Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic
Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds...
Ausführliche Beschreibung
Autor*in: |
McCrea, Lawrence [verfasserIn] |
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E-Artikel |
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Sprache: |
Englisch |
Erschienen: |
2010 |
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Schlagwörter: |
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Übergeordnetes Werk: |
Enthalten in: Journal of Indian philosophy - Dordrecht [u.a.] : Springer Science + Business Media B.V, 1970, 38(2010), 5 vom: 26. Aug., Seite 503-518 |
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Übergeordnetes Werk: |
volume:38 ; year:2010 ; number:5 ; day:26 ; month:08 ; pages:503-518 |
Links: |
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DOI / URN: |
10.1007/s10781-010-9098-4 |
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Katalog-ID: |
SPR013212540 |
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520 | |a Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds and celebrating the virtues of the pet’s own patron. But Bilhaṇa’s verse biography of his patron, the Cālukya monarch Vikramāditya VI, while ostensibly singing his praises, is colored throughout by darker suggestions that Vikramāditya may be less than the moral paragon it proclaims him to be, and that the power of poetry lies precisely in its ability to fabricate royal virtue where none exists, and to wash clean the reputation of any king, regardless of his actual deeds. He makes these insinuatons through a variety of formal and narrative techniques, most strikingly by his persistent suggestions that Vikramāditya has perhaps less in common with Rāma, the archetypal paragon of royal virtue, than with his demonic antagonist Rāvaṇa, and, even more corrosively, that Rāma’s own reputation may owe more to his panegyrist’s skill than to his own virtue. | ||
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10.1007/s10781-010-9098-4 doi (DE-627)SPR013212540 (SPR)s10781-010-9098-4-e DE-627 ger DE-627 rakwb eng 100 ASE 08.00 bkl McCrea, Lawrence verfasserin aut Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic 2010 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds and celebrating the virtues of the pet’s own patron. But Bilhaṇa’s verse biography of his patron, the Cālukya monarch Vikramāditya VI, while ostensibly singing his praises, is colored throughout by darker suggestions that Vikramāditya may be less than the moral paragon it proclaims him to be, and that the power of poetry lies precisely in its ability to fabricate royal virtue where none exists, and to wash clean the reputation of any king, regardless of his actual deeds. He makes these insinuatons through a variety of formal and narrative techniques, most strikingly by his persistent suggestions that Vikramāditya has perhaps less in common with Rāma, the archetypal paragon of royal virtue, than with his demonic antagonist Rāvaṇa, and, even more corrosively, that Rāma’s own reputation may owe more to his panegyrist’s skill than to his own virtue. Bilhaṇa (dpeaa)DE-He213 Vikramāditya VI (dpeaa)DE-He213 Patron (dpeaa)DE-He213 Court epic (dpeaa)DE-He213 Panegyric (dpeaa)DE-He213 Rāvaṇa (dpeaa)DE-He213 Enthalten in Journal of Indian philosophy Dordrecht [u.a.] : Springer Science + Business Media B.V, 1970 38(2010), 5 vom: 26. Aug., Seite 503-518 (DE-627)320575055 (DE-600)2016946-2 1573-0395 nnns volume:38 year:2010 number:5 day:26 month:08 pages:503-518 https://dx.doi.org/10.1007/s10781-010-9098-4 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_165 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_374 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 08.00 ASE AR 38 2010 5 26 08 503-518 |
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10.1007/s10781-010-9098-4 doi (DE-627)SPR013212540 (SPR)s10781-010-9098-4-e DE-627 ger DE-627 rakwb eng 100 ASE 08.00 bkl McCrea, Lawrence verfasserin aut Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic 2010 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds and celebrating the virtues of the pet’s own patron. But Bilhaṇa’s verse biography of his patron, the Cālukya monarch Vikramāditya VI, while ostensibly singing his praises, is colored throughout by darker suggestions that Vikramāditya may be less than the moral paragon it proclaims him to be, and that the power of poetry lies precisely in its ability to fabricate royal virtue where none exists, and to wash clean the reputation of any king, regardless of his actual deeds. He makes these insinuatons through a variety of formal and narrative techniques, most strikingly by his persistent suggestions that Vikramāditya has perhaps less in common with Rāma, the archetypal paragon of royal virtue, than with his demonic antagonist Rāvaṇa, and, even more corrosively, that Rāma’s own reputation may owe more to his panegyrist’s skill than to his own virtue. Bilhaṇa (dpeaa)DE-He213 Vikramāditya VI (dpeaa)DE-He213 Patron (dpeaa)DE-He213 Court epic (dpeaa)DE-He213 Panegyric (dpeaa)DE-He213 Rāvaṇa (dpeaa)DE-He213 Enthalten in Journal of Indian philosophy Dordrecht [u.a.] : Springer Science + Business Media B.V, 1970 38(2010), 5 vom: 26. Aug., Seite 503-518 (DE-627)320575055 (DE-600)2016946-2 1573-0395 nnns volume:38 year:2010 number:5 day:26 month:08 pages:503-518 https://dx.doi.org/10.1007/s10781-010-9098-4 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_165 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_374 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 08.00 ASE AR 38 2010 5 26 08 503-518 |
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10.1007/s10781-010-9098-4 doi (DE-627)SPR013212540 (SPR)s10781-010-9098-4-e DE-627 ger DE-627 rakwb eng 100 ASE 08.00 bkl McCrea, Lawrence verfasserin aut Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic 2010 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds and celebrating the virtues of the pet’s own patron. But Bilhaṇa’s verse biography of his patron, the Cālukya monarch Vikramāditya VI, while ostensibly singing his praises, is colored throughout by darker suggestions that Vikramāditya may be less than the moral paragon it proclaims him to be, and that the power of poetry lies precisely in its ability to fabricate royal virtue where none exists, and to wash clean the reputation of any king, regardless of his actual deeds. He makes these insinuatons through a variety of formal and narrative techniques, most strikingly by his persistent suggestions that Vikramāditya has perhaps less in common with Rāma, the archetypal paragon of royal virtue, than with his demonic antagonist Rāvaṇa, and, even more corrosively, that Rāma’s own reputation may owe more to his panegyrist’s skill than to his own virtue. Bilhaṇa (dpeaa)DE-He213 Vikramāditya VI (dpeaa)DE-He213 Patron (dpeaa)DE-He213 Court epic (dpeaa)DE-He213 Panegyric (dpeaa)DE-He213 Rāvaṇa (dpeaa)DE-He213 Enthalten in Journal of Indian philosophy Dordrecht [u.a.] : Springer Science + Business Media B.V, 1970 38(2010), 5 vom: 26. Aug., Seite 503-518 (DE-627)320575055 (DE-600)2016946-2 1573-0395 nnns volume:38 year:2010 number:5 day:26 month:08 pages:503-518 https://dx.doi.org/10.1007/s10781-010-9098-4 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_165 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_374 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 08.00 ASE AR 38 2010 5 26 08 503-518 |
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10.1007/s10781-010-9098-4 doi (DE-627)SPR013212540 (SPR)s10781-010-9098-4-e DE-627 ger DE-627 rakwb eng 100 ASE 08.00 bkl McCrea, Lawrence verfasserin aut Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic 2010 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds and celebrating the virtues of the pet’s own patron. But Bilhaṇa’s verse biography of his patron, the Cālukya monarch Vikramāditya VI, while ostensibly singing his praises, is colored throughout by darker suggestions that Vikramāditya may be less than the moral paragon it proclaims him to be, and that the power of poetry lies precisely in its ability to fabricate royal virtue where none exists, and to wash clean the reputation of any king, regardless of his actual deeds. He makes these insinuatons through a variety of formal and narrative techniques, most strikingly by his persistent suggestions that Vikramāditya has perhaps less in common with Rāma, the archetypal paragon of royal virtue, than with his demonic antagonist Rāvaṇa, and, even more corrosively, that Rāma’s own reputation may owe more to his panegyrist’s skill than to his own virtue. Bilhaṇa (dpeaa)DE-He213 Vikramāditya VI (dpeaa)DE-He213 Patron (dpeaa)DE-He213 Court epic (dpeaa)DE-He213 Panegyric (dpeaa)DE-He213 Rāvaṇa (dpeaa)DE-He213 Enthalten in Journal of Indian philosophy Dordrecht [u.a.] : Springer Science + Business Media B.V, 1970 38(2010), 5 vom: 26. Aug., Seite 503-518 (DE-627)320575055 (DE-600)2016946-2 1573-0395 nnns volume:38 year:2010 number:5 day:26 month:08 pages:503-518 https://dx.doi.org/10.1007/s10781-010-9098-4 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_165 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_374 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 08.00 ASE AR 38 2010 5 26 08 503-518 |
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10.1007/s10781-010-9098-4 doi (DE-627)SPR013212540 (SPR)s10781-010-9098-4-e DE-627 ger DE-627 rakwb eng 100 ASE 08.00 bkl McCrea, Lawrence verfasserin aut Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic 2010 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds and celebrating the virtues of the pet’s own patron. But Bilhaṇa’s verse biography of his patron, the Cālukya monarch Vikramāditya VI, while ostensibly singing his praises, is colored throughout by darker suggestions that Vikramāditya may be less than the moral paragon it proclaims him to be, and that the power of poetry lies precisely in its ability to fabricate royal virtue where none exists, and to wash clean the reputation of any king, regardless of his actual deeds. He makes these insinuatons through a variety of formal and narrative techniques, most strikingly by his persistent suggestions that Vikramāditya has perhaps less in common with Rāma, the archetypal paragon of royal virtue, than with his demonic antagonist Rāvaṇa, and, even more corrosively, that Rāma’s own reputation may owe more to his panegyrist’s skill than to his own virtue. Bilhaṇa (dpeaa)DE-He213 Vikramāditya VI (dpeaa)DE-He213 Patron (dpeaa)DE-He213 Court epic (dpeaa)DE-He213 Panegyric (dpeaa)DE-He213 Rāvaṇa (dpeaa)DE-He213 Enthalten in Journal of Indian philosophy Dordrecht [u.a.] : Springer Science + Business Media B.V, 1970 38(2010), 5 vom: 26. Aug., Seite 503-518 (DE-627)320575055 (DE-600)2016946-2 1573-0395 nnns volume:38 year:2010 number:5 day:26 month:08 pages:503-518 https://dx.doi.org/10.1007/s10781-010-9098-4 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_165 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_374 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 08.00 ASE AR 38 2010 5 26 08 503-518 |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">SPR013212540</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20220111001522.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">201005s2010 xx |||||o 00| ||eng c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1007/s10781-010-9098-4</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)SPR013212540</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(SPR)s10781-010-9098-4-e</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">100</subfield><subfield code="q">ASE</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">08.00</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McCrea, Lawrence</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2010</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds and celebrating the virtues of the pet’s own patron. 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He makes these insinuatons through a variety of formal and narrative techniques, most strikingly by his persistent suggestions that Vikramāditya has perhaps less in common with Rāma, the archetypal paragon of royal virtue, than with his demonic antagonist Rāvaṇa, and, even more corrosively, that Rāma’s own reputation may owe more to his panegyrist’s skill than to his own virtue.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Bilhaṇa</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Vikramāditya VI</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Patron</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Court epic</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Panegyric</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rāvaṇa</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="t">Journal of Indian philosophy</subfield><subfield code="d">Dordrecht [u.a.] : Springer Science + Business Media B.V, 1970</subfield><subfield code="g">38(2010), 5 vom: 26. 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McCrea, Lawrence ddc 100 bkl 08.00 misc Bilhaṇa misc Vikramāditya VI misc Patron misc Court epic misc Panegyric misc Rāvaṇa Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic |
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poetry beyond good and evil: bilhaṇa and the tradition of patron-centered court epic |
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Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic |
abstract |
Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds and celebrating the virtues of the pet’s own patron. But Bilhaṇa’s verse biography of his patron, the Cālukya monarch Vikramāditya VI, while ostensibly singing his praises, is colored throughout by darker suggestions that Vikramāditya may be less than the moral paragon it proclaims him to be, and that the power of poetry lies precisely in its ability to fabricate royal virtue where none exists, and to wash clean the reputation of any king, regardless of his actual deeds. He makes these insinuatons through a variety of formal and narrative techniques, most strikingly by his persistent suggestions that Vikramāditya has perhaps less in common with Rāma, the archetypal paragon of royal virtue, than with his demonic antagonist Rāvaṇa, and, even more corrosively, that Rāma’s own reputation may owe more to his panegyrist’s skill than to his own virtue. |
abstractGer |
Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds and celebrating the virtues of the pet’s own patron. But Bilhaṇa’s verse biography of his patron, the Cālukya monarch Vikramāditya VI, while ostensibly singing his praises, is colored throughout by darker suggestions that Vikramāditya may be less than the moral paragon it proclaims him to be, and that the power of poetry lies precisely in its ability to fabricate royal virtue where none exists, and to wash clean the reputation of any king, regardless of his actual deeds. He makes these insinuatons through a variety of formal and narrative techniques, most strikingly by his persistent suggestions that Vikramāditya has perhaps less in common with Rāma, the archetypal paragon of royal virtue, than with his demonic antagonist Rāvaṇa, and, even more corrosively, that Rāma’s own reputation may owe more to his panegyrist’s skill than to his own virtue. |
abstract_unstemmed |
Abstract The eleventh century poet Bilhaṇa’s magnum opus, his Vikramāṅkadevacarita, quickly became one of the most admired and quoted examplars of a newly emergent genre in second millennium Sanskrit poetry, the patron-centered court epic—an extended verse composition dedicated to relating the deeds and celebrating the virtues of the pet’s own patron. But Bilhaṇa’s verse biography of his patron, the Cālukya monarch Vikramāditya VI, while ostensibly singing his praises, is colored throughout by darker suggestions that Vikramāditya may be less than the moral paragon it proclaims him to be, and that the power of poetry lies precisely in its ability to fabricate royal virtue where none exists, and to wash clean the reputation of any king, regardless of his actual deeds. He makes these insinuatons through a variety of formal and narrative techniques, most strikingly by his persistent suggestions that Vikramāditya has perhaps less in common with Rāma, the archetypal paragon of royal virtue, than with his demonic antagonist Rāvaṇa, and, even more corrosively, that Rāma’s own reputation may owe more to his panegyrist’s skill than to his own virtue. |
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container_issue |
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title_short |
Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic |
url |
https://dx.doi.org/10.1007/s10781-010-9098-4 |
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score |
7.3974047 |