Urban Space, Representation, and Artifice

Abstract This article offers a semiotic approach to modes of representation and organization of urban space. With point of departure in the art historian Donald Preziosi’s account of art history as episteme of modernity, the aim is to characterise codes that regulate the representations of urban spa...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Allingham, Peter [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2008

Schlagwörter:	Representation Pantography Autography Artifice Aesthetics

Übergeordnetes Werk:	Enthalten in: Knowledge, technology and policy - Piscataway, NJ : Transaction Publ., 1998, 21(2008), 4 vom: 04. Nov., Seite 163-174
Übergeordnetes Werk:	volume:21 ; year:2008 ; number:4 ; day:04 ; month:11 ; pages:163-174

Links:	Volltext

DOI / URN:	10.1007/s12130-008-9061-9

Katalog-ID:	SPR024435694

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spelling	10.1007/s12130-008-9061-9 doi (DE-627)SPR024435694 (SPR)s12130-008-9061-9-e DE-627 ger DE-627 rakwb eng 300 ASE 05.20 bkl 50.04 bkl 71.43 bkl Allingham, Peter verfasserin aut Urban Space, Representation, and Artifice 2008 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract This article offers a semiotic approach to modes of representation and organization of urban space. With point of departure in the art historian Donald Preziosi’s account of art history as episteme of modernity, the aim is to characterise codes that regulate the representations of urban space in a development from modernity towards a post- or hypermodern condition. In order to understand especially developments in aesthetic representation, Roman Jakobson’s semiotic mode of “artifice” is reintroduced. It seems that the application of this semiotic mode is highly relevant to the understanding of aesthetic representation in general but also and especially to the understanding of the aesthetics of three-dimensional artefacts. The article concludes with a tentative matrix of urban spatial trends and a perspective to the impact of changes in communications technology on the developments of urban space. Although the article has a theoretical scope, it refers to a number of examples from and observations in the urban environment. Representation (dpeaa)DE-He213 Pantography (dpeaa)DE-He213 Autography (dpeaa)DE-He213 Artifice (dpeaa)DE-He213 Aesthetics (dpeaa)DE-He213 Enthalten in Knowledge, technology and policy Piscataway, NJ : Transaction Publ., 1998 21(2008), 4 vom: 04. Nov., Seite 163-174 (DE-627)324533993 (DE-600)2028456-1 1874-6314 nnns volume:21 year:2008 number:4 day:04 month:11 pages:163-174 https://dx.doi.org/10.1007/s12130-008-9061-9 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_40 GBV_ILN_63 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_110 GBV_ILN_120 GBV_ILN_150 GBV_ILN_161 GBV_ILN_187 GBV_ILN_213 GBV_ILN_230 GBV_ILN_293 GBV_ILN_702 GBV_ILN_2005 GBV_ILN_2190 GBV_ILN_2522 GBV_ILN_4012 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4305 GBV_ILN_4307 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4333 GBV_ILN_4338 05.20 ASE 50.04 ASE 71.43 ASE AR 21 2008 4 04 11 163-174
allfields_unstemmed	10.1007/s12130-008-9061-9 doi (DE-627)SPR024435694 (SPR)s12130-008-9061-9-e DE-627 ger DE-627 rakwb eng 300 ASE 05.20 bkl 50.04 bkl 71.43 bkl Allingham, Peter verfasserin aut Urban Space, Representation, and Artifice 2008 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract This article offers a semiotic approach to modes of representation and organization of urban space. With point of departure in the art historian Donald Preziosi’s account of art history as episteme of modernity, the aim is to characterise codes that regulate the representations of urban space in a development from modernity towards a post- or hypermodern condition. In order to understand especially developments in aesthetic representation, Roman Jakobson’s semiotic mode of “artifice” is reintroduced. It seems that the application of this semiotic mode is highly relevant to the understanding of aesthetic representation in general but also and especially to the understanding of the aesthetics of three-dimensional artefacts. The article concludes with a tentative matrix of urban spatial trends and a perspective to the impact of changes in communications technology on the developments of urban space. Although the article has a theoretical scope, it refers to a number of examples from and observations in the urban environment. Representation (dpeaa)DE-He213 Pantography (dpeaa)DE-He213 Autography (dpeaa)DE-He213 Artifice (dpeaa)DE-He213 Aesthetics (dpeaa)DE-He213 Enthalten in Knowledge, technology and policy Piscataway, NJ : Transaction Publ., 1998 21(2008), 4 vom: 04. Nov., Seite 163-174 (DE-627)324533993 (DE-600)2028456-1 1874-6314 nnns volume:21 year:2008 number:4 day:04 month:11 pages:163-174 https://dx.doi.org/10.1007/s12130-008-9061-9 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_40 GBV_ILN_63 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_110 GBV_ILN_120 GBV_ILN_150 GBV_ILN_161 GBV_ILN_187 GBV_ILN_213 GBV_ILN_230 GBV_ILN_293 GBV_ILN_702 GBV_ILN_2005 GBV_ILN_2190 GBV_ILN_2522 GBV_ILN_4012 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4305 GBV_ILN_4307 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4333 GBV_ILN_4338 05.20 ASE 50.04 ASE 71.43 ASE AR 21 2008 4 04 11 163-174
allfieldsGer	10.1007/s12130-008-9061-9 doi (DE-627)SPR024435694 (SPR)s12130-008-9061-9-e DE-627 ger DE-627 rakwb eng 300 ASE 05.20 bkl 50.04 bkl 71.43 bkl Allingham, Peter verfasserin aut Urban Space, Representation, and Artifice 2008 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract This article offers a semiotic approach to modes of representation and organization of urban space. With point of departure in the art historian Donald Preziosi’s account of art history as episteme of modernity, the aim is to characterise codes that regulate the representations of urban space in a development from modernity towards a post- or hypermodern condition. In order to understand especially developments in aesthetic representation, Roman Jakobson’s semiotic mode of “artifice” is reintroduced. It seems that the application of this semiotic mode is highly relevant to the understanding of aesthetic representation in general but also and especially to the understanding of the aesthetics of three-dimensional artefacts. The article concludes with a tentative matrix of urban spatial trends and a perspective to the impact of changes in communications technology on the developments of urban space. Although the article has a theoretical scope, it refers to a number of examples from and observations in the urban environment. Representation (dpeaa)DE-He213 Pantography (dpeaa)DE-He213 Autography (dpeaa)DE-He213 Artifice (dpeaa)DE-He213 Aesthetics (dpeaa)DE-He213 Enthalten in Knowledge, technology and policy Piscataway, NJ : Transaction Publ., 1998 21(2008), 4 vom: 04. Nov., Seite 163-174 (DE-627)324533993 (DE-600)2028456-1 1874-6314 nnns volume:21 year:2008 number:4 day:04 month:11 pages:163-174 https://dx.doi.org/10.1007/s12130-008-9061-9 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_40 GBV_ILN_63 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_110 GBV_ILN_120 GBV_ILN_150 GBV_ILN_161 GBV_ILN_187 GBV_ILN_213 GBV_ILN_230 GBV_ILN_293 GBV_ILN_702 GBV_ILN_2005 GBV_ILN_2190 GBV_ILN_2522 GBV_ILN_4012 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4305 GBV_ILN_4307 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4333 GBV_ILN_4338 05.20 ASE 50.04 ASE 71.43 ASE AR 21 2008 4 04 11 163-174
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author	Allingham, Peter
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title	Urban Space, Representation, and Artifice
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title_sort	urban space, representation, and artifice
title_auth	Urban Space, Representation, and Artifice
abstract	Abstract This article offers a semiotic approach to modes of representation and organization of urban space. With point of departure in the art historian Donald Preziosi’s account of art history as episteme of modernity, the aim is to characterise codes that regulate the representations of urban space in a development from modernity towards a post- or hypermodern condition. In order to understand especially developments in aesthetic representation, Roman Jakobson’s semiotic mode of “artifice” is reintroduced. It seems that the application of this semiotic mode is highly relevant to the understanding of aesthetic representation in general but also and especially to the understanding of the aesthetics of three-dimensional artefacts. The article concludes with a tentative matrix of urban spatial trends and a perspective to the impact of changes in communications technology on the developments of urban space. Although the article has a theoretical scope, it refers to a number of examples from and observations in the urban environment.
abstractGer	Abstract This article offers a semiotic approach to modes of representation and organization of urban space. With point of departure in the art historian Donald Preziosi’s account of art history as episteme of modernity, the aim is to characterise codes that regulate the representations of urban space in a development from modernity towards a post- or hypermodern condition. In order to understand especially developments in aesthetic representation, Roman Jakobson’s semiotic mode of “artifice” is reintroduced. It seems that the application of this semiotic mode is highly relevant to the understanding of aesthetic representation in general but also and especially to the understanding of the aesthetics of three-dimensional artefacts. The article concludes with a tentative matrix of urban spatial trends and a perspective to the impact of changes in communications technology on the developments of urban space. Although the article has a theoretical scope, it refers to a number of examples from and observations in the urban environment.
abstract_unstemmed	Abstract This article offers a semiotic approach to modes of representation and organization of urban space. With point of departure in the art historian Donald Preziosi’s account of art history as episteme of modernity, the aim is to characterise codes that regulate the representations of urban space in a development from modernity towards a post- or hypermodern condition. In order to understand especially developments in aesthetic representation, Roman Jakobson’s semiotic mode of “artifice” is reintroduced. It seems that the application of this semiotic mode is highly relevant to the understanding of aesthetic representation in general but also and especially to the understanding of the aesthetics of three-dimensional artefacts. The article concludes with a tentative matrix of urban spatial trends and a perspective to the impact of changes in communications technology on the developments of urban space. Although the article has a theoretical scope, it refers to a number of examples from and observations in the urban environment.
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title_short	Urban Space, Representation, and Artifice
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