DE-588)4043183-6 Geschlechterrolle (DE-588)4071776-8 Al-Oun, Mohammad verfasserin aut Enthalten in Nomadic peoples Isle of Harris : White Horse Press, 1980 18(2014), 2, Seite 78-99 (DE-627)166930660 (DE-600)349451-2 (DE-576)015375595 0822-7942 nnns volume:18 year:2014 number:2 pages:78-99 https://doi.org/10.3197/np.2014.180206 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG SSG-OPC-VOR GBV_ILN_40 GBV_ILN_181 GBV_ILN_283 GBV_ILN_4012 GBV_ILN_4193 GBV_ILN_4229 GBV_ILN_4305 GBV_ILN_4323 AR 18 2014 2 78-99 |
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10.3197/np.2014.180206 doi (DE-627)OLC2076986448 (OLC)KH98900012v18j2014a2p78-99 DE-627 ger DE-627 rakwb und 390 AVZ Hood, Kathleen verfasserin aut Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan 2014 Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. This study examines how the traditions that remain, particularly poetry that is spoken or sung to the accompaniment of the rababa, are traditions from the male and public spheres, while the traditions that have been abandoned are those from the female and private spheres. Because of the separation of male/public and female/private realms, the male genres are the only ones that can be seen by outsiders, and thus are selected to be the public face of Bedouin identity. [Bedouin, Jordan, change, identity, performance traditions] Jordanien (DE-588)4028750-6 Beduine (DE-588)4216372-9 Stamm <Ethnologie> (DE-588)4138634-6 Ethnische Identität (DE-588)4153096-2 Gruppenidentität (DE-588)4140349-6 Soziokultureller Wandel (DE-588)4227561-1 Tradition (DE-588)4060560-7 Privatleben (DE-588)4128729-0 Öffentlichkeit (DE-588)4043183-6 Geschlechterrolle (DE-588)4071776-8 Al-Oun, Mohammad verfasserin aut Enthalten in Nomadic peoples Isle of Harris : White Horse Press, 1980 18(2014), 2, Seite 78-99 (DE-627)166930660 (DE-600)349451-2 (DE-576)015375595 0822-7942 nnns volume:18 year:2014 number:2 pages:78-99 https://doi.org/10.3197/np.2014.180206 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_OLC SSG-OLC-ETH SSG-OPC-ANG SSG-OPC-VOR GBV_ILN_40 GBV_ILN_181 GBV_ILN_283 GBV_ILN_4012 GBV_ILN_4193 GBV_ILN_4229 GBV_ILN_4305 GBV_ILN_4323 AR 18 2014 2 78-99 |
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390 AVZ Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan Jordanien (DE-588)4028750-6 Beduine (DE-588)4216372-9 Stamm <Ethnologie> (DE-588)4138634-6 Ethnische Identität (DE-588)4153096-2 Gruppenidentität (DE-588)4140349-6 Soziokultureller Wandel (DE-588)4227561-1 Tradition (DE-588)4060560-7 Privatleben (DE-588)4128729-0 Öffentlichkeit (DE-588)4043183-6 Geschlechterrolle (DE-588)4071776-8 |
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Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan |
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Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan |
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changing performance traditions and bedouin identity in the north badiya, jordan |
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Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan |
abstract |
Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. This study examines how the traditions that remain, particularly poetry that is spoken or sung to the accompaniment of the rababa, are traditions from the male and public spheres, while the traditions that have been abandoned are those from the female and private spheres. Because of the separation of male/public and female/private realms, the male genres are the only ones that can be seen by outsiders, and thus are selected to be the public face of Bedouin identity. [Bedouin, Jordan, change, identity, performance traditions] |
abstractGer |
Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. This study examines how the traditions that remain, particularly poetry that is spoken or sung to the accompaniment of the rababa, are traditions from the male and public spheres, while the traditions that have been abandoned are those from the female and private spheres. Because of the separation of male/public and female/private realms, the male genres are the only ones that can be seen by outsiders, and thus are selected to be the public face of Bedouin identity. [Bedouin, Jordan, change, identity, performance traditions] |
abstract_unstemmed |
Although performance traditions have long been important parts of Bedouin identity in the North Badiya, Jordan, many factors have affected these traditions over the years, especially since the latter part of the twentieth century, resulting in the loss of some genres and the retention of others. This study examines how the traditions that remain, particularly poetry that is spoken or sung to the accompaniment of the rababa, are traditions from the male and public spheres, while the traditions that have been abandoned are those from the female and private spheres. Because of the separation of male/public and female/private realms, the male genres are the only ones that can be seen by outsiders, and thus are selected to be the public face of Bedouin identity. [Bedouin, Jordan, change, identity, performance traditions] |
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Changing Performance Traditions and Bedouin Identity in the North Badiya, Jordan |
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