Graciousness, Elegance, and Firmness: Ballet and the Constitution of a Protective Environment for Peripheral Masculinities in Brazil
Abstract Due to its graceful and light movements, its clothing, and body postures, ballet is tied to characteristics that are socially perceived as feminine. The aim of this paper is to describe the way men live and interact within the classic ballet environment, a way that is deemed deviant accordi...
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| Autor*in: |
Souza, Maria Thereza Oliveira [verfasserIn] |
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| Format: |
E-Artikel |
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| Sprache: |
Englisch |
| Erschienen: |
2022 |
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| Schlagwörter: |
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| Anmerkung: |
© The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2022. Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law. |
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| Übergeordnetes Werk: |
Enthalten in: Archives of sexual behavior - Dordrecht [u.a.] : Springer Science + Business Media B.V, 1971, 52(2022), 3 vom: 03. Nov., Seite 1229-1238 |
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| Übergeordnetes Werk: |
volume:52 ; year:2022 ; number:3 ; day:03 ; month:11 ; pages:1229-1238 |
| Links: |
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| DOI / URN: |
10.1007/s10508-022-02451-z |
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SPR050024604 |
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| 520 | |a Abstract Due to its graceful and light movements, its clothing, and body postures, ballet is tied to characteristics that are socially perceived as feminine. The aim of this paper is to describe the way men live and interact within the classic ballet environment, a way that is deemed deviant according to Western heteronormative norms of gender and sexuality. The overall idea was to delineate the masculinity that surrounds and is built in this space, and how ballet operates to build the identities of these individuals. The research was done through direct observation in a ballet school linked to one of the oldest and most important ballet institutions in Brazil. The main idea expressed is that ballet acts as a protective environment for young men who break out of heteronormativity. It is believed that men subvert social norms in this environment because that is where behaviors that escape hegemonic masculinity are more acceptable, gain representativeness and legitimacy. | ||
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10.1007/s10508-022-02451-z doi (DE-627)SPR050024604 (SPR)s10508-022-02451-z-e DE-627 ger DE-627 rakwb eng Souza, Maria Thereza Oliveira verfasserin (orcid)0000-0002-1636-6969 aut Graciousness, Elegance, and Firmness: Ballet and the Constitution of a Protective Environment for Peripheral Masculinities in Brazil 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2022. Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law. Abstract Due to its graceful and light movements, its clothing, and body postures, ballet is tied to characteristics that are socially perceived as feminine. The aim of this paper is to describe the way men live and interact within the classic ballet environment, a way that is deemed deviant according to Western heteronormative norms of gender and sexuality. The overall idea was to delineate the masculinity that surrounds and is built in this space, and how ballet operates to build the identities of these individuals. The research was done through direct observation in a ballet school linked to one of the oldest and most important ballet institutions in Brazil. The main idea expressed is that ballet acts as a protective environment for young men who break out of heteronormativity. It is believed that men subvert social norms in this environment because that is where behaviors that escape hegemonic masculinity are more acceptable, gain representativeness and legitimacy. Masculinity (dpeaa)DE-He213 Ballet (dpeaa)DE-He213 Gender (dpeaa)DE-He213 Sexuality (dpeaa)DE-He213 Heteronormativity (dpeaa)DE-He213 Capraro, André Mendes aut Enthalten in Archives of sexual behavior Dordrecht [u.a.] : Springer Science + Business Media B.V, 1971 52(2022), 3 vom: 03. Nov., Seite 1229-1238 (DE-627)320524035 (DE-600)2014932-3 1573-2800 nnns volume:52 year:2022 number:3 day:03 month:11 pages:1229-1238 https://dx.doi.org/10.1007/s10508-022-02451-z lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4328 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 AR 52 2022 3 03 11 1229-1238 |
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10.1007/s10508-022-02451-z doi (DE-627)SPR050024604 (SPR)s10508-022-02451-z-e DE-627 ger DE-627 rakwb eng Souza, Maria Thereza Oliveira verfasserin (orcid)0000-0002-1636-6969 aut Graciousness, Elegance, and Firmness: Ballet and the Constitution of a Protective Environment for Peripheral Masculinities in Brazil 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2022. Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law. Abstract Due to its graceful and light movements, its clothing, and body postures, ballet is tied to characteristics that are socially perceived as feminine. The aim of this paper is to describe the way men live and interact within the classic ballet environment, a way that is deemed deviant according to Western heteronormative norms of gender and sexuality. The overall idea was to delineate the masculinity that surrounds and is built in this space, and how ballet operates to build the identities of these individuals. The research was done through direct observation in a ballet school linked to one of the oldest and most important ballet institutions in Brazil. The main idea expressed is that ballet acts as a protective environment for young men who break out of heteronormativity. It is believed that men subvert social norms in this environment because that is where behaviors that escape hegemonic masculinity are more acceptable, gain representativeness and legitimacy. Masculinity (dpeaa)DE-He213 Ballet (dpeaa)DE-He213 Gender (dpeaa)DE-He213 Sexuality (dpeaa)DE-He213 Heteronormativity (dpeaa)DE-He213 Capraro, André Mendes aut Enthalten in Archives of sexual behavior Dordrecht [u.a.] : Springer Science + Business Media B.V, 1971 52(2022), 3 vom: 03. Nov., Seite 1229-1238 (DE-627)320524035 (DE-600)2014932-3 1573-2800 nnns volume:52 year:2022 number:3 day:03 month:11 pages:1229-1238 https://dx.doi.org/10.1007/s10508-022-02451-z lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4328 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 AR 52 2022 3 03 11 1229-1238 |
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10.1007/s10508-022-02451-z doi (DE-627)SPR050024604 (SPR)s10508-022-02451-z-e DE-627 ger DE-627 rakwb eng Souza, Maria Thereza Oliveira verfasserin (orcid)0000-0002-1636-6969 aut Graciousness, Elegance, and Firmness: Ballet and the Constitution of a Protective Environment for Peripheral Masculinities in Brazil 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2022. Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law. Abstract Due to its graceful and light movements, its clothing, and body postures, ballet is tied to characteristics that are socially perceived as feminine. The aim of this paper is to describe the way men live and interact within the classic ballet environment, a way that is deemed deviant according to Western heteronormative norms of gender and sexuality. The overall idea was to delineate the masculinity that surrounds and is built in this space, and how ballet operates to build the identities of these individuals. The research was done through direct observation in a ballet school linked to one of the oldest and most important ballet institutions in Brazil. The main idea expressed is that ballet acts as a protective environment for young men who break out of heteronormativity. It is believed that men subvert social norms in this environment because that is where behaviors that escape hegemonic masculinity are more acceptable, gain representativeness and legitimacy. Masculinity (dpeaa)DE-He213 Ballet (dpeaa)DE-He213 Gender (dpeaa)DE-He213 Sexuality (dpeaa)DE-He213 Heteronormativity (dpeaa)DE-He213 Capraro, André Mendes aut Enthalten in Archives of sexual behavior Dordrecht [u.a.] : Springer Science + Business Media B.V, 1971 52(2022), 3 vom: 03. Nov., Seite 1229-1238 (DE-627)320524035 (DE-600)2014932-3 1573-2800 nnns volume:52 year:2022 number:3 day:03 month:11 pages:1229-1238 https://dx.doi.org/10.1007/s10508-022-02451-z lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4328 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 AR 52 2022 3 03 11 1229-1238 |
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10.1007/s10508-022-02451-z doi (DE-627)SPR050024604 (SPR)s10508-022-02451-z-e DE-627 ger DE-627 rakwb eng Souza, Maria Thereza Oliveira verfasserin (orcid)0000-0002-1636-6969 aut Graciousness, Elegance, and Firmness: Ballet and the Constitution of a Protective Environment for Peripheral Masculinities in Brazil 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2022. Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law. Abstract Due to its graceful and light movements, its clothing, and body postures, ballet is tied to characteristics that are socially perceived as feminine. The aim of this paper is to describe the way men live and interact within the classic ballet environment, a way that is deemed deviant according to Western heteronormative norms of gender and sexuality. The overall idea was to delineate the masculinity that surrounds and is built in this space, and how ballet operates to build the identities of these individuals. The research was done through direct observation in a ballet school linked to one of the oldest and most important ballet institutions in Brazil. The main idea expressed is that ballet acts as a protective environment for young men who break out of heteronormativity. It is believed that men subvert social norms in this environment because that is where behaviors that escape hegemonic masculinity are more acceptable, gain representativeness and legitimacy. Masculinity (dpeaa)DE-He213 Ballet (dpeaa)DE-He213 Gender (dpeaa)DE-He213 Sexuality (dpeaa)DE-He213 Heteronormativity (dpeaa)DE-He213 Capraro, André Mendes aut Enthalten in Archives of sexual behavior Dordrecht [u.a.] : Springer Science + Business Media B.V, 1971 52(2022), 3 vom: 03. Nov., Seite 1229-1238 (DE-627)320524035 (DE-600)2014932-3 1573-2800 nnns volume:52 year:2022 number:3 day:03 month:11 pages:1229-1238 https://dx.doi.org/10.1007/s10508-022-02451-z lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4328 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 AR 52 2022 3 03 11 1229-1238 |
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10.1007/s10508-022-02451-z doi (DE-627)SPR050024604 (SPR)s10508-022-02451-z-e DE-627 ger DE-627 rakwb eng Souza, Maria Thereza Oliveira verfasserin (orcid)0000-0002-1636-6969 aut Graciousness, Elegance, and Firmness: Ballet and the Constitution of a Protective Environment for Peripheral Masculinities in Brazil 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier © The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2022. Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law. Abstract Due to its graceful and light movements, its clothing, and body postures, ballet is tied to characteristics that are socially perceived as feminine. The aim of this paper is to describe the way men live and interact within the classic ballet environment, a way that is deemed deviant according to Western heteronormative norms of gender and sexuality. The overall idea was to delineate the masculinity that surrounds and is built in this space, and how ballet operates to build the identities of these individuals. The research was done through direct observation in a ballet school linked to one of the oldest and most important ballet institutions in Brazil. The main idea expressed is that ballet acts as a protective environment for young men who break out of heteronormativity. It is believed that men subvert social norms in this environment because that is where behaviors that escape hegemonic masculinity are more acceptable, gain representativeness and legitimacy. Masculinity (dpeaa)DE-He213 Ballet (dpeaa)DE-He213 Gender (dpeaa)DE-He213 Sexuality (dpeaa)DE-He213 Heteronormativity (dpeaa)DE-He213 Capraro, André Mendes aut Enthalten in Archives of sexual behavior Dordrecht [u.a.] : Springer Science + Business Media B.V, 1971 52(2022), 3 vom: 03. Nov., Seite 1229-1238 (DE-627)320524035 (DE-600)2014932-3 1573-2800 nnns volume:52 year:2022 number:3 day:03 month:11 pages:1229-1238 https://dx.doi.org/10.1007/s10508-022-02451-z lizenzpflichtig Volltext GBV_USEFLAG_A SYSFLAG_A GBV_SPRINGER GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_120 GBV_ILN_138 GBV_ILN_150 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_170 GBV_ILN_171 GBV_ILN_187 GBV_ILN_213 GBV_ILN_224 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_636 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2004 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2031 GBV_ILN_2034 GBV_ILN_2037 GBV_ILN_2038 GBV_ILN_2039 GBV_ILN_2044 GBV_ILN_2048 GBV_ILN_2049 GBV_ILN_2050 GBV_ILN_2055 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2059 GBV_ILN_2061 GBV_ILN_2064 GBV_ILN_2065 GBV_ILN_2068 GBV_ILN_2088 GBV_ILN_2093 GBV_ILN_2106 GBV_ILN_2107 GBV_ILN_2108 GBV_ILN_2110 GBV_ILN_2111 GBV_ILN_2112 GBV_ILN_2113 GBV_ILN_2118 GBV_ILN_2122 GBV_ILN_2129 GBV_ILN_2143 GBV_ILN_2144 GBV_ILN_2147 GBV_ILN_2148 GBV_ILN_2152 GBV_ILN_2153 GBV_ILN_2188 GBV_ILN_2190 GBV_ILN_2232 GBV_ILN_2336 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2472 GBV_ILN_2507 GBV_ILN_2522 GBV_ILN_2548 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4328 GBV_ILN_4333 GBV_ILN_4334 GBV_ILN_4335 GBV_ILN_4336 GBV_ILN_4338 GBV_ILN_4393 GBV_ILN_4700 AR 52 2022 3 03 11 1229-1238 |
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Graciousness, Elegance, and Firmness: Ballet and the Constitution of a Protective Environment for Peripheral Masculinities in Brazil |
| abstract |
Abstract Due to its graceful and light movements, its clothing, and body postures, ballet is tied to characteristics that are socially perceived as feminine. The aim of this paper is to describe the way men live and interact within the classic ballet environment, a way that is deemed deviant according to Western heteronormative norms of gender and sexuality. The overall idea was to delineate the masculinity that surrounds and is built in this space, and how ballet operates to build the identities of these individuals. The research was done through direct observation in a ballet school linked to one of the oldest and most important ballet institutions in Brazil. The main idea expressed is that ballet acts as a protective environment for young men who break out of heteronormativity. It is believed that men subvert social norms in this environment because that is where behaviors that escape hegemonic masculinity are more acceptable, gain representativeness and legitimacy. © The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2022. Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law. |
| abstractGer |
Abstract Due to its graceful and light movements, its clothing, and body postures, ballet is tied to characteristics that are socially perceived as feminine. The aim of this paper is to describe the way men live and interact within the classic ballet environment, a way that is deemed deviant according to Western heteronormative norms of gender and sexuality. The overall idea was to delineate the masculinity that surrounds and is built in this space, and how ballet operates to build the identities of these individuals. The research was done through direct observation in a ballet school linked to one of the oldest and most important ballet institutions in Brazil. The main idea expressed is that ballet acts as a protective environment for young men who break out of heteronormativity. It is believed that men subvert social norms in this environment because that is where behaviors that escape hegemonic masculinity are more acceptable, gain representativeness and legitimacy. © The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2022. Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law. |
| abstract_unstemmed |
Abstract Due to its graceful and light movements, its clothing, and body postures, ballet is tied to characteristics that are socially perceived as feminine. The aim of this paper is to describe the way men live and interact within the classic ballet environment, a way that is deemed deviant according to Western heteronormative norms of gender and sexuality. The overall idea was to delineate the masculinity that surrounds and is built in this space, and how ballet operates to build the identities of these individuals. The research was done through direct observation in a ballet school linked to one of the oldest and most important ballet institutions in Brazil. The main idea expressed is that ballet acts as a protective environment for young men who break out of heteronormativity. It is believed that men subvert social norms in this environment because that is where behaviors that escape hegemonic masculinity are more acceptable, gain representativeness and legitimacy. © The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2022. Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law. |
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Graciousness, Elegance, and Firmness: Ballet and the Constitution of a Protective Environment for Peripheral Masculinities in Brazil |
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https://dx.doi.org/10.1007/s10508-022-02451-z |
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Capraro, André Mendes |
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2024-07-04T03:10:10.808Z |
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