Constructing the Aesthetic Self of the Bhāgavata Purāṇa

Abstract The Bhāgavata Purāṇa combines Vedāntin philosophy, dramatic and aesthetic elements, and personal expressions in a unique manner. Moreover, it seems to be conveying a notion of selfhood or personhood which is unique and innovative for the Hindu tradition. This paper aims at uncovering this u...
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Autor*in:	Theodor, Ithamar [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2018

Schlagwörter:	Philosophy Personhood

Anmerkung:	© Springer Nature Switzerland AG 2018

Übergeordnetes Werk:	Enthalten in: Journal of dharma studies - Cham : Springer International Publishing, 2018, 1(2018), 1 vom: 11. Sept., Seite 111-127
Übergeordnetes Werk:	volume:1 ; year:2018 ; number:1 ; day:11 ; month:09 ; pages:111-127

Links:	Volltext

DOI / URN:	10.1007/s42240-018-0012-6

Katalog-ID:	SPR038465981

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spelling	10.1007/s42240-018-0012-6 doi (DE-627)SPR038465981 (SPR)s42240-018-0012-6-e DE-627 ger DE-627 rakwb eng Theodor, Ithamar verfasserin (orcid)0000-0003-0249-9135 aut Constructing the Aesthetic Self of the Bhāgavata Purāṇa 2018 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © Springer Nature Switzerland AG 2018 Abstract The Bhāgavata Purāṇa combines Vedāntin philosophy, dramatic and aesthetic elements, and personal expressions in a unique manner. Moreover, it seems to be conveying a notion of selfhood or personhood which is unique and innovative for the Hindu tradition. This paper aims at uncovering this unique notion. It deconstructs the BhP by arguing for the amalgamation of the Rasa-aesthetic school with Vedānta. It then turns to the topic of personhood in the Hindu tradition; it raises the complexity of discussing personhood in the Indian context and discusses three notions of personhood which are ‘the Worldly Self of Mīmāṁsā’, the ‘Solitary Self of Sāṅkhya’, and the ‘Transcendental Self of Vedānta’. Having articulated these three notions, it highlights the notion of aesthetic personhood underlying the BhP. The paper goes further to differentiate notions of Vivarta from those of Pariṇāma, pointing out at the Pariṇāma worldview to be underlying the notion of aesthetic personhood of the BhP. At last and as an outcome of its main argument, it offers a sketch of ascending notions of aesthetic notions of personhood in the BhP. Philosophy (dpeaa)DE-He213 Personhood (dpeaa)DE-He213 Enthalten in Journal of dharma studies Cham : Springer International Publishing, 2018 1(2018), 1 vom: 11. Sept., Seite 111-127 (DE-627)103085176X (DE-600)2942633-9 2522-0934 nnns volume:1 year:2018 number:1 day:11 month:09 pages:111-127 https://dx.doi.org/10.1007/s42240-018-0012-6 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 AR 1 2018 1 11 09 111-127
allfields_unstemmed	10.1007/s42240-018-0012-6 doi (DE-627)SPR038465981 (SPR)s42240-018-0012-6-e DE-627 ger DE-627 rakwb eng Theodor, Ithamar verfasserin (orcid)0000-0003-0249-9135 aut Constructing the Aesthetic Self of the Bhāgavata Purāṇa 2018 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © Springer Nature Switzerland AG 2018 Abstract The Bhāgavata Purāṇa combines Vedāntin philosophy, dramatic and aesthetic elements, and personal expressions in a unique manner. Moreover, it seems to be conveying a notion of selfhood or personhood which is unique and innovative for the Hindu tradition. This paper aims at uncovering this unique notion. It deconstructs the BhP by arguing for the amalgamation of the Rasa-aesthetic school with Vedānta. It then turns to the topic of personhood in the Hindu tradition; it raises the complexity of discussing personhood in the Indian context and discusses three notions of personhood which are ‘the Worldly Self of Mīmāṁsā’, the ‘Solitary Self of Sāṅkhya’, and the ‘Transcendental Self of Vedānta’. Having articulated these three notions, it highlights the notion of aesthetic personhood underlying the BhP. The paper goes further to differentiate notions of Vivarta from those of Pariṇāma, pointing out at the Pariṇāma worldview to be underlying the notion of aesthetic personhood of the BhP. At last and as an outcome of its main argument, it offers a sketch of ascending notions of aesthetic notions of personhood in the BhP. Philosophy (dpeaa)DE-He213 Personhood (dpeaa)DE-He213 Enthalten in Journal of dharma studies Cham : Springer International Publishing, 2018 1(2018), 1 vom: 11. Sept., Seite 111-127 (DE-627)103085176X (DE-600)2942633-9 2522-0934 nnns volume:1 year:2018 number:1 day:11 month:09 pages:111-127 https://dx.doi.org/10.1007/s42240-018-0012-6 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 AR 1 2018 1 11 09 111-127
allfieldsGer	10.1007/s42240-018-0012-6 doi (DE-627)SPR038465981 (SPR)s42240-018-0012-6-e DE-627 ger DE-627 rakwb eng Theodor, Ithamar verfasserin (orcid)0000-0003-0249-9135 aut Constructing the Aesthetic Self of the Bhāgavata Purāṇa 2018 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © Springer Nature Switzerland AG 2018 Abstract The Bhāgavata Purāṇa combines Vedāntin philosophy, dramatic and aesthetic elements, and personal expressions in a unique manner. Moreover, it seems to be conveying a notion of selfhood or personhood which is unique and innovative for the Hindu tradition. This paper aims at uncovering this unique notion. It deconstructs the BhP by arguing for the amalgamation of the Rasa-aesthetic school with Vedānta. It then turns to the topic of personhood in the Hindu tradition; it raises the complexity of discussing personhood in the Indian context and discusses three notions of personhood which are ‘the Worldly Self of Mīmāṁsā’, the ‘Solitary Self of Sāṅkhya’, and the ‘Transcendental Self of Vedānta’. Having articulated these three notions, it highlights the notion of aesthetic personhood underlying the BhP. The paper goes further to differentiate notions of Vivarta from those of Pariṇāma, pointing out at the Pariṇāma worldview to be underlying the notion of aesthetic personhood of the BhP. At last and as an outcome of its main argument, it offers a sketch of ascending notions of aesthetic notions of personhood in the BhP. Philosophy (dpeaa)DE-He213 Personhood (dpeaa)DE-He213 Enthalten in Journal of dharma studies Cham : Springer International Publishing, 2018 1(2018), 1 vom: 11. Sept., Seite 111-127 (DE-627)103085176X (DE-600)2942633-9 2522-0934 nnns volume:1 year:2018 number:1 day:11 month:09 pages:111-127 https://dx.doi.org/10.1007/s42240-018-0012-6 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 AR 1 2018 1 11 09 111-127
allfieldsSound	10.1007/s42240-018-0012-6 doi (DE-627)SPR038465981 (SPR)s42240-018-0012-6-e DE-627 ger DE-627 rakwb eng Theodor, Ithamar verfasserin (orcid)0000-0003-0249-9135 aut Constructing the Aesthetic Self of the Bhāgavata Purāṇa 2018 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © Springer Nature Switzerland AG 2018 Abstract The Bhāgavata Purāṇa combines Vedāntin philosophy, dramatic and aesthetic elements, and personal expressions in a unique manner. Moreover, it seems to be conveying a notion of selfhood or personhood which is unique and innovative for the Hindu tradition. This paper aims at uncovering this unique notion. It deconstructs the BhP by arguing for the amalgamation of the Rasa-aesthetic school with Vedānta. It then turns to the topic of personhood in the Hindu tradition; it raises the complexity of discussing personhood in the Indian context and discusses three notions of personhood which are ‘the Worldly Self of Mīmāṁsā’, the ‘Solitary Self of Sāṅkhya’, and the ‘Transcendental Self of Vedānta’. Having articulated these three notions, it highlights the notion of aesthetic personhood underlying the BhP. The paper goes further to differentiate notions of Vivarta from those of Pariṇāma, pointing out at the Pariṇāma worldview to be underlying the notion of aesthetic personhood of the BhP. At last and as an outcome of its main argument, it offers a sketch of ascending notions of aesthetic notions of personhood in the BhP. Philosophy (dpeaa)DE-He213 Personhood (dpeaa)DE-He213 Enthalten in Journal of dharma studies Cham : Springer International Publishing, 2018 1(2018), 1 vom: 11. Sept., Seite 111-127 (DE-627)103085176X (DE-600)2942633-9 2522-0934 nnns volume:1 year:2018 number:1 day:11 month:09 pages:111-127 https://dx.doi.org/10.1007/s42240-018-0012-6 lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 AR 1 2018 1 11 09 111-127
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source	Enthalten in Journal of dharma studies 1(2018), 1 vom: 11. Sept., Seite 111-127 volume:1 year:2018 number:1 day:11 month:09 pages:111-127
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author	Theodor, Ithamar
spellingShingle	Theodor, Ithamar misc Philosophy misc Personhood Constructing the Aesthetic Self of the Bhāgavata Purāṇa
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topic_title	Constructing the Aesthetic Self of the Bhāgavata Purāṇa Philosophy (dpeaa)DE-He213 Personhood (dpeaa)DE-He213
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title	Constructing the Aesthetic Self of the Bhāgavata Purāṇa
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title_full	Constructing the Aesthetic Self of the Bhāgavata Purāṇa
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title_sort	constructing the aesthetic self of the bhāgavata purāṇa
title_auth	Constructing the Aesthetic Self of the Bhāgavata Purāṇa
abstract	Abstract The Bhāgavata Purāṇa combines Vedāntin philosophy, dramatic and aesthetic elements, and personal expressions in a unique manner. Moreover, it seems to be conveying a notion of selfhood or personhood which is unique and innovative for the Hindu tradition. This paper aims at uncovering this unique notion. It deconstructs the BhP by arguing for the amalgamation of the Rasa-aesthetic school with Vedānta. It then turns to the topic of personhood in the Hindu tradition; it raises the complexity of discussing personhood in the Indian context and discusses three notions of personhood which are ‘the Worldly Self of Mīmāṁsā’, the ‘Solitary Self of Sāṅkhya’, and the ‘Transcendental Self of Vedānta’. Having articulated these three notions, it highlights the notion of aesthetic personhood underlying the BhP. The paper goes further to differentiate notions of Vivarta from those of Pariṇāma, pointing out at the Pariṇāma worldview to be underlying the notion of aesthetic personhood of the BhP. At last and as an outcome of its main argument, it offers a sketch of ascending notions of aesthetic notions of personhood in the BhP. © Springer Nature Switzerland AG 2018
abstractGer	Abstract The Bhāgavata Purāṇa combines Vedāntin philosophy, dramatic and aesthetic elements, and personal expressions in a unique manner. Moreover, it seems to be conveying a notion of selfhood or personhood which is unique and innovative for the Hindu tradition. This paper aims at uncovering this unique notion. It deconstructs the BhP by arguing for the amalgamation of the Rasa-aesthetic school with Vedānta. It then turns to the topic of personhood in the Hindu tradition; it raises the complexity of discussing personhood in the Indian context and discusses three notions of personhood which are ‘the Worldly Self of Mīmāṁsā’, the ‘Solitary Self of Sāṅkhya’, and the ‘Transcendental Self of Vedānta’. Having articulated these three notions, it highlights the notion of aesthetic personhood underlying the BhP. The paper goes further to differentiate notions of Vivarta from those of Pariṇāma, pointing out at the Pariṇāma worldview to be underlying the notion of aesthetic personhood of the BhP. At last and as an outcome of its main argument, it offers a sketch of ascending notions of aesthetic notions of personhood in the BhP. © Springer Nature Switzerland AG 2018
abstract_unstemmed	Abstract The Bhāgavata Purāṇa combines Vedāntin philosophy, dramatic and aesthetic elements, and personal expressions in a unique manner. Moreover, it seems to be conveying a notion of selfhood or personhood which is unique and innovative for the Hindu tradition. This paper aims at uncovering this unique notion. It deconstructs the BhP by arguing for the amalgamation of the Rasa-aesthetic school with Vedānta. It then turns to the topic of personhood in the Hindu tradition; it raises the complexity of discussing personhood in the Indian context and discusses three notions of personhood which are ‘the Worldly Self of Mīmāṁsā’, the ‘Solitary Self of Sāṅkhya’, and the ‘Transcendental Self of Vedānta’. Having articulated these three notions, it highlights the notion of aesthetic personhood underlying the BhP. The paper goes further to differentiate notions of Vivarta from those of Pariṇāma, pointing out at the Pariṇāma worldview to be underlying the notion of aesthetic personhood of the BhP. At last and as an outcome of its main argument, it offers a sketch of ascending notions of aesthetic notions of personhood in the BhP. © Springer Nature Switzerland AG 2018
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title_short	Constructing the Aesthetic Self of the Bhāgavata Purāṇa
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Constructing the Aesthetic Self of the Bhāgavata Purāṇa

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