“Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades
Abstract Although a great deal has been written about the British “soldier poets” of the First World War, critics have all but ignored the possibility that the classical tradition might be an important source of imagery and content for those poets. This article argues that, despite this critical sil...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Vandiver, Elizabeth [verfasserIn] |
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| Format: |
E-Artikel |
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| Sprache: |
Englisch |
| Erschienen: |
1999 |
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| Schlagwörter: |
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| Übergeordnetes Werk: |
Enthalten in: International journal of the classical tradition - Dordrecht : Springer, 1994, 5(1999), 3 vom: 01. März |
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| Übergeordnetes Werk: |
volume:5 ; year:1999 ; number:3 ; day:01 ; month:03 |
| Links: |
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| DOI / URN: |
10.1007/BF02687696 |
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| Katalog-ID: |
SPR024454834 |
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| 520 | |a Abstract Although a great deal has been written about the British “soldier poets” of the First World War, critics have all but ignored the possibility that the classical tradition might be an important source of imagery and content for those poets. This article argues that, despite this critical silence, the classical tradition is in fact a crucial element in the formation of Great War poetry. The article examines the importance of classics and the classical tradition in the work of two poets in particular, Charles Hamilton Sorley and Wilfred Owen. The article provides background information on each poet and then turns to a detailed analysis of one poem by each poet. The article argues that the two poems analyzed, Sorley’s “When you see millions of the mouthless dead” and Owen’s “Strange Meeting,” both depend very heavily on the classical and specifically the Homeric view of the under-world for their imagery. It further argues that any reading which overlooks the classical background of these poems will miss a great deal of the poems’ impact. | ||
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10.1007/BF02687696 doi (DE-627)SPR024454834 (SPR)BF02687696-e DE-627 ger DE-627 rakwb eng 870 ASE 15.07 bkl 15.25 bkl 20.00 bkl Vandiver, Elizabeth verfasserin aut “Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades 1999 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Although a great deal has been written about the British “soldier poets” of the First World War, critics have all but ignored the possibility that the classical tradition might be an important source of imagery and content for those poets. This article argues that, despite this critical silence, the classical tradition is in fact a crucial element in the formation of Great War poetry. The article examines the importance of classics and the classical tradition in the work of two poets in particular, Charles Hamilton Sorley and Wilfred Owen. The article provides background information on each poet and then turns to a detailed analysis of one poem by each poet. The article argues that the two poems analyzed, Sorley’s “When you see millions of the mouthless dead” and Owen’s “Strange Meeting,” both depend very heavily on the classical and specifically the Homeric view of the under-world for their imagery. It further argues that any reading which overlooks the classical background of these poems will miss a great deal of the poems’ impact. Classical Tradition (dpeaa)DE-He213 Classical Myth (dpeaa)DE-He213 Classical Mythology (dpeaa)DE-He213 Collect Poem (dpeaa)DE-He213 Classical Dictionary (dpeaa)DE-He213 Enthalten in International journal of the classical tradition Dordrecht : Springer, 1994 5(1999), 3 vom: 01. März (DE-627)34190418X (DE-600)2070185-8 1874-6292 nnns volume:5 year:1999 number:3 day:01 month:03 https://dx.doi.org/10.1007/BF02687696 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_165 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_374 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 15.07 ASE 15.25 ASE 20.00 ASE AR 5 1999 3 01 03 |
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10.1007/BF02687696 doi (DE-627)SPR024454834 (SPR)BF02687696-e DE-627 ger DE-627 rakwb eng 870 ASE 15.07 bkl 15.25 bkl 20.00 bkl Vandiver, Elizabeth verfasserin aut “Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades 1999 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Although a great deal has been written about the British “soldier poets” of the First World War, critics have all but ignored the possibility that the classical tradition might be an important source of imagery and content for those poets. This article argues that, despite this critical silence, the classical tradition is in fact a crucial element in the formation of Great War poetry. The article examines the importance of classics and the classical tradition in the work of two poets in particular, Charles Hamilton Sorley and Wilfred Owen. The article provides background information on each poet and then turns to a detailed analysis of one poem by each poet. The article argues that the two poems analyzed, Sorley’s “When you see millions of the mouthless dead” and Owen’s “Strange Meeting,” both depend very heavily on the classical and specifically the Homeric view of the under-world for their imagery. It further argues that any reading which overlooks the classical background of these poems will miss a great deal of the poems’ impact. Classical Tradition (dpeaa)DE-He213 Classical Myth (dpeaa)DE-He213 Classical Mythology (dpeaa)DE-He213 Collect Poem (dpeaa)DE-He213 Classical Dictionary (dpeaa)DE-He213 Enthalten in International journal of the classical tradition Dordrecht : Springer, 1994 5(1999), 3 vom: 01. März (DE-627)34190418X (DE-600)2070185-8 1874-6292 nnns volume:5 year:1999 number:3 day:01 month:03 https://dx.doi.org/10.1007/BF02687696 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_165 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_374 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 15.07 ASE 15.25 ASE 20.00 ASE AR 5 1999 3 01 03 |
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10.1007/BF02687696 doi (DE-627)SPR024454834 (SPR)BF02687696-e DE-627 ger DE-627 rakwb eng 870 ASE 15.07 bkl 15.25 bkl 20.00 bkl Vandiver, Elizabeth verfasserin aut “Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades 1999 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Although a great deal has been written about the British “soldier poets” of the First World War, critics have all but ignored the possibility that the classical tradition might be an important source of imagery and content for those poets. This article argues that, despite this critical silence, the classical tradition is in fact a crucial element in the formation of Great War poetry. The article examines the importance of classics and the classical tradition in the work of two poets in particular, Charles Hamilton Sorley and Wilfred Owen. The article provides background information on each poet and then turns to a detailed analysis of one poem by each poet. The article argues that the two poems analyzed, Sorley’s “When you see millions of the mouthless dead” and Owen’s “Strange Meeting,” both depend very heavily on the classical and specifically the Homeric view of the under-world for their imagery. It further argues that any reading which overlooks the classical background of these poems will miss a great deal of the poems’ impact. Classical Tradition (dpeaa)DE-He213 Classical Myth (dpeaa)DE-He213 Classical Mythology (dpeaa)DE-He213 Collect Poem (dpeaa)DE-He213 Classical Dictionary (dpeaa)DE-He213 Enthalten in International journal of the classical tradition Dordrecht : Springer, 1994 5(1999), 3 vom: 01. März (DE-627)34190418X (DE-600)2070185-8 1874-6292 nnns volume:5 year:1999 number:3 day:01 month:03 https://dx.doi.org/10.1007/BF02687696 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_165 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_374 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 15.07 ASE 15.25 ASE 20.00 ASE AR 5 1999 3 01 03 |
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10.1007/BF02687696 doi (DE-627)SPR024454834 (SPR)BF02687696-e DE-627 ger DE-627 rakwb eng 870 ASE 15.07 bkl 15.25 bkl 20.00 bkl Vandiver, Elizabeth verfasserin aut “Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades 1999 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Although a great deal has been written about the British “soldier poets” of the First World War, critics have all but ignored the possibility that the classical tradition might be an important source of imagery and content for those poets. This article argues that, despite this critical silence, the classical tradition is in fact a crucial element in the formation of Great War poetry. The article examines the importance of classics and the classical tradition in the work of two poets in particular, Charles Hamilton Sorley and Wilfred Owen. The article provides background information on each poet and then turns to a detailed analysis of one poem by each poet. The article argues that the two poems analyzed, Sorley’s “When you see millions of the mouthless dead” and Owen’s “Strange Meeting,” both depend very heavily on the classical and specifically the Homeric view of the under-world for their imagery. It further argues that any reading which overlooks the classical background of these poems will miss a great deal of the poems’ impact. Classical Tradition (dpeaa)DE-He213 Classical Myth (dpeaa)DE-He213 Classical Mythology (dpeaa)DE-He213 Collect Poem (dpeaa)DE-He213 Classical Dictionary (dpeaa)DE-He213 Enthalten in International journal of the classical tradition Dordrecht : Springer, 1994 5(1999), 3 vom: 01. März (DE-627)34190418X (DE-600)2070185-8 1874-6292 nnns volume:5 year:1999 number:3 day:01 month:03 https://dx.doi.org/10.1007/BF02687696 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_165 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_374 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 15.07 ASE 15.25 ASE 20.00 ASE AR 5 1999 3 01 03 |
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10.1007/BF02687696 doi (DE-627)SPR024454834 (SPR)BF02687696-e DE-627 ger DE-627 rakwb eng 870 ASE 15.07 bkl 15.25 bkl 20.00 bkl Vandiver, Elizabeth verfasserin aut “Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades 1999 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Abstract Although a great deal has been written about the British “soldier poets” of the First World War, critics have all but ignored the possibility that the classical tradition might be an important source of imagery and content for those poets. This article argues that, despite this critical silence, the classical tradition is in fact a crucial element in the formation of Great War poetry. The article examines the importance of classics and the classical tradition in the work of two poets in particular, Charles Hamilton Sorley and Wilfred Owen. The article provides background information on each poet and then turns to a detailed analysis of one poem by each poet. The article argues that the two poems analyzed, Sorley’s “When you see millions of the mouthless dead” and Owen’s “Strange Meeting,” both depend very heavily on the classical and specifically the Homeric view of the under-world for their imagery. It further argues that any reading which overlooks the classical background of these poems will miss a great deal of the poems’ impact. Classical Tradition (dpeaa)DE-He213 Classical Myth (dpeaa)DE-He213 Classical Mythology (dpeaa)DE-He213 Collect Poem (dpeaa)DE-He213 Classical Dictionary (dpeaa)DE-He213 Enthalten in International journal of the classical tradition Dordrecht : Springer, 1994 5(1999), 3 vom: 01. März (DE-627)34190418X (DE-600)2070185-8 1874-6292 nnns volume:5 year:1999 number:3 day:01 month:03 https://dx.doi.org/10.1007/BF02687696 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_165 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_374 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2116 GBV_ILN_2118 GBV_ILN_2119 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 15.07 ASE 15.25 ASE 20.00 ASE AR 5 1999 3 01 03 |
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International journal of the classical tradition |
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Vandiver, Elizabeth |
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Vandiver, Elizabeth ddc 870 bkl 15.07 bkl 15.25 bkl 20.00 misc Classical Tradition misc Classical Myth misc Classical Mythology misc Collect Poem misc Classical Dictionary “Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades |
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870 ASE 15.07 bkl 15.25 bkl 20.00 bkl “Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades Classical Tradition (dpeaa)DE-He213 Classical Myth (dpeaa)DE-He213 Classical Mythology (dpeaa)DE-He213 Collect Poem (dpeaa)DE-He213 Classical Dictionary (dpeaa)DE-He213 |
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ddc 870 bkl 15.07 bkl 15.25 bkl 20.00 misc Classical Tradition misc Classical Myth misc Classical Mythology misc Collect Poem misc Classical Dictionary |
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“Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades |
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“millions of the mouthless dead”: charles hamilton sorley and wilfred owen in homer’s hades |
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“Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades |
| abstract |
Abstract Although a great deal has been written about the British “soldier poets” of the First World War, critics have all but ignored the possibility that the classical tradition might be an important source of imagery and content for those poets. This article argues that, despite this critical silence, the classical tradition is in fact a crucial element in the formation of Great War poetry. The article examines the importance of classics and the classical tradition in the work of two poets in particular, Charles Hamilton Sorley and Wilfred Owen. The article provides background information on each poet and then turns to a detailed analysis of one poem by each poet. The article argues that the two poems analyzed, Sorley’s “When you see millions of the mouthless dead” and Owen’s “Strange Meeting,” both depend very heavily on the classical and specifically the Homeric view of the under-world for their imagery. It further argues that any reading which overlooks the classical background of these poems will miss a great deal of the poems’ impact. |
| abstractGer |
Abstract Although a great deal has been written about the British “soldier poets” of the First World War, critics have all but ignored the possibility that the classical tradition might be an important source of imagery and content for those poets. This article argues that, despite this critical silence, the classical tradition is in fact a crucial element in the formation of Great War poetry. The article examines the importance of classics and the classical tradition in the work of two poets in particular, Charles Hamilton Sorley and Wilfred Owen. The article provides background information on each poet and then turns to a detailed analysis of one poem by each poet. The article argues that the two poems analyzed, Sorley’s “When you see millions of the mouthless dead” and Owen’s “Strange Meeting,” both depend very heavily on the classical and specifically the Homeric view of the under-world for their imagery. It further argues that any reading which overlooks the classical background of these poems will miss a great deal of the poems’ impact. |
| abstract_unstemmed |
Abstract Although a great deal has been written about the British “soldier poets” of the First World War, critics have all but ignored the possibility that the classical tradition might be an important source of imagery and content for those poets. This article argues that, despite this critical silence, the classical tradition is in fact a crucial element in the formation of Great War poetry. The article examines the importance of classics and the classical tradition in the work of two poets in particular, Charles Hamilton Sorley and Wilfred Owen. The article provides background information on each poet and then turns to a detailed analysis of one poem by each poet. The article argues that the two poems analyzed, Sorley’s “When you see millions of the mouthless dead” and Owen’s “Strange Meeting,” both depend very heavily on the classical and specifically the Homeric view of the under-world for their imagery. It further argues that any reading which overlooks the classical background of these poems will miss a great deal of the poems’ impact. |
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3 |
| title_short |
“Millions of the mouthless dead”: Charles Hamilton Sorley and Wilfred Owen in Homer’s hades |
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https://dx.doi.org/10.1007/BF02687696 |
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| doi_str |
10.1007/BF02687696 |
| up_date |
2024-07-04T00:59:46.182Z |
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| score |
7.3996487 |