Operant discrimination of relative frequency ratios in black-capped chickadee song
Abstract The two-note fee bee song of the black-capped chickadee (Poecile atricapillus) is sung at many different absolute frequencies, but the relative frequencies, or “pitch ratios”, between the start and end of the fee note (glissando) and the fee and the bee notes (inter-note interval) are prese...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Roach, Sean P. [verfasserIn] Mennill, Daniel J. [verfasserIn] Phillmore, Leslie S. [verfasserIn] |
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| Format: |
E-Artikel |
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| Sprache: |
Englisch |
| Erschienen: |
2017 |
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| Schlagwörter: |
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| Übergeordnetes Werk: |
Enthalten in: Animal Cognition - Springer-Verlag, 1998, 20(2017), 5 vom: 18. Juli, Seite 961-973 |
|---|---|
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volume:20 ; year:2017 ; number:5 ; day:18 ; month:07 ; pages:961-973 |
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10.1007/s10071-017-1115-5 |
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| 520 | |a Abstract The two-note fee bee song of the black-capped chickadee (Poecile atricapillus) is sung at many different absolute frequencies, but the relative frequencies, or “pitch ratios”, between the start and end of the fee note (glissando) and the fee and the bee notes (inter-note interval) are preserved with each pitch-shift. Ability to perceive these ratios and their relative salience varies with sex of the bird and setting: while both sexes appear to perceive changes in the inter-note interval, males appear to attend to the glissando in the field, and females appear to attend to both ratios. In this study, we compared directly whether male and female chickadees could discriminate between normal fee bee songs and songs that had one or both of the pitch ratios altered, and whether birds attended to one type of alteration over another. Both sexes learned to discriminate normal from altered songs; songs lacking an inter-note interval were more easily discriminated than songs with only the glissando removed. Females performed slightly better than males, including in the most difficult task with the stimuli lacking the glissando. Our study illustrates the value of using perceptual tasks to directly compare performance between the sexes and to demonstrate the difference between perception of and attention to acoustic features of vocal communication. | ||
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10.1007/s10071-017-1115-5 doi (DE-627)SPR008578451 (SPR)s10071-017-1115-5-e DE-627 ger DE-627 rakwb eng Roach, Sean P. verfasserin aut Operant discrimination of relative frequency ratios in black-capped chickadee song 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The two-note fee bee song of the black-capped chickadee (Poecile atricapillus) is sung at many different absolute frequencies, but the relative frequencies, or “pitch ratios”, between the start and end of the fee note (glissando) and the fee and the bee notes (inter-note interval) are preserved with each pitch-shift. Ability to perceive these ratios and their relative salience varies with sex of the bird and setting: while both sexes appear to perceive changes in the inter-note interval, males appear to attend to the glissando in the field, and females appear to attend to both ratios. In this study, we compared directly whether male and female chickadees could discriminate between normal fee bee songs and songs that had one or both of the pitch ratios altered, and whether birds attended to one type of alteration over another. Both sexes learned to discriminate normal from altered songs; songs lacking an inter-note interval were more easily discriminated than songs with only the glissando removed. Females performed slightly better than males, including in the most difficult task with the stimuli lacking the glissando. Our study illustrates the value of using perceptual tasks to directly compare performance between the sexes and to demonstrate the difference between perception of and attention to acoustic features of vocal communication. Song perception (dpeaa)DE-He213 Operant discrimination (dpeaa)DE-He213 Black-capped chickadee (dpeaa)DE-He213 Relative frequency (dpeaa)DE-He213 Mennill, Daniel J. verfasserin aut Phillmore, Leslie S. verfasserin aut Enthalten in Animal Cognition Springer-Verlag, 1998 20(2017), 5 vom: 18. Juli, Seite 961-973 (DE-627)SPR008564442 nnns volume:20 year:2017 number:5 day:18 month:07 pages:961-973 https://dx.doi.org/10.1007/s10071-017-1115-5 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER AR 20 2017 5 18 07 961-973 |
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10.1007/s10071-017-1115-5 doi (DE-627)SPR008578451 (SPR)s10071-017-1115-5-e DE-627 ger DE-627 rakwb eng Roach, Sean P. verfasserin aut Operant discrimination of relative frequency ratios in black-capped chickadee song 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The two-note fee bee song of the black-capped chickadee (Poecile atricapillus) is sung at many different absolute frequencies, but the relative frequencies, or “pitch ratios”, between the start and end of the fee note (glissando) and the fee and the bee notes (inter-note interval) are preserved with each pitch-shift. Ability to perceive these ratios and their relative salience varies with sex of the bird and setting: while both sexes appear to perceive changes in the inter-note interval, males appear to attend to the glissando in the field, and females appear to attend to both ratios. In this study, we compared directly whether male and female chickadees could discriminate between normal fee bee songs and songs that had one or both of the pitch ratios altered, and whether birds attended to one type of alteration over another. Both sexes learned to discriminate normal from altered songs; songs lacking an inter-note interval were more easily discriminated than songs with only the glissando removed. Females performed slightly better than males, including in the most difficult task with the stimuli lacking the glissando. Our study illustrates the value of using perceptual tasks to directly compare performance between the sexes and to demonstrate the difference between perception of and attention to acoustic features of vocal communication. Song perception (dpeaa)DE-He213 Operant discrimination (dpeaa)DE-He213 Black-capped chickadee (dpeaa)DE-He213 Relative frequency (dpeaa)DE-He213 Mennill, Daniel J. verfasserin aut Phillmore, Leslie S. verfasserin aut Enthalten in Animal Cognition Springer-Verlag, 1998 20(2017), 5 vom: 18. Juli, Seite 961-973 (DE-627)SPR008564442 nnns volume:20 year:2017 number:5 day:18 month:07 pages:961-973 https://dx.doi.org/10.1007/s10071-017-1115-5 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER AR 20 2017 5 18 07 961-973 |
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10.1007/s10071-017-1115-5 doi (DE-627)SPR008578451 (SPR)s10071-017-1115-5-e DE-627 ger DE-627 rakwb eng Roach, Sean P. verfasserin aut Operant discrimination of relative frequency ratios in black-capped chickadee song 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The two-note fee bee song of the black-capped chickadee (Poecile atricapillus) is sung at many different absolute frequencies, but the relative frequencies, or “pitch ratios”, between the start and end of the fee note (glissando) and the fee and the bee notes (inter-note interval) are preserved with each pitch-shift. Ability to perceive these ratios and their relative salience varies with sex of the bird and setting: while both sexes appear to perceive changes in the inter-note interval, males appear to attend to the glissando in the field, and females appear to attend to both ratios. In this study, we compared directly whether male and female chickadees could discriminate between normal fee bee songs and songs that had one or both of the pitch ratios altered, and whether birds attended to one type of alteration over another. Both sexes learned to discriminate normal from altered songs; songs lacking an inter-note interval were more easily discriminated than songs with only the glissando removed. Females performed slightly better than males, including in the most difficult task with the stimuli lacking the glissando. Our study illustrates the value of using perceptual tasks to directly compare performance between the sexes and to demonstrate the difference between perception of and attention to acoustic features of vocal communication. Song perception (dpeaa)DE-He213 Operant discrimination (dpeaa)DE-He213 Black-capped chickadee (dpeaa)DE-He213 Relative frequency (dpeaa)DE-He213 Mennill, Daniel J. verfasserin aut Phillmore, Leslie S. verfasserin aut Enthalten in Animal Cognition Springer-Verlag, 1998 20(2017), 5 vom: 18. Juli, Seite 961-973 (DE-627)SPR008564442 nnns volume:20 year:2017 number:5 day:18 month:07 pages:961-973 https://dx.doi.org/10.1007/s10071-017-1115-5 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER AR 20 2017 5 18 07 961-973 |
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10.1007/s10071-017-1115-5 doi (DE-627)SPR008578451 (SPR)s10071-017-1115-5-e DE-627 ger DE-627 rakwb eng Roach, Sean P. verfasserin aut Operant discrimination of relative frequency ratios in black-capped chickadee song 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The two-note fee bee song of the black-capped chickadee (Poecile atricapillus) is sung at many different absolute frequencies, but the relative frequencies, or “pitch ratios”, between the start and end of the fee note (glissando) and the fee and the bee notes (inter-note interval) are preserved with each pitch-shift. Ability to perceive these ratios and their relative salience varies with sex of the bird and setting: while both sexes appear to perceive changes in the inter-note interval, males appear to attend to the glissando in the field, and females appear to attend to both ratios. In this study, we compared directly whether male and female chickadees could discriminate between normal fee bee songs and songs that had one or both of the pitch ratios altered, and whether birds attended to one type of alteration over another. Both sexes learned to discriminate normal from altered songs; songs lacking an inter-note interval were more easily discriminated than songs with only the glissando removed. Females performed slightly better than males, including in the most difficult task with the stimuli lacking the glissando. Our study illustrates the value of using perceptual tasks to directly compare performance between the sexes and to demonstrate the difference between perception of and attention to acoustic features of vocal communication. Song perception (dpeaa)DE-He213 Operant discrimination (dpeaa)DE-He213 Black-capped chickadee (dpeaa)DE-He213 Relative frequency (dpeaa)DE-He213 Mennill, Daniel J. verfasserin aut Phillmore, Leslie S. verfasserin aut Enthalten in Animal Cognition Springer-Verlag, 1998 20(2017), 5 vom: 18. Juli, Seite 961-973 (DE-627)SPR008564442 nnns volume:20 year:2017 number:5 day:18 month:07 pages:961-973 https://dx.doi.org/10.1007/s10071-017-1115-5 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER AR 20 2017 5 18 07 961-973 |
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10.1007/s10071-017-1115-5 doi (DE-627)SPR008578451 (SPR)s10071-017-1115-5-e DE-627 ger DE-627 rakwb eng Roach, Sean P. verfasserin aut Operant discrimination of relative frequency ratios in black-capped chickadee song 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The two-note fee bee song of the black-capped chickadee (Poecile atricapillus) is sung at many different absolute frequencies, but the relative frequencies, or “pitch ratios”, between the start and end of the fee note (glissando) and the fee and the bee notes (inter-note interval) are preserved with each pitch-shift. Ability to perceive these ratios and their relative salience varies with sex of the bird and setting: while both sexes appear to perceive changes in the inter-note interval, males appear to attend to the glissando in the field, and females appear to attend to both ratios. In this study, we compared directly whether male and female chickadees could discriminate between normal fee bee songs and songs that had one or both of the pitch ratios altered, and whether birds attended to one type of alteration over another. Both sexes learned to discriminate normal from altered songs; songs lacking an inter-note interval were more easily discriminated than songs with only the glissando removed. Females performed slightly better than males, including in the most difficult task with the stimuli lacking the glissando. Our study illustrates the value of using perceptual tasks to directly compare performance between the sexes and to demonstrate the difference between perception of and attention to acoustic features of vocal communication. Song perception (dpeaa)DE-He213 Operant discrimination (dpeaa)DE-He213 Black-capped chickadee (dpeaa)DE-He213 Relative frequency (dpeaa)DE-He213 Mennill, Daniel J. verfasserin aut Phillmore, Leslie S. verfasserin aut Enthalten in Animal Cognition Springer-Verlag, 1998 20(2017), 5 vom: 18. Juli, Seite 961-973 (DE-627)SPR008564442 nnns volume:20 year:2017 number:5 day:18 month:07 pages:961-973 https://dx.doi.org/10.1007/s10071-017-1115-5 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER AR 20 2017 5 18 07 961-973 |
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Operant discrimination of relative frequency ratios in black-capped chickadee song |
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Abstract The two-note fee bee song of the black-capped chickadee (Poecile atricapillus) is sung at many different absolute frequencies, but the relative frequencies, or “pitch ratios”, between the start and end of the fee note (glissando) and the fee and the bee notes (inter-note interval) are preserved with each pitch-shift. Ability to perceive these ratios and their relative salience varies with sex of the bird and setting: while both sexes appear to perceive changes in the inter-note interval, males appear to attend to the glissando in the field, and females appear to attend to both ratios. In this study, we compared directly whether male and female chickadees could discriminate between normal fee bee songs and songs that had one or both of the pitch ratios altered, and whether birds attended to one type of alteration over another. Both sexes learned to discriminate normal from altered songs; songs lacking an inter-note interval were more easily discriminated than songs with only the glissando removed. Females performed slightly better than males, including in the most difficult task with the stimuli lacking the glissando. Our study illustrates the value of using perceptual tasks to directly compare performance between the sexes and to demonstrate the difference between perception of and attention to acoustic features of vocal communication. |
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Abstract The two-note fee bee song of the black-capped chickadee (Poecile atricapillus) is sung at many different absolute frequencies, but the relative frequencies, or “pitch ratios”, between the start and end of the fee note (glissando) and the fee and the bee notes (inter-note interval) are preserved with each pitch-shift. Ability to perceive these ratios and their relative salience varies with sex of the bird and setting: while both sexes appear to perceive changes in the inter-note interval, males appear to attend to the glissando in the field, and females appear to attend to both ratios. In this study, we compared directly whether male and female chickadees could discriminate between normal fee bee songs and songs that had one or both of the pitch ratios altered, and whether birds attended to one type of alteration over another. Both sexes learned to discriminate normal from altered songs; songs lacking an inter-note interval were more easily discriminated than songs with only the glissando removed. Females performed slightly better than males, including in the most difficult task with the stimuli lacking the glissando. Our study illustrates the value of using perceptual tasks to directly compare performance between the sexes and to demonstrate the difference between perception of and attention to acoustic features of vocal communication. |
| abstract_unstemmed |
Abstract The two-note fee bee song of the black-capped chickadee (Poecile atricapillus) is sung at many different absolute frequencies, but the relative frequencies, or “pitch ratios”, between the start and end of the fee note (glissando) and the fee and the bee notes (inter-note interval) are preserved with each pitch-shift. Ability to perceive these ratios and their relative salience varies with sex of the bird and setting: while both sexes appear to perceive changes in the inter-note interval, males appear to attend to the glissando in the field, and females appear to attend to both ratios. In this study, we compared directly whether male and female chickadees could discriminate between normal fee bee songs and songs that had one or both of the pitch ratios altered, and whether birds attended to one type of alteration over another. Both sexes learned to discriminate normal from altered songs; songs lacking an inter-note interval were more easily discriminated than songs with only the glissando removed. Females performed slightly better than males, including in the most difficult task with the stimuli lacking the glissando. Our study illustrates the value of using perceptual tasks to directly compare performance between the sexes and to demonstrate the difference between perception of and attention to acoustic features of vocal communication. |
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Operant discrimination of relative frequency ratios in black-capped chickadee song |
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https://dx.doi.org/10.1007/s10071-017-1115-5 |
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Mennill, Daniel J. Phillmore, Leslie S. |
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10.1007/s10071-017-1115-5 |
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2024-07-03T21:56:38.751Z |
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