Sound pressure level limits for stage machinery noise in operas and theaters
The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook...
Ausführliche Beschreibung
Autor*in: |
Melnikov, Anton [verfasserIn] |
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Format: |
E-Artikel |
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Sprache: |
Englisch |
Erschienen: |
2019transfer abstract |
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Umfang: |
11 |
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Übergeordnetes Werk: |
Enthalten in: Formation of stacking fault tetrahedron in single-crystal Cu during nanoindentation investigated by molecular dynamics - Liu, Qitao ELSEVIER, 2017, Amsterdam [u.a.] |
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Übergeordnetes Werk: |
volume:156 ; year:2019 ; day:15 ; month:12 ; pages:29-39 ; extent:11 |
Links: |
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DOI / URN: |
10.1016/j.apacoust.2019.06.022 |
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10.1016/j.apacoust.2019.06.022 doi GBV00000000000745.pica (DE-627)ELV047874759 (ELSEVIER)S0003-682X(19)30020-9 DE-627 ger DE-627 rakwb eng 530 VZ 600 670 530 VZ 51.00 bkl Melnikov, Anton verfasserin aut Sound pressure level limits for stage machinery noise in operas and theaters 2019transfer abstract 11 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. Witew, Ingo oth Maeder, Marcus oth Gatt, Monika oth Scheffler, Michael oth Marburg, Steffen oth Enthalten in Elsevier Liu, Qitao ELSEVIER Formation of stacking fault tetrahedron in single-crystal Cu during nanoindentation investigated by molecular dynamics 2017 Amsterdam [u.a.] (DE-627)ELV020429711 volume:156 year:2019 day:15 month:12 pages:29-39 extent:11 https://doi.org/10.1016/j.apacoust.2019.06.022 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U GBV_ILN_22 GBV_ILN_31 GBV_ILN_40 GBV_ILN_60 51.00 Werkstoffkunde: Allgemeines VZ AR 156 2019 15 1215 29-39 11 |
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10.1016/j.apacoust.2019.06.022 doi GBV00000000000745.pica (DE-627)ELV047874759 (ELSEVIER)S0003-682X(19)30020-9 DE-627 ger DE-627 rakwb eng 530 VZ 600 670 530 VZ 51.00 bkl Melnikov, Anton verfasserin aut Sound pressure level limits for stage machinery noise in operas and theaters 2019transfer abstract 11 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. Witew, Ingo oth Maeder, Marcus oth Gatt, Monika oth Scheffler, Michael oth Marburg, Steffen oth Enthalten in Elsevier Liu, Qitao ELSEVIER Formation of stacking fault tetrahedron in single-crystal Cu during nanoindentation investigated by molecular dynamics 2017 Amsterdam [u.a.] (DE-627)ELV020429711 volume:156 year:2019 day:15 month:12 pages:29-39 extent:11 https://doi.org/10.1016/j.apacoust.2019.06.022 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U GBV_ILN_22 GBV_ILN_31 GBV_ILN_40 GBV_ILN_60 51.00 Werkstoffkunde: Allgemeines VZ AR 156 2019 15 1215 29-39 11 |
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10.1016/j.apacoust.2019.06.022 doi GBV00000000000745.pica (DE-627)ELV047874759 (ELSEVIER)S0003-682X(19)30020-9 DE-627 ger DE-627 rakwb eng 530 VZ 600 670 530 VZ 51.00 bkl Melnikov, Anton verfasserin aut Sound pressure level limits for stage machinery noise in operas and theaters 2019transfer abstract 11 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. Witew, Ingo oth Maeder, Marcus oth Gatt, Monika oth Scheffler, Michael oth Marburg, Steffen oth Enthalten in Elsevier Liu, Qitao ELSEVIER Formation of stacking fault tetrahedron in single-crystal Cu during nanoindentation investigated by molecular dynamics 2017 Amsterdam [u.a.] (DE-627)ELV020429711 volume:156 year:2019 day:15 month:12 pages:29-39 extent:11 https://doi.org/10.1016/j.apacoust.2019.06.022 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U GBV_ILN_22 GBV_ILN_31 GBV_ILN_40 GBV_ILN_60 51.00 Werkstoffkunde: Allgemeines VZ AR 156 2019 15 1215 29-39 11 |
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10.1016/j.apacoust.2019.06.022 doi GBV00000000000745.pica (DE-627)ELV047874759 (ELSEVIER)S0003-682X(19)30020-9 DE-627 ger DE-627 rakwb eng 530 VZ 600 670 530 VZ 51.00 bkl Melnikov, Anton verfasserin aut Sound pressure level limits for stage machinery noise in operas and theaters 2019transfer abstract 11 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. Witew, Ingo oth Maeder, Marcus oth Gatt, Monika oth Scheffler, Michael oth Marburg, Steffen oth Enthalten in Elsevier Liu, Qitao ELSEVIER Formation of stacking fault tetrahedron in single-crystal Cu during nanoindentation investigated by molecular dynamics 2017 Amsterdam [u.a.] (DE-627)ELV020429711 volume:156 year:2019 day:15 month:12 pages:29-39 extent:11 https://doi.org/10.1016/j.apacoust.2019.06.022 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U GBV_ILN_22 GBV_ILN_31 GBV_ILN_40 GBV_ILN_60 51.00 Werkstoffkunde: Allgemeines VZ AR 156 2019 15 1215 29-39 11 |
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10.1016/j.apacoust.2019.06.022 doi GBV00000000000745.pica (DE-627)ELV047874759 (ELSEVIER)S0003-682X(19)30020-9 DE-627 ger DE-627 rakwb eng 530 VZ 600 670 530 VZ 51.00 bkl Melnikov, Anton verfasserin aut Sound pressure level limits for stage machinery noise in operas and theaters 2019transfer abstract 11 nicht spezifiziert zzz rdacontent nicht spezifiziert z rdamedia nicht spezifiziert zu rdacarrier The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. Witew, Ingo oth Maeder, Marcus oth Gatt, Monika oth Scheffler, Michael oth Marburg, Steffen oth Enthalten in Elsevier Liu, Qitao ELSEVIER Formation of stacking fault tetrahedron in single-crystal Cu during nanoindentation investigated by molecular dynamics 2017 Amsterdam [u.a.] (DE-627)ELV020429711 volume:156 year:2019 day:15 month:12 pages:29-39 extent:11 https://doi.org/10.1016/j.apacoust.2019.06.022 Volltext GBV_USEFLAG_U GBV_ELV SYSFLAG_U GBV_ILN_22 GBV_ILN_31 GBV_ILN_40 GBV_ILN_60 51.00 Werkstoffkunde: Allgemeines VZ AR 156 2019 15 1215 29-39 11 |
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The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. |
abstractGer |
The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. |
abstract_unstemmed |
The absence of disturbing background noise is a fundamental minimum requirement for performances in opera houses and theaters. Although the acoustic design of such venues has reached some maturity and specifications for maximum allowable background levels can be found in almost every other textbook on auditorium design, it can be observed that tender documents show a noteworthy variance in published requirements. Oftentimes, the levels that need to be achieved fall significantly below commonly quoted reference values. In order to keep the specifications at a reasonable level and to reduce costs for the (public) developer and builder it seems reasonable to review long-serving guidelines and determine if they suffice for today’s performance practice. |
collection_details |
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title_short |
Sound pressure level limits for stage machinery noise in operas and theaters |
url |
https://doi.org/10.1016/j.apacoust.2019.06.022 |
remote_bool |
true |
author2 |
Witew, Ingo Maeder, Marcus Gatt, Monika Scheffler, Michael Marburg, Steffen |
author2Str |
Witew, Ingo Maeder, Marcus Gatt, Monika Scheffler, Michael Marburg, Steffen |
ppnlink |
ELV020429711 |
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author2_role |
oth oth oth oth oth |
doi_str |
10.1016/j.apacoust.2019.06.022 |
up_date |
2024-07-06T17:21:13.684Z |
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