Medellín: Body and Territory
Abstract Medellín has been a privileged subject in Colombian cinema. In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and s...
Ausführliche Beschreibung
Autor*in: |
Romero Sánchez, Adriana [verfasserIn] Romero Sánchez, Susana [verfasserIn] |
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Format: |
E-Artikel |
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Sprache: |
Englisch |
Erschienen: |
2019 |
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Schlagwörter: |
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Übergeordnetes Werk: |
Enthalten in: International journal for the semiotics of law - Dordrecht [u.a.] : Springer Science + Business Media B.V, 1988, 32(2019), 3 vom: 21. Mai, Seite 731-752 |
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Übergeordnetes Werk: |
volume:32 ; year:2019 ; number:3 ; day:21 ; month:05 ; pages:731-752 |
Links: |
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DOI / URN: |
10.1007/s11196-019-09624-5 |
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Katalog-ID: |
SPR017639956 |
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520 | |a Abstract Medellín has been a privileged subject in Colombian cinema. In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and segregation, as well as to struggles over the control of the urban territory and its correlates expressed on female and male bodies. By drawing on emotional geography, this article examines these films to explain how Medellín is constructed visually and discursively to elaborate stories based on segregation, exclusion along race and class, and the armed conflict that Colombia has experienced in its recent history, a conflict of which Medellín has been a battleground. Additionally, it becomes clear that social conflict in Medellín is a multi-scalar process. The ways in which political and social tensions have been experienced in the city—and their correlates in the production of urban spaces—are fundamentally shaped by the nature and structure of the urban territories (and their geographies) where conflict materializes (and dialectically, territories are shaped by different forms of violence and conflict). In visual narratives, stories (or topics) unfold at these multiple sites of urban conflict. These topics are representations built on dichotomies like inclusion/exclusion, center/periphery, and masculine/feminine, depicting Medellín as an ill city, an urban collection of geographies that suffer from an illness of which drug trafficking is its main cause and violence its main symptom. | ||
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10.1007/s11196-019-09624-5 doi (DE-627)SPR017639956 (SPR)s11196-019-09624-5-e DE-627 ger DE-627 rakwb eng 400 ASE 17.00 bkl 86.00 bkl Romero Sánchez, Adriana verfasserin aut Medellín: Body and Territory 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Medellín has been a privileged subject in Colombian cinema. In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and segregation, as well as to struggles over the control of the urban territory and its correlates expressed on female and male bodies. By drawing on emotional geography, this article examines these films to explain how Medellín is constructed visually and discursively to elaborate stories based on segregation, exclusion along race and class, and the armed conflict that Colombia has experienced in its recent history, a conflict of which Medellín has been a battleground. Additionally, it becomes clear that social conflict in Medellín is a multi-scalar process. The ways in which political and social tensions have been experienced in the city—and their correlates in the production of urban spaces—are fundamentally shaped by the nature and structure of the urban territories (and their geographies) where conflict materializes (and dialectically, territories are shaped by different forms of violence and conflict). In visual narratives, stories (or topics) unfold at these multiple sites of urban conflict. These topics are representations built on dichotomies like inclusion/exclusion, center/periphery, and masculine/feminine, depicting Medellín as an ill city, an urban collection of geographies that suffer from an illness of which drug trafficking is its main cause and violence its main symptom. Illness (dpeaa)DE-He213 Body (dpeaa)DE-He213 Territory (dpeaa)DE-He213 Production of space (dpeaa)DE-He213 Conflict (dpeaa)DE-He213 Inequality (dpeaa)DE-He213 Romero Sánchez, Susana verfasserin aut Enthalten in International journal for the semiotics of law Dordrecht [u.a.] : Springer Science + Business Media B.V, 1988 32(2019), 3 vom: 21. Mai, Seite 731-752 (DE-627)320530868 (DE-600)2015745-9 1572-8722 nnns volume:32 year:2019 number:3 day:21 month:05 pages:731-752 https://dx.doi.org/10.1007/s11196-019-09624-5 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER SSG-OLC-PHA SSG-OPC-ANG SSG-OPC-ASE GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_184 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 17.00 ASE 86.00 ASE AR 32 2019 3 21 05 731-752 |
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10.1007/s11196-019-09624-5 doi (DE-627)SPR017639956 (SPR)s11196-019-09624-5-e DE-627 ger DE-627 rakwb eng 400 ASE 17.00 bkl 86.00 bkl Romero Sánchez, Adriana verfasserin aut Medellín: Body and Territory 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Medellín has been a privileged subject in Colombian cinema. In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and segregation, as well as to struggles over the control of the urban territory and its correlates expressed on female and male bodies. By drawing on emotional geography, this article examines these films to explain how Medellín is constructed visually and discursively to elaborate stories based on segregation, exclusion along race and class, and the armed conflict that Colombia has experienced in its recent history, a conflict of which Medellín has been a battleground. Additionally, it becomes clear that social conflict in Medellín is a multi-scalar process. The ways in which political and social tensions have been experienced in the city—and their correlates in the production of urban spaces—are fundamentally shaped by the nature and structure of the urban territories (and their geographies) where conflict materializes (and dialectically, territories are shaped by different forms of violence and conflict). In visual narratives, stories (or topics) unfold at these multiple sites of urban conflict. These topics are representations built on dichotomies like inclusion/exclusion, center/periphery, and masculine/feminine, depicting Medellín as an ill city, an urban collection of geographies that suffer from an illness of which drug trafficking is its main cause and violence its main symptom. Illness (dpeaa)DE-He213 Body (dpeaa)DE-He213 Territory (dpeaa)DE-He213 Production of space (dpeaa)DE-He213 Conflict (dpeaa)DE-He213 Inequality (dpeaa)DE-He213 Romero Sánchez, Susana verfasserin aut Enthalten in International journal for the semiotics of law Dordrecht [u.a.] : Springer Science + Business Media B.V, 1988 32(2019), 3 vom: 21. Mai, Seite 731-752 (DE-627)320530868 (DE-600)2015745-9 1572-8722 nnns volume:32 year:2019 number:3 day:21 month:05 pages:731-752 https://dx.doi.org/10.1007/s11196-019-09624-5 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER SSG-OLC-PHA SSG-OPC-ANG SSG-OPC-ASE GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_184 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 17.00 ASE 86.00 ASE AR 32 2019 3 21 05 731-752 |
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10.1007/s11196-019-09624-5 doi (DE-627)SPR017639956 (SPR)s11196-019-09624-5-e DE-627 ger DE-627 rakwb eng 400 ASE 17.00 bkl 86.00 bkl Romero Sánchez, Adriana verfasserin aut Medellín: Body and Territory 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Medellín has been a privileged subject in Colombian cinema. In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and segregation, as well as to struggles over the control of the urban territory and its correlates expressed on female and male bodies. By drawing on emotional geography, this article examines these films to explain how Medellín is constructed visually and discursively to elaborate stories based on segregation, exclusion along race and class, and the armed conflict that Colombia has experienced in its recent history, a conflict of which Medellín has been a battleground. Additionally, it becomes clear that social conflict in Medellín is a multi-scalar process. The ways in which political and social tensions have been experienced in the city—and their correlates in the production of urban spaces—are fundamentally shaped by the nature and structure of the urban territories (and their geographies) where conflict materializes (and dialectically, territories are shaped by different forms of violence and conflict). In visual narratives, stories (or topics) unfold at these multiple sites of urban conflict. These topics are representations built on dichotomies like inclusion/exclusion, center/periphery, and masculine/feminine, depicting Medellín as an ill city, an urban collection of geographies that suffer from an illness of which drug trafficking is its main cause and violence its main symptom. Illness (dpeaa)DE-He213 Body (dpeaa)DE-He213 Territory (dpeaa)DE-He213 Production of space (dpeaa)DE-He213 Conflict (dpeaa)DE-He213 Inequality (dpeaa)DE-He213 Romero Sánchez, Susana verfasserin aut Enthalten in International journal for the semiotics of law Dordrecht [u.a.] : Springer Science + Business Media B.V, 1988 32(2019), 3 vom: 21. Mai, Seite 731-752 (DE-627)320530868 (DE-600)2015745-9 1572-8722 nnns volume:32 year:2019 number:3 day:21 month:05 pages:731-752 https://dx.doi.org/10.1007/s11196-019-09624-5 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER SSG-OLC-PHA SSG-OPC-ANG SSG-OPC-ASE GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_184 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 17.00 ASE 86.00 ASE AR 32 2019 3 21 05 731-752 |
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10.1007/s11196-019-09624-5 doi (DE-627)SPR017639956 (SPR)s11196-019-09624-5-e DE-627 ger DE-627 rakwb eng 400 ASE 17.00 bkl 86.00 bkl Romero Sánchez, Adriana verfasserin aut Medellín: Body and Territory 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Medellín has been a privileged subject in Colombian cinema. In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and segregation, as well as to struggles over the control of the urban territory and its correlates expressed on female and male bodies. By drawing on emotional geography, this article examines these films to explain how Medellín is constructed visually and discursively to elaborate stories based on segregation, exclusion along race and class, and the armed conflict that Colombia has experienced in its recent history, a conflict of which Medellín has been a battleground. Additionally, it becomes clear that social conflict in Medellín is a multi-scalar process. The ways in which political and social tensions have been experienced in the city—and their correlates in the production of urban spaces—are fundamentally shaped by the nature and structure of the urban territories (and their geographies) where conflict materializes (and dialectically, territories are shaped by different forms of violence and conflict). In visual narratives, stories (or topics) unfold at these multiple sites of urban conflict. These topics are representations built on dichotomies like inclusion/exclusion, center/periphery, and masculine/feminine, depicting Medellín as an ill city, an urban collection of geographies that suffer from an illness of which drug trafficking is its main cause and violence its main symptom. Illness (dpeaa)DE-He213 Body (dpeaa)DE-He213 Territory (dpeaa)DE-He213 Production of space (dpeaa)DE-He213 Conflict (dpeaa)DE-He213 Inequality (dpeaa)DE-He213 Romero Sánchez, Susana verfasserin aut Enthalten in International journal for the semiotics of law Dordrecht [u.a.] : Springer Science + Business Media B.V, 1988 32(2019), 3 vom: 21. Mai, Seite 731-752 (DE-627)320530868 (DE-600)2015745-9 1572-8722 nnns volume:32 year:2019 number:3 day:21 month:05 pages:731-752 https://dx.doi.org/10.1007/s11196-019-09624-5 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER SSG-OLC-PHA SSG-OPC-ANG SSG-OPC-ASE GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_184 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 17.00 ASE 86.00 ASE AR 32 2019 3 21 05 731-752 |
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10.1007/s11196-019-09624-5 doi (DE-627)SPR017639956 (SPR)s11196-019-09624-5-e DE-627 ger DE-627 rakwb eng 400 ASE 17.00 bkl 86.00 bkl Romero Sánchez, Adriana verfasserin aut Medellín: Body and Territory 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Medellín has been a privileged subject in Colombian cinema. In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and segregation, as well as to struggles over the control of the urban territory and its correlates expressed on female and male bodies. By drawing on emotional geography, this article examines these films to explain how Medellín is constructed visually and discursively to elaborate stories based on segregation, exclusion along race and class, and the armed conflict that Colombia has experienced in its recent history, a conflict of which Medellín has been a battleground. Additionally, it becomes clear that social conflict in Medellín is a multi-scalar process. The ways in which political and social tensions have been experienced in the city—and their correlates in the production of urban spaces—are fundamentally shaped by the nature and structure of the urban territories (and their geographies) where conflict materializes (and dialectically, territories are shaped by different forms of violence and conflict). In visual narratives, stories (or topics) unfold at these multiple sites of urban conflict. These topics are representations built on dichotomies like inclusion/exclusion, center/periphery, and masculine/feminine, depicting Medellín as an ill city, an urban collection of geographies that suffer from an illness of which drug trafficking is its main cause and violence its main symptom. Illness (dpeaa)DE-He213 Body (dpeaa)DE-He213 Territory (dpeaa)DE-He213 Production of space (dpeaa)DE-He213 Conflict (dpeaa)DE-He213 Inequality (dpeaa)DE-He213 Romero Sánchez, Susana verfasserin aut Enthalten in International journal for the semiotics of law Dordrecht [u.a.] : Springer Science + Business Media B.V, 1988 32(2019), 3 vom: 21. Mai, Seite 731-752 (DE-627)320530868 (DE-600)2015745-9 1572-8722 nnns volume:32 year:2019 number:3 day:21 month:05 pages:731-752 https://dx.doi.org/10.1007/s11196-019-09624-5 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER SSG-OLC-PHA SSG-OPC-ANG SSG-OPC-ASE GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_184 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2070 GBV_ILN_2086 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 17.00 ASE 86.00 ASE AR 32 2019 3 21 05 731-752 |
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In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and segregation, as well as to struggles over the control of the urban territory and its correlates expressed on female and male bodies. By drawing on emotional geography, this article examines these films to explain how Medellín is constructed visually and discursively to elaborate stories based on segregation, exclusion along race and class, and the armed conflict that Colombia has experienced in its recent history, a conflict of which Medellín has been a battleground. Additionally, it becomes clear that social conflict in Medellín is a multi-scalar process. The ways in which political and social tensions have been experienced in the city—and their correlates in the production of urban spaces—are fundamentally shaped by the nature and structure of the urban territories (and their geographies) where conflict materializes (and dialectically, territories are shaped by different forms of violence and conflict). In visual narratives, stories (or topics) unfold at these multiple sites of urban conflict. These topics are representations built on dichotomies like inclusion/exclusion, center/periphery, and masculine/feminine, depicting Medellín as an ill city, an urban collection of geographies that suffer from an illness of which drug trafficking is its main cause and violence its main symptom.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Illness</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Body</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Territory</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Production of space</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Conflict</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Inequality</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Romero Sánchez, Susana</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="t">International journal for the semiotics of law</subfield><subfield code="d">Dordrecht [u.a.] : Springer Science + Business Media B.V, 1988</subfield><subfield code="g">32(2019), 3 vom: 21. 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|
author |
Romero Sánchez, Adriana |
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Romero Sánchez, Adriana ddc 400 bkl 17.00 bkl 86.00 misc Illness misc Body misc Territory misc Production of space misc Conflict misc Inequality Medellín: Body and Territory |
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400 ASE 17.00 bkl 86.00 bkl Medellín: Body and Territory Illness (dpeaa)DE-He213 Body (dpeaa)DE-He213 Territory (dpeaa)DE-He213 Production of space (dpeaa)DE-He213 Conflict (dpeaa)DE-He213 Inequality (dpeaa)DE-He213 |
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Medellín: Body and Territory |
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Romero Sánchez, Adriana Romero Sánchez, Susana |
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medellín: body and territory |
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Medellín: Body and Territory |
abstract |
Abstract Medellín has been a privileged subject in Colombian cinema. In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and segregation, as well as to struggles over the control of the urban territory and its correlates expressed on female and male bodies. By drawing on emotional geography, this article examines these films to explain how Medellín is constructed visually and discursively to elaborate stories based on segregation, exclusion along race and class, and the armed conflict that Colombia has experienced in its recent history, a conflict of which Medellín has been a battleground. Additionally, it becomes clear that social conflict in Medellín is a multi-scalar process. The ways in which political and social tensions have been experienced in the city—and their correlates in the production of urban spaces—are fundamentally shaped by the nature and structure of the urban territories (and their geographies) where conflict materializes (and dialectically, territories are shaped by different forms of violence and conflict). In visual narratives, stories (or topics) unfold at these multiple sites of urban conflict. These topics are representations built on dichotomies like inclusion/exclusion, center/periphery, and masculine/feminine, depicting Medellín as an ill city, an urban collection of geographies that suffer from an illness of which drug trafficking is its main cause and violence its main symptom. |
abstractGer |
Abstract Medellín has been a privileged subject in Colombian cinema. In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and segregation, as well as to struggles over the control of the urban territory and its correlates expressed on female and male bodies. By drawing on emotional geography, this article examines these films to explain how Medellín is constructed visually and discursively to elaborate stories based on segregation, exclusion along race and class, and the armed conflict that Colombia has experienced in its recent history, a conflict of which Medellín has been a battleground. Additionally, it becomes clear that social conflict in Medellín is a multi-scalar process. The ways in which political and social tensions have been experienced in the city—and their correlates in the production of urban spaces—are fundamentally shaped by the nature and structure of the urban territories (and their geographies) where conflict materializes (and dialectically, territories are shaped by different forms of violence and conflict). In visual narratives, stories (or topics) unfold at these multiple sites of urban conflict. These topics are representations built on dichotomies like inclusion/exclusion, center/periphery, and masculine/feminine, depicting Medellín as an ill city, an urban collection of geographies that suffer from an illness of which drug trafficking is its main cause and violence its main symptom. |
abstract_unstemmed |
Abstract Medellín has been a privileged subject in Colombian cinema. In films whose stories take place in Medellín and movies' plots that revolve around the production of Medellín’s space, themes like social exclusion and violence become representational elements associated to marginality and segregation, as well as to struggles over the control of the urban territory and its correlates expressed on female and male bodies. By drawing on emotional geography, this article examines these films to explain how Medellín is constructed visually and discursively to elaborate stories based on segregation, exclusion along race and class, and the armed conflict that Colombia has experienced in its recent history, a conflict of which Medellín has been a battleground. Additionally, it becomes clear that social conflict in Medellín is a multi-scalar process. The ways in which political and social tensions have been experienced in the city—and their correlates in the production of urban spaces—are fundamentally shaped by the nature and structure of the urban territories (and their geographies) where conflict materializes (and dialectically, territories are shaped by different forms of violence and conflict). In visual narratives, stories (or topics) unfold at these multiple sites of urban conflict. These topics are representations built on dichotomies like inclusion/exclusion, center/periphery, and masculine/feminine, depicting Medellín as an ill city, an urban collection of geographies that suffer from an illness of which drug trafficking is its main cause and violence its main symptom. |
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container_issue |
3 |
title_short |
Medellín: Body and Territory |
url |
https://dx.doi.org/10.1007/s11196-019-09624-5 |
remote_bool |
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author2 |
Romero Sánchez, Susana |
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Romero Sánchez, Susana |
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doi_str |
10.1007/s11196-019-09624-5 |
up_date |
2024-07-03T14:12:45.923Z |
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score |
7.401613 |