Chopin’s deadly awakening—An analysis of the women characters in The Awakening

Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Wu, Xueling [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2010

Schlagwörter:	feminism female independence death

Übergeordnetes Werk:	Enthalten in: Frontiers of literary studies in China - Beijing : Higher Education Press, 2007, 4(2010), 2 vom: 22. Mai, Seite 283-297
Übergeordnetes Werk:	volume:4 ; year:2010 ; number:2 ; day:22 ; month:05 ; pages:283-297

Links:	Volltext

DOI / URN:	10.1007/s11702-010-0013-x

Katalog-ID:	SPR021929173

Internformat


LEADER	01000caa a22002652 4500
001	SPR021929173
003	DE-627
005	20220111090243.0
007	cr uuu---uuuuu
008	201006s2010 xx \|\|\|\|\|o 00\| \|\|eng c
024	7		\|a 10.1007/s11702-010-0013-x \|2 doi
035			\|a (DE-627)SPR021929173
035			\|a (SPR)s11702-010-0013-x-e
040			\|a DE-627 \|b ger \|c DE-627 \|e rakwb
041			\|a eng
082	0	4	\|a 890 \|q ASE
100	1		\|a Wu, Xueling \|e verfasserin \|4 aut
245	1	0	\|a Chopin’s deadly awakening—An analysis of the women characters in The Awakening
264		1	\|c 2010
336			\|a Text \|b txt \|2 rdacontent
337			\|a Computermedien \|b c \|2 rdamedia
338			\|a Online-Ressource \|b cr \|2 rdacarrier
520			\|a Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel.
650		4	\|a feminism \|7 (dpeaa)DE-He213
650		4	\|a female \|7 (dpeaa)DE-He213
650		4	\|a independence \|7 (dpeaa)DE-He213
650		4	\|a death \|7 (dpeaa)DE-He213
773	0	8	\|i Enthalten in \|t Frontiers of literary studies in China \|d Beijing : Higher Education Press, 2007 \|g 4(2010), 2 vom: 22. Mai, Seite 283-297 \|w (DE-627)546007759 \|w (DE-600)2389479-9 \|x 1673-7423 \|7 nnns
773	1	8	\|g volume:4 \|g year:2010 \|g number:2 \|g day:22 \|g month:05 \|g pages:283-297
856	4	0	\|u https://dx.doi.org/10.1007/s11702-010-0013-x \|z lizenzpflichtig \|3 Volltext
912			\|a GBV_USEFLAG_A
912			\|a SYSFLAG_A
912			\|a GBV_SPRINGER
912			\|a GBV_ILN_11
912			\|a GBV_ILN_31
912			\|a GBV_ILN_90
912			\|a GBV_ILN_285
912			\|a GBV_ILN_702
912			\|a GBV_ILN_1200
912			\|a GBV_ILN_2001
912			\|a GBV_ILN_2003
912			\|a GBV_ILN_2005
912			\|a GBV_ILN_2006
912			\|a GBV_ILN_2007
912			\|a GBV_ILN_2190
912			\|a GBV_ILN_4035
951			\|a AR
952			\|d 4 \|j 2010 \|e 2 \|b 22 \|c 05 \|h 283-297

Indexfelder

author_variant	x w xw
matchkey_str	article:16737423:2010----::hpndalaaeignnlssfhwmnhrc
hierarchy_sort_str	2010
publishDate	2010
allfields	10.1007/s11702-010-0013-x doi (DE-627)SPR021929173 (SPR)s11702-010-0013-x-e DE-627 ger DE-627 rakwb eng 890 ASE Wu, Xueling verfasserin aut Chopin’s deadly awakening—An analysis of the women characters in The Awakening 2010 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. feminism (dpeaa)DE-He213 female (dpeaa)DE-He213 independence (dpeaa)DE-He213 death (dpeaa)DE-He213 Enthalten in Frontiers of literary studies in China Beijing : Higher Education Press, 2007 4(2010), 2 vom: 22. Mai, Seite 283-297 (DE-627)546007759 (DE-600)2389479-9 1673-7423 nnns volume:4 year:2010 number:2 day:22 month:05 pages:283-297 https://dx.doi.org/10.1007/s11702-010-0013-x lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_31 GBV_ILN_90 GBV_ILN_285 GBV_ILN_702 GBV_ILN_1200 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2190 GBV_ILN_4035 AR 4 2010 2 22 05 283-297
spelling	10.1007/s11702-010-0013-x doi (DE-627)SPR021929173 (SPR)s11702-010-0013-x-e DE-627 ger DE-627 rakwb eng 890 ASE Wu, Xueling verfasserin aut Chopin’s deadly awakening—An analysis of the women characters in The Awakening 2010 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. feminism (dpeaa)DE-He213 female (dpeaa)DE-He213 independence (dpeaa)DE-He213 death (dpeaa)DE-He213 Enthalten in Frontiers of literary studies in China Beijing : Higher Education Press, 2007 4(2010), 2 vom: 22. Mai, Seite 283-297 (DE-627)546007759 (DE-600)2389479-9 1673-7423 nnns volume:4 year:2010 number:2 day:22 month:05 pages:283-297 https://dx.doi.org/10.1007/s11702-010-0013-x lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_31 GBV_ILN_90 GBV_ILN_285 GBV_ILN_702 GBV_ILN_1200 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2190 GBV_ILN_4035 AR 4 2010 2 22 05 283-297
allfields_unstemmed	10.1007/s11702-010-0013-x doi (DE-627)SPR021929173 (SPR)s11702-010-0013-x-e DE-627 ger DE-627 rakwb eng 890 ASE Wu, Xueling verfasserin aut Chopin’s deadly awakening—An analysis of the women characters in The Awakening 2010 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. feminism (dpeaa)DE-He213 female (dpeaa)DE-He213 independence (dpeaa)DE-He213 death (dpeaa)DE-He213 Enthalten in Frontiers of literary studies in China Beijing : Higher Education Press, 2007 4(2010), 2 vom: 22. Mai, Seite 283-297 (DE-627)546007759 (DE-600)2389479-9 1673-7423 nnns volume:4 year:2010 number:2 day:22 month:05 pages:283-297 https://dx.doi.org/10.1007/s11702-010-0013-x lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_31 GBV_ILN_90 GBV_ILN_285 GBV_ILN_702 GBV_ILN_1200 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2190 GBV_ILN_4035 AR 4 2010 2 22 05 283-297
allfieldsGer	10.1007/s11702-010-0013-x doi (DE-627)SPR021929173 (SPR)s11702-010-0013-x-e DE-627 ger DE-627 rakwb eng 890 ASE Wu, Xueling verfasserin aut Chopin’s deadly awakening—An analysis of the women characters in The Awakening 2010 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. feminism (dpeaa)DE-He213 female (dpeaa)DE-He213 independence (dpeaa)DE-He213 death (dpeaa)DE-He213 Enthalten in Frontiers of literary studies in China Beijing : Higher Education Press, 2007 4(2010), 2 vom: 22. Mai, Seite 283-297 (DE-627)546007759 (DE-600)2389479-9 1673-7423 nnns volume:4 year:2010 number:2 day:22 month:05 pages:283-297 https://dx.doi.org/10.1007/s11702-010-0013-x lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_31 GBV_ILN_90 GBV_ILN_285 GBV_ILN_702 GBV_ILN_1200 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2190 GBV_ILN_4035 AR 4 2010 2 22 05 283-297
allfieldsSound	10.1007/s11702-010-0013-x doi (DE-627)SPR021929173 (SPR)s11702-010-0013-x-e DE-627 ger DE-627 rakwb eng 890 ASE Wu, Xueling verfasserin aut Chopin’s deadly awakening—An analysis of the women characters in The Awakening 2010 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. feminism (dpeaa)DE-He213 female (dpeaa)DE-He213 independence (dpeaa)DE-He213 death (dpeaa)DE-He213 Enthalten in Frontiers of literary studies in China Beijing : Higher Education Press, 2007 4(2010), 2 vom: 22. Mai, Seite 283-297 (DE-627)546007759 (DE-600)2389479-9 1673-7423 nnns volume:4 year:2010 number:2 day:22 month:05 pages:283-297 https://dx.doi.org/10.1007/s11702-010-0013-x lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_31 GBV_ILN_90 GBV_ILN_285 GBV_ILN_702 GBV_ILN_1200 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2190 GBV_ILN_4035 AR 4 2010 2 22 05 283-297
language	English
source	Enthalten in Frontiers of literary studies in China 4(2010), 2 vom: 22. Mai, Seite 283-297 volume:4 year:2010 number:2 day:22 month:05 pages:283-297
sourceStr	Enthalten in Frontiers of literary studies in China 4(2010), 2 vom: 22. Mai, Seite 283-297 volume:4 year:2010 number:2 day:22 month:05 pages:283-297
format_phy_str_mv	Article
institution	findex.gbv.de
topic_facet	feminism female independence death
dewey-raw	890
isfreeaccess_bool	false
container_title	Frontiers of literary studies in China
authorswithroles_txt_mv	Wu, Xueling @@aut@@
publishDateDaySort_date	2010-05-22T00:00:00Z
hierarchy_top_id	546007759
dewey-sort	3890
id	SPR021929173
language_de	englisch
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">SPR021929173</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20220111090243.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">201006s2010 xx \|\|\|\|\|o 00\| \|\|eng c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1007/s11702-010-0013-x</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)SPR021929173</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(SPR)s11702-010-0013-x-e</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">890</subfield><subfield code="q">ASE</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wu, Xueling</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Chopin’s deadly awakening—An analysis of the women characters in The Awakening</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2010</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">feminism</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">female</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">independence</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">death</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="t">Frontiers of literary studies in China</subfield><subfield code="d">Beijing : Higher Education Press, 2007</subfield><subfield code="g">4(2010), 2 vom: 22. Mai, Seite 283-297</subfield><subfield code="w">(DE-627)546007759</subfield><subfield code="w">(DE-600)2389479-9</subfield><subfield code="x">1673-7423</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:4</subfield><subfield code="g">year:2010</subfield><subfield code="g">number:2</subfield><subfield code="g">day:22</subfield><subfield code="g">month:05</subfield><subfield code="g">pages:283-297</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://dx.doi.org/10.1007/s11702-010-0013-x</subfield><subfield code="z">lizenzpflichtig</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_SPRINGER</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_31</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_90</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_285</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_702</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_1200</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2001</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2003</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2005</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2006</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2007</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2190</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4035</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">4</subfield><subfield code="j">2010</subfield><subfield code="e">2</subfield><subfield code="b">22</subfield><subfield code="c">05</subfield><subfield code="h">283-297</subfield></datafield></record></collection>
author	Wu, Xueling
spellingShingle	Wu, Xueling ddc 890 misc feminism misc female misc independence misc death Chopin’s deadly awakening—An analysis of the women characters in The Awakening
authorStr	Wu, Xueling
ppnlink_with_tag_str_mv	@@773@@(DE-627)546007759
format	electronic Article
dewey-ones	890 - Literatures of other languages
delete_txt_mv	keep
author_role	aut
collection	springer
remote_str	true
illustrated	Not Illustrated
issn	1673-7423
topic_title	890 ASE Chopin’s deadly awakening—An analysis of the women characters in The Awakening feminism (dpeaa)DE-He213 female (dpeaa)DE-He213 independence (dpeaa)DE-He213 death (dpeaa)DE-He213
topic	ddc 890 misc feminism misc female misc independence misc death
topic_unstemmed	ddc 890 misc feminism misc female misc independence misc death
topic_browse	ddc 890 misc feminism misc female misc independence misc death
format_facet	Elektronische Aufsätze Aufsätze Elektronische Ressource
format_main_str_mv	Text Zeitschrift/Artikel
carriertype_str_mv	cr
hierarchy_parent_title	Frontiers of literary studies in China
hierarchy_parent_id	546007759
dewey-tens	890 - Other literatures
hierarchy_top_title	Frontiers of literary studies in China
isfreeaccess_txt	false
familylinks_str_mv	(DE-627)546007759 (DE-600)2389479-9
title	Chopin’s deadly awakening—An analysis of the women characters in The Awakening
ctrlnum	(DE-627)SPR021929173 (SPR)s11702-010-0013-x-e
title_full	Chopin’s deadly awakening—An analysis of the women characters in The Awakening
author_sort	Wu, Xueling
journal	Frontiers of literary studies in China
journalStr	Frontiers of literary studies in China
lang_code	eng
isOA_bool	false
dewey-hundreds	800 - Literature
recordtype	marc
publishDateSort	2010
contenttype_str_mv	txt
container_start_page	283
author_browse	Wu, Xueling
container_volume	4
class	890 ASE
format_se	Elektronische Aufsätze
author-letter	Wu, Xueling
doi_str_mv	10.1007/s11702-010-0013-x
dewey-full	890
title_sort	chopin’s deadly awakening—an analysis of the women characters in the awakening
title_auth	Chopin’s deadly awakening—An analysis of the women characters in The Awakening
abstract	Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel.
abstractGer	Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel.
abstract_unstemmed	Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel.
collection_details	GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_31 GBV_ILN_90 GBV_ILN_285 GBV_ILN_702 GBV_ILN_1200 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2190 GBV_ILN_4035
container_issue	2
title_short	Chopin’s deadly awakening—An analysis of the women characters in The Awakening
url	https://dx.doi.org/10.1007/s11702-010-0013-x
remote_bool	true
ppnlink	546007759
mediatype_str_mv	c
isOA_txt	false
hochschulschrift_bool	false
doi_str	10.1007/s11702-010-0013-x
up_date	2024-07-04T01:04:15.752Z
_version_	1803608450142306304
fullrecord_marcxml	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">SPR021929173</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20220111090243.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">201006s2010 xx \|\|\|\|\|o 00\| \|\|eng c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1007/s11702-010-0013-x</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)SPR021929173</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(SPR)s11702-010-0013-x-e</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">890</subfield><subfield code="q">ASE</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wu, Xueling</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Chopin’s deadly awakening—An analysis of the women characters in The Awakening</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2010</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Abstract Chopin gives us answer through her treatment with the three women characters in The Awakening. Like a new-born child, Edna begins to explore her real identity in the new world after she awakens from a long sleep. She does not realize that she has no power to motivate man to help her achieve her dream. The other female character worth mentioning is Adele—a seemingly perfect woman in that society. The next female character is Mademoiselle Reisz. She is an independent artist-woman. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel. All of the three women just reflect Chopin’s awakening of women’s social identity and her confusion with the choice of life. That is also why Chopin just leaves us an open ending in this novel.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">feminism</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">female</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">independence</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">death</subfield><subfield code="7">(dpeaa)DE-He213</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Enthalten in</subfield><subfield code="t">Frontiers of literary studies in China</subfield><subfield code="d">Beijing : Higher Education Press, 2007</subfield><subfield code="g">4(2010), 2 vom: 22. Mai, Seite 283-297</subfield><subfield code="w">(DE-627)546007759</subfield><subfield code="w">(DE-600)2389479-9</subfield><subfield code="x">1673-7423</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:4</subfield><subfield code="g">year:2010</subfield><subfield code="g">number:2</subfield><subfield code="g">day:22</subfield><subfield code="g">month:05</subfield><subfield code="g">pages:283-297</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://dx.doi.org/10.1007/s11702-010-0013-x</subfield><subfield code="z">lizenzpflichtig</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_SPRINGER</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_31</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_90</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_285</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_702</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_1200</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2001</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2003</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2005</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2006</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2007</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2190</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4035</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">4</subfield><subfield code="j">2010</subfield><subfield code="e">2</subfield><subfield code="b">22</subfield><subfield code="c">05</subfield><subfield code="h">283-297</subfield></datafield></record></collection>
score	7.3995314

Nicht das Richtige dabei?

Schreiben Sie uns!

Chopin’s deadly awakening—An analysis of the women characters in The Awakening

Nicht das Richtige dabei?

Zugang & Verfügbarkeit

Vorhandene Bände

Nicht das Richtige dabei?