De la feintise à la fiction. Le mouvement dialogal de la préface

Abstract The preface of the eighteenth-century French novel is usually considered to be a means of authentication of the novel, that is to say, it aims at establishing the veracity of the text, using different kinds of procedures that certify either its origin (e.g. in resorting to the procedure of...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Kremer, Nathalie [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2007

Schlagwörter:	Dialogue Comme Pragmatic Standpoint Prefatory Discourse Nous Verrons Nous Voyons

Übergeordnetes Werk:	Enthalten in: Neophilologus - Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916, 91(2007), 4 vom: 27. März, Seite 583-595
Übergeordnetes Werk:	volume:91 ; year:2007 ; number:4 ; day:27 ; month:03 ; pages:583-595

Links:	Volltext

DOI / URN:	10.1007/s11061-006-9016-x

Katalog-ID:	SPR016204603

Internformat


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520			\|a Abstract The preface of the eighteenth-century French novel is usually considered to be a means of authentication of the novel, that is to say, it aims at establishing the veracity of the text, using different kinds of procedures that certify either its origin (e.g. in resorting to the procedure of the found manuscript), or the truthfulness of the related events (e.g. by resorting to witnesses or historical figures). These authentication-procedures are so widely diffused and repeated, however, that they become ‹common topics’ of the prefatory discourse. This article is based on the theoretical assumption, as formulated by Jean Bessière, that literature stems from the juncture of common ideas on the one hand, and creativity on the other. The common topics ensure the acknowledgement of literature, and thereby its very existence. Starting from this theoretical statement, our scope is to show that the topics in the prefatory discourse of the novel in the eighteenth century do not want to “make us believe” in the truth of the novel, but rather to “make us recognize” the novel as fiction. If at first sight the preface appears as a “fake”, the topicality of its discourse obliterates this idea and establishes the recognition of fiction. Thus eighteenth-century fiction is based on a paradox: it exists on the basis of a discourse that, when read literally, intends to deny its fictional nature. We aim at foregrounding this assumption through the discussion of three main aspects of the prefatory discourse: the performativity of the preambulary “I”, the procedure of the found manuscript, and the topic of the authenticating witness. In doing so, we adopt a pragmatic standpoint, situated along the lines of the works of Jean-Marie Schaeffer.
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650		4	\|a Nous Voyons \|7 (dpeaa)DE-He213
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952			\|d 91 \|j 2007 \|e 4 \|b 27 \|c 03 \|h 583-595

Indexfelder

author_variant	n k nk
matchkey_str	article:15728668:2007----::eaenieaitolmueetil
hierarchy_sort_str	2007
bklnumber	17.00 18.00
publishDate	2007
allfields	10.1007/s11061-006-9016-x doi (DE-627)SPR016204603 (SPR)s11061-006-9016-x-e DE-627 ger DE-627 rakwb eng 800 400 ASE 17.00 bkl 18.00 bkl Kremer, Nathalie verfasserin aut De la feintise à la fiction. Le mouvement dialogal de la préface 2007 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The preface of the eighteenth-century French novel is usually considered to be a means of authentication of the novel, that is to say, it aims at establishing the veracity of the text, using different kinds of procedures that certify either its origin (e.g. in resorting to the procedure of the found manuscript), or the truthfulness of the related events (e.g. by resorting to witnesses or historical figures). These authentication-procedures are so widely diffused and repeated, however, that they become ‹common topics’ of the prefatory discourse. This article is based on the theoretical assumption, as formulated by Jean Bessière, that literature stems from the juncture of common ideas on the one hand, and creativity on the other. The common topics ensure the acknowledgement of literature, and thereby its very existence. Starting from this theoretical statement, our scope is to show that the topics in the prefatory discourse of the novel in the eighteenth century do not want to “make us believe” in the truth of the novel, but rather to “make us recognize” the novel as fiction. If at first sight the preface appears as a “fake”, the topicality of its discourse obliterates this idea and establishes the recognition of fiction. Thus eighteenth-century fiction is based on a paradox: it exists on the basis of a discourse that, when read literally, intends to deny its fictional nature. We aim at foregrounding this assumption through the discussion of three main aspects of the prefatory discourse: the performativity of the preambulary “I”, the procedure of the found manuscript, and the topic of the authenticating witness. In doing so, we adopt a pragmatic standpoint, situated along the lines of the works of Jean-Marie Schaeffer. Dialogue Comme (dpeaa)DE-He213 Pragmatic Standpoint (dpeaa)DE-He213 Prefatory Discourse (dpeaa)DE-He213 Nous Verrons (dpeaa)DE-He213 Nous Voyons (dpeaa)DE-He213 Enthalten in Neophilologus Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916 91(2007), 4 vom: 27. März, Seite 583-595 (DE-627)320595757 (DE-600)2019538-2 1572-8668 nnns volume:91 year:2007 number:4 day:27 month:03 pages:583-595 https://dx.doi.org/10.1007/s11061-006-9016-x lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER SSG-OPC-ANG SSG-OPC-ASE GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_61 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2982 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4328 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 17.00 ASE 18.00 ASE AR 91 2007 4 27 03 583-595
spelling	10.1007/s11061-006-9016-x doi (DE-627)SPR016204603 (SPR)s11061-006-9016-x-e DE-627 ger DE-627 rakwb eng 800 400 ASE 17.00 bkl 18.00 bkl Kremer, Nathalie verfasserin aut De la feintise à la fiction. Le mouvement dialogal de la préface 2007 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The preface of the eighteenth-century French novel is usually considered to be a means of authentication of the novel, that is to say, it aims at establishing the veracity of the text, using different kinds of procedures that certify either its origin (e.g. in resorting to the procedure of the found manuscript), or the truthfulness of the related events (e.g. by resorting to witnesses or historical figures). These authentication-procedures are so widely diffused and repeated, however, that they become ‹common topics’ of the prefatory discourse. This article is based on the theoretical assumption, as formulated by Jean Bessière, that literature stems from the juncture of common ideas on the one hand, and creativity on the other. The common topics ensure the acknowledgement of literature, and thereby its very existence. Starting from this theoretical statement, our scope is to show that the topics in the prefatory discourse of the novel in the eighteenth century do not want to “make us believe” in the truth of the novel, but rather to “make us recognize” the novel as fiction. If at first sight the preface appears as a “fake”, the topicality of its discourse obliterates this idea and establishes the recognition of fiction. Thus eighteenth-century fiction is based on a paradox: it exists on the basis of a discourse that, when read literally, intends to deny its fictional nature. We aim at foregrounding this assumption through the discussion of three main aspects of the prefatory discourse: the performativity of the preambulary “I”, the procedure of the found manuscript, and the topic of the authenticating witness. In doing so, we adopt a pragmatic standpoint, situated along the lines of the works of Jean-Marie Schaeffer. Dialogue Comme (dpeaa)DE-He213 Pragmatic Standpoint (dpeaa)DE-He213 Prefatory Discourse (dpeaa)DE-He213 Nous Verrons (dpeaa)DE-He213 Nous Voyons (dpeaa)DE-He213 Enthalten in Neophilologus Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916 91(2007), 4 vom: 27. März, Seite 583-595 (DE-627)320595757 (DE-600)2019538-2 1572-8668 nnns volume:91 year:2007 number:4 day:27 month:03 pages:583-595 https://dx.doi.org/10.1007/s11061-006-9016-x lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER SSG-OPC-ANG SSG-OPC-ASE GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_61 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2982 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4328 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 17.00 ASE 18.00 ASE AR 91 2007 4 27 03 583-595
allfields_unstemmed	10.1007/s11061-006-9016-x doi (DE-627)SPR016204603 (SPR)s11061-006-9016-x-e DE-627 ger DE-627 rakwb eng 800 400 ASE 17.00 bkl 18.00 bkl Kremer, Nathalie verfasserin aut De la feintise à la fiction. Le mouvement dialogal de la préface 2007 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The preface of the eighteenth-century French novel is usually considered to be a means of authentication of the novel, that is to say, it aims at establishing the veracity of the text, using different kinds of procedures that certify either its origin (e.g. in resorting to the procedure of the found manuscript), or the truthfulness of the related events (e.g. by resorting to witnesses or historical figures). These authentication-procedures are so widely diffused and repeated, however, that they become ‹common topics’ of the prefatory discourse. This article is based on the theoretical assumption, as formulated by Jean Bessière, that literature stems from the juncture of common ideas on the one hand, and creativity on the other. The common topics ensure the acknowledgement of literature, and thereby its very existence. Starting from this theoretical statement, our scope is to show that the topics in the prefatory discourse of the novel in the eighteenth century do not want to “make us believe” in the truth of the novel, but rather to “make us recognize” the novel as fiction. If at first sight the preface appears as a “fake”, the topicality of its discourse obliterates this idea and establishes the recognition of fiction. Thus eighteenth-century fiction is based on a paradox: it exists on the basis of a discourse that, when read literally, intends to deny its fictional nature. We aim at foregrounding this assumption through the discussion of three main aspects of the prefatory discourse: the performativity of the preambulary “I”, the procedure of the found manuscript, and the topic of the authenticating witness. In doing so, we adopt a pragmatic standpoint, situated along the lines of the works of Jean-Marie Schaeffer. Dialogue Comme (dpeaa)DE-He213 Pragmatic Standpoint (dpeaa)DE-He213 Prefatory Discourse (dpeaa)DE-He213 Nous Verrons (dpeaa)DE-He213 Nous Voyons (dpeaa)DE-He213 Enthalten in Neophilologus Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916 91(2007), 4 vom: 27. März, Seite 583-595 (DE-627)320595757 (DE-600)2019538-2 1572-8668 nnns volume:91 year:2007 number:4 day:27 month:03 pages:583-595 https://dx.doi.org/10.1007/s11061-006-9016-x lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER SSG-OPC-ANG SSG-OPC-ASE GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_61 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2982 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4328 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 17.00 ASE 18.00 ASE AR 91 2007 4 27 03 583-595
allfieldsGer	10.1007/s11061-006-9016-x doi (DE-627)SPR016204603 (SPR)s11061-006-9016-x-e DE-627 ger DE-627 rakwb eng 800 400 ASE 17.00 bkl 18.00 bkl Kremer, Nathalie verfasserin aut De la feintise à la fiction. Le mouvement dialogal de la préface 2007 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The preface of the eighteenth-century French novel is usually considered to be a means of authentication of the novel, that is to say, it aims at establishing the veracity of the text, using different kinds of procedures that certify either its origin (e.g. in resorting to the procedure of the found manuscript), or the truthfulness of the related events (e.g. by resorting to witnesses or historical figures). These authentication-procedures are so widely diffused and repeated, however, that they become ‹common topics’ of the prefatory discourse. This article is based on the theoretical assumption, as formulated by Jean Bessière, that literature stems from the juncture of common ideas on the one hand, and creativity on the other. The common topics ensure the acknowledgement of literature, and thereby its very existence. Starting from this theoretical statement, our scope is to show that the topics in the prefatory discourse of the novel in the eighteenth century do not want to “make us believe” in the truth of the novel, but rather to “make us recognize” the novel as fiction. If at first sight the preface appears as a “fake”, the topicality of its discourse obliterates this idea and establishes the recognition of fiction. Thus eighteenth-century fiction is based on a paradox: it exists on the basis of a discourse that, when read literally, intends to deny its fictional nature. We aim at foregrounding this assumption through the discussion of three main aspects of the prefatory discourse: the performativity of the preambulary “I”, the procedure of the found manuscript, and the topic of the authenticating witness. In doing so, we adopt a pragmatic standpoint, situated along the lines of the works of Jean-Marie Schaeffer. Dialogue Comme (dpeaa)DE-He213 Pragmatic Standpoint (dpeaa)DE-He213 Prefatory Discourse (dpeaa)DE-He213 Nous Verrons (dpeaa)DE-He213 Nous Voyons (dpeaa)DE-He213 Enthalten in Neophilologus Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916 91(2007), 4 vom: 27. März, Seite 583-595 (DE-627)320595757 (DE-600)2019538-2 1572-8668 nnns volume:91 year:2007 number:4 day:27 month:03 pages:583-595 https://dx.doi.org/10.1007/s11061-006-9016-x lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER SSG-OPC-ANG SSG-OPC-ASE GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_61 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2982 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4328 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 17.00 ASE 18.00 ASE AR 91 2007 4 27 03 583-595
allfieldsSound	10.1007/s11061-006-9016-x doi (DE-627)SPR016204603 (SPR)s11061-006-9016-x-e DE-627 ger DE-627 rakwb eng 800 400 ASE 17.00 bkl 18.00 bkl Kremer, Nathalie verfasserin aut De la feintise à la fiction. Le mouvement dialogal de la préface 2007 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract The preface of the eighteenth-century French novel is usually considered to be a means of authentication of the novel, that is to say, it aims at establishing the veracity of the text, using different kinds of procedures that certify either its origin (e.g. in resorting to the procedure of the found manuscript), or the truthfulness of the related events (e.g. by resorting to witnesses or historical figures). These authentication-procedures are so widely diffused and repeated, however, that they become ‹common topics’ of the prefatory discourse. This article is based on the theoretical assumption, as formulated by Jean Bessière, that literature stems from the juncture of common ideas on the one hand, and creativity on the other. The common topics ensure the acknowledgement of literature, and thereby its very existence. Starting from this theoretical statement, our scope is to show that the topics in the prefatory discourse of the novel in the eighteenth century do not want to “make us believe” in the truth of the novel, but rather to “make us recognize” the novel as fiction. If at first sight the preface appears as a “fake”, the topicality of its discourse obliterates this idea and establishes the recognition of fiction. Thus eighteenth-century fiction is based on a paradox: it exists on the basis of a discourse that, when read literally, intends to deny its fictional nature. We aim at foregrounding this assumption through the discussion of three main aspects of the prefatory discourse: the performativity of the preambulary “I”, the procedure of the found manuscript, and the topic of the authenticating witness. In doing so, we adopt a pragmatic standpoint, situated along the lines of the works of Jean-Marie Schaeffer. Dialogue Comme (dpeaa)DE-He213 Pragmatic Standpoint (dpeaa)DE-He213 Prefatory Discourse (dpeaa)DE-He213 Nous Verrons (dpeaa)DE-He213 Nous Voyons (dpeaa)DE-He213 Enthalten in Neophilologus Dordrecht [u.a.] : Springer Science + Business Media B.V., 1916 91(2007), 4 vom: 27. März, Seite 583-595 (DE-627)320595757 (DE-600)2019538-2 1572-8668 nnns volume:91 year:2007 number:4 day:27 month:03 pages:583-595 https://dx.doi.org/10.1007/s11061-006-9016-x lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER SSG-OPC-ANG SSG-OPC-ASE GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_61 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2982 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4328 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 17.00 ASE 18.00 ASE AR 91 2007 4 27 03 583-595
language	English
source	Enthalten in Neophilologus 91(2007), 4 vom: 27. März, Seite 583-595 volume:91 year:2007 number:4 day:27 month:03 pages:583-595
sourceStr	Enthalten in Neophilologus 91(2007), 4 vom: 27. März, Seite 583-595 volume:91 year:2007 number:4 day:27 month:03 pages:583-595
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topic_facet	Dialogue Comme Pragmatic Standpoint Prefatory Discourse Nous Verrons Nous Voyons
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container_title	Neophilologus
authorswithroles_txt_mv	Kremer, Nathalie @@aut@@
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author	Kremer, Nathalie
spellingShingle	Kremer, Nathalie ddc 800 bkl 17.00 bkl 18.00 misc Dialogue Comme misc Pragmatic Standpoint misc Prefatory Discourse misc Nous Verrons misc Nous Voyons De la feintise à la fiction. Le mouvement dialogal de la préface
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title_sort	la feintise à la fiction. le mouvement dialogal de la préface
title_auth	De la feintise à la fiction. Le mouvement dialogal de la préface
abstract	Abstract The preface of the eighteenth-century French novel is usually considered to be a means of authentication of the novel, that is to say, it aims at establishing the veracity of the text, using different kinds of procedures that certify either its origin (e.g. in resorting to the procedure of the found manuscript), or the truthfulness of the related events (e.g. by resorting to witnesses or historical figures). These authentication-procedures are so widely diffused and repeated, however, that they become ‹common topics’ of the prefatory discourse. This article is based on the theoretical assumption, as formulated by Jean Bessière, that literature stems from the juncture of common ideas on the one hand, and creativity on the other. The common topics ensure the acknowledgement of literature, and thereby its very existence. Starting from this theoretical statement, our scope is to show that the topics in the prefatory discourse of the novel in the eighteenth century do not want to “make us believe” in the truth of the novel, but rather to “make us recognize” the novel as fiction. If at first sight the preface appears as a “fake”, the topicality of its discourse obliterates this idea and establishes the recognition of fiction. Thus eighteenth-century fiction is based on a paradox: it exists on the basis of a discourse that, when read literally, intends to deny its fictional nature. We aim at foregrounding this assumption through the discussion of three main aspects of the prefatory discourse: the performativity of the preambulary “I”, the procedure of the found manuscript, and the topic of the authenticating witness. In doing so, we adopt a pragmatic standpoint, situated along the lines of the works of Jean-Marie Schaeffer.
abstractGer	Abstract The preface of the eighteenth-century French novel is usually considered to be a means of authentication of the novel, that is to say, it aims at establishing the veracity of the text, using different kinds of procedures that certify either its origin (e.g. in resorting to the procedure of the found manuscript), or the truthfulness of the related events (e.g. by resorting to witnesses or historical figures). These authentication-procedures are so widely diffused and repeated, however, that they become ‹common topics’ of the prefatory discourse. This article is based on the theoretical assumption, as formulated by Jean Bessière, that literature stems from the juncture of common ideas on the one hand, and creativity on the other. The common topics ensure the acknowledgement of literature, and thereby its very existence. Starting from this theoretical statement, our scope is to show that the topics in the prefatory discourse of the novel in the eighteenth century do not want to “make us believe” in the truth of the novel, but rather to “make us recognize” the novel as fiction. If at first sight the preface appears as a “fake”, the topicality of its discourse obliterates this idea and establishes the recognition of fiction. Thus eighteenth-century fiction is based on a paradox: it exists on the basis of a discourse that, when read literally, intends to deny its fictional nature. We aim at foregrounding this assumption through the discussion of three main aspects of the prefatory discourse: the performativity of the preambulary “I”, the procedure of the found manuscript, and the topic of the authenticating witness. In doing so, we adopt a pragmatic standpoint, situated along the lines of the works of Jean-Marie Schaeffer.
abstract_unstemmed	Abstract The preface of the eighteenth-century French novel is usually considered to be a means of authentication of the novel, that is to say, it aims at establishing the veracity of the text, using different kinds of procedures that certify either its origin (e.g. in resorting to the procedure of the found manuscript), or the truthfulness of the related events (e.g. by resorting to witnesses or historical figures). These authentication-procedures are so widely diffused and repeated, however, that they become ‹common topics’ of the prefatory discourse. This article is based on the theoretical assumption, as formulated by Jean Bessière, that literature stems from the juncture of common ideas on the one hand, and creativity on the other. The common topics ensure the acknowledgement of literature, and thereby its very existence. Starting from this theoretical statement, our scope is to show that the topics in the prefatory discourse of the novel in the eighteenth century do not want to “make us believe” in the truth of the novel, but rather to “make us recognize” the novel as fiction. If at first sight the preface appears as a “fake”, the topicality of its discourse obliterates this idea and establishes the recognition of fiction. Thus eighteenth-century fiction is based on a paradox: it exists on the basis of a discourse that, when read literally, intends to deny its fictional nature. We aim at foregrounding this assumption through the discussion of three main aspects of the prefatory discourse: the performativity of the preambulary “I”, the procedure of the found manuscript, and the topic of the authenticating witness. In doing so, we adopt a pragmatic standpoint, situated along the lines of the works of Jean-Marie Schaeffer.
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title_short	De la feintise à la fiction. Le mouvement dialogal de la préface
url	https://dx.doi.org/10.1007/s11061-006-9016-x
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doi_str	10.1007/s11061-006-9016-x
up_date	2024-07-03T21:33:01.267Z
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score	7.3971796

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